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A young Chicago advertising executive believes a woman he sees in a café is his long-lost love. His conviction leads to obsession, as he puts his life on hold to trail her.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Director:
Michael Cristofer
Stars:
Antonio Banderas,
Angelina Jolie,
Thomas Jane
Drama set in 1954, U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding nearby.
Director:
Martin Scorsese
Stars:
Leonardo DiCaprio,
Mark Ruffalo,
Ben Kingsley
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Stranded at a desolate Nevada motel during a nasty rainstorm, ten strangers become acquainted with each other when they realize that they're being killed off one by one.
An American man returns to a corrupt, Japanese-occupied Shanghai four months before Pearl Harbor and discovers his friend has been killed. While he unravels the mysteries of the death, he falls in love and discovers a much larger secret that his own government is hiding. Written by
Marisa_Gabriella
Prior to filming, Franka Potente's life was threatened by a stalker. Throughout the filming and entire production she was referred to by a pseudonym. See more »
This is a reasonably solid neo-noir spy/detective story told in Shanghai of 1941. I give it credit for having avoided the various shoals of parody, exaggeration, satire, overdone explosions, and overly-wordy dialogue that afflict quite a few movies these days. This was a serious attempt to tell a story in a more or less natural and realistic way while focusing on elements that are noir in nature. The characterizations rang reasonably true all the way through and so did the situations. The path it took was not predictable.
Having avoided the low spots and charted a good course, the movie was unable to generate memorable high spot scenes and dialogue. It just sort of went along. In older movies, there are often scenes that one can play and replay endlessly because the writing is that good in bringing out the characters and conflicts plus the magnificent acting and direction of old bring out far more than what is on paper. This is what is lacking in most newer movies, at least so far in the journey I am taking in viewing and assessing them.
This movie lacked a high degree of emotional involvement as well.
The recreation of the period is done very well. The acting was faultless even if it didn't achieve a high degree of involvement or communication of human depths. In that regard, the Japanese official Tanaka, the antagonist, may have had the best lines and the best sense of character arc.
Recommended. Certainly noir fans will find merit in Shanghai. The story is about a spy's efforts to find out who killed his friend, agent Connor, and why. Like all noir detectives, he does so persistently and intelligently. He is especially good at answering questions by using truthful and yet non-revealing responses. That was a strong point of the script.
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This is a reasonably solid neo-noir spy/detective story told in Shanghai of 1941. I give it credit for having avoided the various shoals of parody, exaggeration, satire, overdone explosions, and overly-wordy dialogue that afflict quite a few movies these days. This was a serious attempt to tell a story in a more or less natural and realistic way while focusing on elements that are noir in nature. The characterizations rang reasonably true all the way through and so did the situations. The path it took was not predictable.
Having avoided the low spots and charted a good course, the movie was unable to generate memorable high spot scenes and dialogue. It just sort of went along. In older movies, there are often scenes that one can play and replay endlessly because the writing is that good in bringing out the characters and conflicts plus the magnificent acting and direction of old bring out far more than what is on paper. This is what is lacking in most newer movies, at least so far in the journey I am taking in viewing and assessing them.
This movie lacked a high degree of emotional involvement as well.
The recreation of the period is done very well. The acting was faultless even if it didn't achieve a high degree of involvement or communication of human depths. In that regard, the Japanese official Tanaka, the antagonist, may have had the best lines and the best sense of character arc.
Recommended. Certainly noir fans will find merit in Shanghai. The story is about a spy's efforts to find out who killed his friend, agent Connor, and why. Like all noir detectives, he does so persistently and intelligently. He is especially good at answering questions by using truthful and yet non-revealing responses. That was a strong point of the script.