Strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
Six tourists hire an extreme tour guide who takes them to the abandoned city Pripyat, the former home to the workers of the Chernobyl nuclear reactor. During their exploration, they soon discover they are not alone.
Olivia Taylor Dudley
The American software designers Sean and Ben travel to Moscow to sell their software to investors. However, their Swedish partner Skyler pulls a fast one on Sean and Ben, and they are out of the business. They go to a nightclub, where they meet American Natalie and Australian Anne and they flirt with the girls and see Skyler in the club. Out of the blue, the population is surprised by lights, which they mistake for natural phenomena. But soon, they learn that the lights are aliens invading Earth and using power supply to annihilate mankind. Sean, Ben, Natalie, Anne and Skyler hide in the kitchen and when they leave the place, they seek out survivors on the street. Are they the last people on Earth? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Filming was shut down for three weeks because of a huge wildfire outbreak in Russia. See more »
When they are floating down the river on the boat to get to the submarine, you can clearly see the footage is reversed to make it look like the boat is floating down the stream. The sailing route is clearly visible, and the boat is "floating" backwards along it. See more »
Just got back from a screening of The Darkest Hour and honestly this film was better than I anticipated. I confess, I hadn't wanted to go at all but my friend insisted and so to keep the peace I went. Granted, the beginning is a uneven and it was unclear where the story was going but once it clicks in the thing moves right along. You are never sure who is going to die next and that helps keep the suspense level high. The acting is serviceable and the location is a refreshing change from the usual New York/Chicago skylines. It's frankly more interesting to watch the tale unfold against the dinginess of contemporary Moscow, and with Russian soldiers instead of Americans. Moreover, the special effects are simple, but effective.
In essence, invisible beings are here to steal our electricity and only insulators (e.g. glass or Faraday Cages) enable us to be hide from them. Because they are ruthless and utterly determined, there is no hope for negotiation, no chance for peace. Early on it is made clear either we win or we will be exterminated.
I liked everything about the movie, even though the alien invasion genre has gotten a bit tired of late. I was never bored and was always in suspense as to what would happen next. At 89 minutes, this joint Russian-American production probably could have taken more time with its story and characters, and not be in such a hurry to kill them off. Since the background is so different, maybe they could have shown us more of the city or used the locations more effectively.
Yet for all the obvious complaints one can make, the move works if you let it. I believe viewers will find it worth their while. Take it for what it is, and I honestly think you will have a good time at The Darkest Hour.
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