Strange lights descend on the city of Los Angeles, drawing people outside like moths to a flame where an extraterrestrial force threatens to swallow the entire human population off the face of the Earth.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
A crash landing leaves Kitai Raige and his father Cypher stranded on Earth, a millennium after events forced humanity's escape. With Cypher injured, Kitai must embark on a perilous journey to signal for help.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
We live in the age of mass incarceration -- an age in which more than 80,000 people are caged in confinement every day, many for decades at a time. Through intimate interviews with death ... See full summary »
Wanda Best Deveaux
The American software designers Sean and Ben travel to Moscow to sell their software to investors. However, their Swedish partner Skyler pulls a fast one on Sean and Ben, and they are out of the business. They go to a nightclub, where they meet American Natalie and Australian Anne and they flirt with the girls and see Skyler in the club. Out of the blue, the population is surprised by lights, which they mistake for natural phenomena. But soon, they learn that the lights are aliens invading Earth and using power supply to annihilate mankind. Sean, Ben, Natalie, Anne and Skyler hide in the kitchen and when they leave the place, they seek out survivors on the street. Are they the last people on Earth? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The involvement of Timur Bekmambetov as producer afforded the production the opportunity of using Russia as a backdrop instead of the usual USA locations. Bekmambetov owns a film production company in Moscow called Bazelevs where most of the movie was made. See more »
Toward the end of the film when the characters have to jump off the boat into the river, Sean and Natalie both jump in together holding hands. All the characters except Natalie emerge together and climb aboard the submarine. Somehow Natalie has managed to end up in the city, clearly more than a few kilometers away. See more »
Ooh, an American.
I didn't fly halfway around the world to see Americans. Tell her to go to Applebees.
See more »
All the opening credits briefly appear in Russian before translated into English. See more »
A fun alien invasion film without much pretentiousness
While maybe not much better than what the ratings and reviews say, at the very least 'The Darkest Hour' has the fun factor going for it. There is not much for a plot: your typical alien invasion, where a group of survivors have to try and survive the attack while in Moscow.
One of the things I liked here was that there IS originality. Instead of another American city, or even Tokyo/London, this time around we watch Moscow under attack. Instead of having to see the characters running and hiding around the same New York for the nth time, we are presented an 'unknown' scenario that has a lot of charm going for it.
Another plus is the aliens themselves. Not your typical armor-wearing soldiers or 'greys', but in here they have a very original design (bodyless masses of light). It is sad to hear the clichèd excuse for their invasion, but they are very interesting to see.
Despite these flairs of originality, overall the film suffers from the typical B-movie sci-fi problems. The blandness of the cast and some logic-defying situations/developments (every Russian they meet speak perfect English, for example) are downsides, but the straight-forward plot, lack of an overly pretentious message and non-boring development more than compensate.
Overall, this is far from a great film but it is a fun straight-forward B-movie with some welcome flashes of originality. It more than succeeds on entertaining, as long as you don't over-blow your expectations.
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