| Videos (see all 2) |
| Lou Reed | ... | Himself | |
| Fernando Saunders | ... | Himself | |
| Sharon Jones | ... | Herself | |
| Antony Hegarty | ... | Himself (as Antony) | |
| rest of cast listed alphabetically: | |||
| Brooklyn Youth Chorus | ... | Themselves | |
| Steve Hunter | ... | Himself | |
| Emmanuelle Seigner | ... | Caroline | |
| Tony Thunder Smith | ... | Himself | |
| Rob Wasserman | ... | Himself | |
Directed by | |||
| Julian Schnabel | |||
Produced by | |||
| Gwen Bialic | .... | line producer | |
| Stanley F. Buchthal | .... | executive producer | |
| Maya Hoffmann | .... | executive producer | |
| Jon Kilik | .... | producer | |
| Ann Ruark | .... | co-producer | |
| Tom Sarig | .... | producer | |
Original Music by | |||
| Lou Reed | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Benjamin Flaherty | |||
Production Management | |||
| John Merchant | .... | unit manager | |
| Daniel Wagner | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| David Fischer | .... | second assistant director | |
| Jesse Nye | .... | first assistant director | |
Sound Department | |||
| Bryan Dembinski | .... | sound recordist | |
| John Harris | .... | sound | |
| Tony Volante | .... | sound re-recording mixer | |
Editorial Department | |||
| Joe Gawler | .... | digital intermediate colorist | |
| Florence Holdeman | .... | assistant editor | |
Music Department | |||
| Hal Willner | .... | music producer | |
Other crew | |||
| Mary Cybulski | .... | script supervisor | |
| Alexander Hammer | .... | office assistant | |
| Mariah Breitel Hembree | .... | post script services (as Mariah Breitel) | |
| John Merchant | .... | assistant to post-production coordinator | |
| Patrick Sarni | .... | office assistant | |
| Atilla Salih Yücer | .... | key production assistant | |
Thanks | |||
| Jonathan Bell | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD release?? | danishdrummer |
| what song is in the trailer? | elscorcho86 |
| OH YEAH!!!!!! | CrabTongs |
| Good reviews, good personnel... | Ike-12 |
| No conversation about this yet? | Kublai C |
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| The Beatles at Shea Stadium | The Song Remains the Same | Sign 'o' the Times | Bring on the Night | Robyn Hitchcock: I Often Dream of Trains. A Concert Film. |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
The Diving Bell and the Butterfly was one of my favourite films of last year, Lou Reed's Berlin is an amazing album, so imagine my excitement when I hear the director of 'Diving Bell' Julian Schnabel is set to make a film of the concert that Lou is performing at St.Ann's Warehouse, Brooklyn, New York. So can the visionary director make the 1973 concept album into a decent film? Can the musicians replicate the record on stage? Let me answer the second question first. The band fronted by Lou are all great musicians and with the addition of Anthony (of Anthony and the Johnsons) they do come as close as they can without upsetting any children (rumour has it that the children's cries on 'Kids' are real as they were told their parents were dead, locked in a cupboard and recorded through the door). Which is all well and good but does it make for good viewing? Well to be honest no, as much as I like the music and the director's style it comes across as boring and pretentious. Lou is hardly the most animated man and when he's not looking like Jerry Springer he resembles an embarrassing Geography teacher fronting a band of lab technicians. With very little to work with from the band Julian instead plumps for using projections, colour filters and out of focus shots, which is fine to start with but after half an hour or so my attention span was already waning and there was still nearly an hour to go. With 'Diving Bell' Julian managed to make a whole film about a guy who can only blink with one eye, so maybe he thought he could conjure up something from nothing here but sadly for all his talents he cant and despite all involved the film falls flat. Die hard fans will probably lap it up but don't expect anyone to suddenly start worshipping at the church of Reed if they haven't before. The film has a great soundtrack though so I recommend just putting that on while you do the ironing or something, that way you get the great songs without the tedious visuals. A disappointing shame considering.