| Photos (See all 10 | slideshow) | Videos (see all 5) |
| Werner Herzog | ... | Narrator | |
| Scott Rowland | ... | Himself - Transportation Dept. | |
| Stefan Pashov | ... | Himself - Philosopher, Forklift Driver | |
| Doug MacAyeal | ... | Himself - Glaciologist (as Douglas MacAyeal) | |
| Ryan Andrew Evans | ... | Himself - Filmmaker, Cook (as Ryan A. Evans) | |
| Kevin Emery | ... | Himself - Survival School Instructor | |
| Olav T. Oftedal | ... | Himself - Nutritional Ecologist | |
| Regina Eisert | ... | Herself - Physiologist | |
| David R. Pacheco Jr. | ... | Himself - Journeyman Plumber | |
| Samuel S. Bowser | ... | Himself - Cell Biologist | |
| Jan Pawlowski | ... | Himself - Zoologist | |
| William Jirsa | ... | Himself - Linguist, Computer Expert | |
| Karen Joyce | ... | Herself - Traveler, Computer Expert | |
| Libor Zicha | ... | Himself - Utility Mechanic | |
| Ashrita Furman | ... | Himself - Multiple World Record Holder | |
| David Ainley | ... | Himself - Marine Ecologist | |
| William McIntosh | ... | Himself - Volcanologist, Geochronologist | |
| Clive Oppenheimer | ... | Himself - Volcanologist | |
| Peter Gorham | ... | Himself - Physicist | |
| rest of cast listed alphabetically: | |||
| Ernest Shackleton | ... | Himself (archive footage) | |
Directed by | |||
| Werner Herzog | |||
Writing credits | ||
| Werner Herzog | (written by) | |
Produced by | |||
| Randall M. Boyd | .... | supervising producer | |
| Phil Fairclough | .... | executive producer | |
| Dave Harding | .... | executive producer (as David S. Harding) | |
| Julian Hobbs | .... | executive producer | |
| Henry Kaiser | .... | producer | |
| Andrea Meditch | .... | executive producer | |
| Erik Nelson | .... | executive producer | |
| Tree Wright | .... | associate producer (as Tree Leyburn) | |
Original Music by | |||
| Henry Kaiser | |||
| David Lindley | |||
Cinematography by | |||
| Peter Zeitlinger | |||
Film Editing by | |||
| Joe Bini | |||
Production Management | |||
| Jessica DeJong | .... | production manager | |
| Jane Root | .... | executive in charge of production | |
Art Department | |||
| Douglas Martin | .... | motion graphics | |
| Bruce McCall | .... | original artwork | |
Sound Department | |||
| Stephen Hart | .... | recording engineer | |
| Werner Herzog | .... | sound | |
| Michael Klinger | .... | post-production mixer | |
| Josh Michael | .... | recording assistant | |
| Robert Noone | .... | location sound | |
| Michael Paul | .... | location sound | |
| Douglas Quin | .... | sound designer | |
| D.D. Stenehjem | .... | sound designer | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Iain Marcks | .... | digital imaging technician: iO FILM (as Iain Stasukevich) | |
Camera and Electrical Department | |||
| James Creevy | .... | grip | |
| Jane Gray | .... | grip | |
| Henry Kaiser | .... | underwater photographer | |
Editorial Department | |||
| Danica Barnes | .... | on-line editor | |
| Bartholomew Burcham | .... | assistant editor | |
| Herrianne Cayabyab | .... | assistant on-line editor | |
| Ryan Delk | .... | first assistant editor | |
| Colin Hatton | .... | post-production coordinator | |
| Brian Hutchings | .... | colorist: Alpha Dogs, Inc. | |
| David W. Ryan | .... | assistant editor (uncredited) | |
Music Department | |||
| Jen Baker | .... | musician | |
| Joe Bini | .... | music editor | |
| Danielle DeGruttola | .... | musician | |
| Stephen Hart | .... | score mixer | |
| Stephen Hart | .... | score recording engineer | |
| Henry Kaiser | .... | music producer | |
| Cheryl Leonard | .... | musician | |
| David Lindley | .... | music editor | |
| Damon Smith | .... | musician | |
| William Winant | .... | musician | |
Other crew | |||
| Paul De Cham | .... | post facilities manager | |
| Ryan Andrew Evans | .... | production assistant (as Ryan Evans) | |
| Jason Farrell | .... | supplier: video equipment | |
| Patricia Jackson | .... | location manager | |
| Lola Mitchell | .... | production coordinator | |
| Jane Priester | .... | production coordinator | |
| Cynthia Shapiro | .... | business affairs | |
| Robert Smits | .... | supplier: video equipment | |
Thanks | |||
| Lloyd Austin | .... | thanks | |
| Samuel S. Bowser | .... | thanks (as Samuel Bowser) | |
| Ed Brawley | .... | thanks | |
| Steve Clabuesch | .... | thanks | |
| Dug Coons | .... | thanks | |
| Art Devries | .... | thanks | |
| Roger Ebert | .... | dedicatee | |
| Guy Guthridge | .... | thanks | |
| Kevin Hoefling | .... | thanks | |
| Elaine Hood | .... | thanks | |
| David T. Huang | .... | thanks (as David T. Huang) | |
| Philip Kyle | .... | thanks | |
| Greg Prian | .... | thanks | |
| Rob Robbins | .... | thanks | |
| Kim Stanley Robinson | .... | thanks | |
| Kim Silverman | .... | thanks | |
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| King of the Rocket Men | Religulous | The Day After Tomorrow | An Inconvenient Truth | 2012 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Encounters at the End of the World is a quirky and interesting film, definitely a departure from your average dry science documentary or eye-candy nature film, though it has elements of both.
It focuses predominantly on the odd collection of people drawn to live in an Antarctic research station, and to a slightly lesser degree on the oddness of the region itself, and the bizarre bits of scientific trivia that can be found there. Then there the bonus meanderings about the ultimate doom of humanity and whether we originally emerged from the sea onto land to escape the "horror" of marine ecosystems.
Many of its parts are fascinating, but for me, it didn't quite come together as a whole. It drifted in a lot of different directions, but seemed overall to be lacking in focus a bit. There were also a couple of elements that disturbed me a little - one was the inconsistency of talking about how humanity is destroying itself one moment, and then bashing "tree huggers and whale huggers" the next. I guess it's OK to notice that we're damaging the world, but not to try and do something about it? The other was that in some cases he seemed to be going out of his way to depict the people he interviewed in embarrassing ways, with things like leaving the camera lingering on them after the interview appeared to be finished, as they stood nervously, apparently trying to figure out if it was over or not.
But on the whole I would recommend it -- the flaws are offset by some impressive visuals (especially the underwater footage), dry humour, interesting ideas to ponder, and a really great soundtrack by Henry Kaiser and David Lindley, which work very well with the oddness of the content.