Encounters at the End of the World (2007)

User Rating:

7.8/10   

Director:

Werner Herzog

Writer:

Werner Herzog (written by)

Release Date:

17 October 2008 (Spain)

Genre:

Documentary

Plot:

Filmmaker Werner Herzog travels to Antarctica to capture its landscape's rarely seen beauty on film.

Plot Keywords:

Penguin | Antarctica | Mountain | Hand | Bucket

Awards:

Nominated for Oscar. Another 3 nominations

Cast

David Ainley	...	Marine Ecologist
Samuel S. Bowser	...	Cell Biologist
Regina Eisert	...	Physiologist
Kevin Emery	...	McMurdo Station Survival School Instructor
Ryan Andrew Evans	...	McMurdo Station Cook
Ashrita Furman	...	Multiple World Record Holder
Peter Gorham	...	Physicist - University of Hawaii
Werner Herzog	...	Narrator
William Jirsa	...	McMurdo Station Linguist - Computer Expert
Karen Joyce	...	Computer Expert
Doug MacAyeal	...	McMurdo Station Glaciologist (as Douglas MacAyeal)
William McIntosh	...	Volcanologist - Geochronologist
Olav T. Oftedal	...	Nutritional Ecologist
Clive Oppenheimer	...	Volcanologist
David R. Pacheco Jr.	...	McMurdo Journeyman Plumber
Stefan Pashov	...	McMurdo Station Forklift Driver
Jan Pawlowski	...	Zoologist
Scott Rowland	...	McMurdo Station Transportation Dept
Libor Zicha	...	McMurdo Station Utility Mechanic

Runtime:

99 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

USA:G | Canada:G (Alberta/British Columbia/Manitoba/Ontario/Québec) | Netherlands:6 | Singapore:G | Australia:G

Filming Locations:

Antarctica

Company:

Discovery Films

Quotes:

Narrator: The National Science Foundation invited me even though I made it clear I would not be making another movie about penguins.

Movie Connections:

Features Them! (1954)

Soundtrack:

Planino Stara Planino Mari

Good, but Not for a Herzog

I am a big fan of Herr Zog. But while Encounters provided me with an overall positive experience, it is a flawed film. First, the good news. Hearing the inorganically musical underwater vocalizations of Weddell seals through the theater's multichannel speaker system was alone worth the price of admission. One of the scientists studying the pinnipeds aptly describes their varied and otherworldly sounds as Pink Floydian. I am also pleased to have beheld extended footage of the magnificent world beneath the sea ice. It is a teeming environment whose surface we are only beginning to scratch, and I cannot blame Herzog for choosing choral background music that perhaps screams "awe" a bit too loudly; there is no danger of it cheapening the majesty of the frozen stalactites or the splendor of the sunlight dispersing through the ice-ceiling. Lastly, I'll note the humor, usually intentional, that Herzog uncharacteristically displays. His Teutonic deadpan is not his only comedic asset; he has a keen sense of the ridiculous, and ample targets among the many dubious denizens of the Antarctic.

My complaints are essentially twofold. First, the movie is disjointed. It is a hodgepodge of Herzog's encounters with various Antarctic researchers and residents; there is no apparent order or theme. This is a minor criticism, as most of the segments make for fine viewing on their own, but it would have been more satisfying if Herzog had presented a unifying thesis or two about the Light Continent (aside from the oft-repeated observation that it is populated by a fair number of "professional dreamers"). He should have at least arranged the segments in a clearly meaningful sequence. At its best, the film made no more of an impression on me than "that was beautiful," "that was cool," or "I didn't know that." Second, and more significantly, Herzog's narration is at times irritating. As someone who has studied climate change, I share his frustration and pessimism. But there is no call for saddling the film's final moments with apocalyptic platitudes (e.g., "the end of human life is assured") and a cursory reference to global warming. These sentiments are incongruous with the rest of the film, which does not substantially address environmentalism and whose most haunting scene is of a mad penguin that abandons its flock and runs inland towards distant mountains, to certain death, with a singular determination. Herzog's doomsayings, in any event, are better communicated by the satellite images of rapidly melting polar ice that we observe on a climatologist's computer screen. I know that Herzog is capable of more measured reflections on the impersonal and uncontrollable power of nature; for example, from Grizzly Man: "what haunts me is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior." In Encounters, Herzog superficially and self-indulgently overstates his case. I'm looking forward to his next film.