A musical of sorts set in Winnipeg during the Great Depression, where a beer baroness organizes a contest to find the saddest music in the world. Musicians from around the world descend on the city to try and win the $25,000 prize.
Maria de Medeiros
It's time for hockey! There's no telling what will happen when the Winnipeg Maroons' own star player Guy becomes embroiled in the twisted lives of Meta, a vengeful Chinoise, and her ... See full summary »
In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown... See full summary »
Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told a tale by their Icelandic grandmother about Einar the Lonely, his friend Gunnar, and the ... See full summary »
Peter Glahn is released after years of incarceration as a political prisoner and is now returning to his homeland, the mythical Mandragora where the sun never sets. On board the ship home, ... See full summary »
A ballet rendition of Bram Stoker's gothic novel DRACULA, presented in a style reminiscent of the silent expressionistic cinema of the early 20th Century. This work employs the subtle and ... See full summary »
A never-before-seen woodsman mysteriously appears aboard a submarine that's been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the... See full summary »
Nikolai, a mortician, and Osip, an actor playing Christ in a play, are brothers in love with the same woman. Anna, a state scientist and said woman, is in love with both brothers and ... See full summary »
Filmmaker Guy Maddin was born, raised and has always lived in Winnipeg, Manitoba, a town where he says everyone sleepwalks through life. He is trying to escape Winnipeg, but isn't sure how as he isn't sure what's kept him there in the first place. Perhaps his parent's month long 65th wedding anniversary celebration (despite his father being dead for some years) where he will reenact his childhood (with actors playing his family, except his mother who plays herself) in the old family home at 800 Ellis Avenue, which was above the family's hair salon business, will provide some answers. He recounts some civic events which have affected him and the life of Winnipegers: the 1919 general strike, the destruction of the Wolseley Elm in 1957, and the replacement of the iconic Eaton's building for the new hockey arena in favor of the old Winnipeg Arena. The latter has an especially close connection to him because of a family tie and the rich history of hockey in the city (discounting what he ... Written by
Guy Maddin's ninth feature is a pseudo-documentary about the director's hometown of Winnipeg. It mostly focuses on his relationship with the city, but it also includes re-enactments of his family life and famous weird things that happened in the city's past. It's a bit of a mess, but, as I've said before regarding Maddin, his films play out like dreams. A mess makes sense a lot of the time. I do think the film lacks the focus of his best work, and is, in fact, my least favorite of his features. Also contributing to my relatively low opinion of it (i.e., I don't think it's one of the best movies ever) is Maddin's own narration. I loved his previous film, The Brand Upon the Brain!, but objected to the narration. It's even worse here, taking a lot of the mystique out of the silent film pastiche Maddin has been perfecting since The Heart of the World (I'm kind of hoping that he'll some day return to the stuff of his earlier works, which felt more like the films of the '30s than those of the '20s). My favorite sequences were the occult ceremony in the Masonic temple and the hockey legends game, where septuagenarians play one last game as their stadium is demolished by wrecking balls. Darcy Fehr of Cowards Bend the Knee returns as Guy Maddin, who, in the movie, is as desperate to leave his depressing hometown as he is to stay (throughout the movie, Fehr appears dozing in a train car that never seems to get out of Winnipeg). And Maddin dug up Detour's Ann Savage, possibly literally, to play his mom.
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