Strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The American software designers Sean and Ben travel to Moscow to sell their software to investors. However, their Swedish partner Skyler pulls a fast one on Sean and Ben, and they are out of the business. They go to a nightclub, where they meet American Natalie and Australian Anne and they flirt with the girls and see Skyler in the club. Out of the blue, the population is surprised by lights, which they mistake for natural phenomena. But soon, they learn that the lights are aliens invading Earth and using power supply to annihilate mankind. Sean, Ben, Natalie, Anne and Skyler hide in the kitchen and when they leave the place, they seek out survivors on the street. Are they the last people on Earth? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Shot in 3D as opposed to post-conversion. See more »
In the mall, Sean discovers that the aliens cant see them through glass since they are reading the human bio-electrical pulses and glass does not conduct electricity. So the bulb on Sean's neck shouldn't be lighting up either. See more »
Our expansion plans for Moscow include getting drunk, laid and ending up in a Russian prison, all at the click of a button.
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All the opening credits briefly appear in Russian before translated into English. See more »
Exactly what Sci-Fi fans love and film critics miss the point
In a world of mostly straight to video lower budget scifi movies or the hit and miss affairs of Sci-Fi original movies, The Darkest Hour was a real joy.
The ghost-like concept of the invaders was well conceived. Adding tension in droves, much like the original alien movie, with the what you can't see lets your mind be more creative. The lack of need for constant CGI of the aliens seemed to allow more budget and creativity on the other more subtle effects, creating a much more believable world. The floor of light bulbs effects, used similarly to the motion detectors in the Aliens movie, was cool.
It seems the film critics have again missed the point and glories of this movie. What they seemed to punish for I personally found to be the movies greatest achievements. Efficient, well conceived plot to me, seen as lacking to the critics. The not trying to save the whole world, ala Independence Day, but focusing on rag tag group of unprepared survivors worked, as it does in AMC's series The Walking Dead. The restrained use of 3D, meaning few objects flying out the screen or visual overdose leading to headache like the latest Transformers movie. The 3D effects added significantly to the sites of Moscow, giving a true sense of the size of Red Square and hence the immersion a 3D movie should give.
The Darkest Hour. Solid entertainment and great way to see Moscow without a 12hr flight. Ignore the critics and make up your own mind.
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