In a desperate attempt to save his rapidly failing used car dealership, Ben Selleck hires a crack team of "car mercenaries" to ramp up sales during the Fourth of July weekend. Led by the fast-talking, foul-mouthed, self-assured Don "The Goods" Ready, the group has three days to sell over 200 cars. But as Don undertakes his newest mission, and quickly falls for the boss's daughter Ivy, he realizes he'll have to trust more than his cars and his crafty skills in deceit to make a success out of the daunting weekend. Written by
The Massie Twins
The Trans Am at Selleck Motors most likely wasn't used in the making of Smokey and the Bandit (1977). The most telling sign of this is that the interior is golden brown, and Black, which was the color of the interior in the original Bandit car. See more »
As seen from the beginning, the Trans Am is placed on a metallic support in the air. By the end of the movie we see Don and Ivy talking inside the vehicle. However, when exiting, Don gets down as if the car was on the ground, before the take was quickly cut to a next scene. See more »
I'm sorry. I apologize. I'm... I'm a Christian man or whatever religion dominates the region I'm selling in, but you have to admit it did sound like she was talking about the big va-jay-jay, right?
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After the credits there is a scene with Don Ready and Ivy Selleck set to music. See more »
After reading so many bad reviews and angry critiques by many people who have only heard certain lines out of context and have not actually watched the entire film, I was surprised and thoroughly pleased to be laughing out loud throughout this entire movie. After a slightly slow start with few jokes in the first ten minutes setting up the story and characters, they finally arrive at the car lot and the story then immediately develops into a very funny final eighty minutes. It is a comedy with an ensemble cast of actors featured in numerous Ferrell/McKay movies with plenty of good-natured humorous satire of needless prejudices that will be familiar to anyone who has watched Chappelle's Show and was able to grasp the satire behind it. Rather than setting up one big gag for the end, the movie has countless visual jokes, hidden background details and subtexts, and quotable lines of funny dialogue layered so thick that multiple viewings will still be enjoyable. This is far superior to Brennan's first film, the unfortunately only mildly humorous Totally Awesome, and features significantly better casting, directing, editing, and production skills. I was concerned that it would be another letdown, but this movie far exceeded my expectations and I look forward to watching it again and noticing even more funny things because some of the funniest details are said immediately after another joke and may be missed because of laughter or are humorous small visual details. This type of layered comedy is known from Anchorman, Caddyshack, Step Brothers, Super Troopers, and Chappelle's Show, so if you liked those then you will be able to appreciate all of the funny lines and jokes from the varied and great cast and all of the humorous details carefully interwoven into this film. Will Ferrell was amazing as a character more crass than ever before and veteran actors Alan Thicke and Ving Rhaymes surprise with their character-breaking roles. Ed Helms and Rob Riggle were my main reasons for wanting to see this film and they do not disappoint when on camera, but I was a skeptical viewer pleased to find that the film was thoroughly funny from start to finish no matter who was on camera in a particular moment. This is what Totally Awesome should have been and exactly what a contemporary comedy should be.
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