| Kendra Sue Waldman | ... | Nina | |
| Eugene Buica | ... | Eugene | |
| rest of cast listed alphabetically: | |||
| Jan Anderson | ... | Fighting Prisoner | |
| Kelly Boczek | ... | Landsberg's Assistant | |
| Jamie Brunton | ... | Ana | |
| Tony Forkush | ... | Head of Fulcrum | |
| Paul Kolsby | ... | Paul Greene | |
| Joshua LeBar | ... | Gil | |
| Danny Murphy | ... | Landsberg | |
| Chuck O'Neil | ... | Writer | |
| Ursula Vari | ... | Tiger | |
| Marian Zapico | ... | Isabelle | |
Directed by | |||
| Calvin Simmons | |||
Writing credits(in alphabetical order) | ||
| Paul Kolsby | written by | |
Produced by | |||
| Mark J. Gordon | .... | producer | |
| Paul Kolsby | .... | producer | |
| Bernie Leinfelder | .... | line producer | |
| Calvin Simmons | .... | producer | |
| Hope Simmons | .... | co-producer | |
| K.E. Tang | .... | associate producer | |
Original Music by | |||
| David Jones | |||
Cinematography by | |||
| Matt Mindlin | |||
Film Editing by | |||
| Calvin Simmons | |||
Casting by | |||
| Dana Lynne Tomsic | |||
Production Management | |||
| Peter Wulff | .... | unit production manager | |
Sound Department | |||
| Christian Dwiggins | .... | sound re-recording mixer | |
| Christian Dwiggins | .... | supervising sound editor | |
| Sara Glaser | .... | sound mixer | |
| Mike Risha | .... | adr mixer | |
| Mike Risha | .... | dialogue editor | |
| R.D. White | .... | sound designer | |
| R.D. White | .... | sound effects editor | |
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| Broken Flowers | Bridget Jones: The Edge of Reason | The Last Detail | The Brothers | The Works |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Calvin Simmons' Float is a quixotic tale of a wannabe Hollywood director, Paul Greene, and his foolish pursuit at fame, fueled by his great idea. There's only one problem, his "great idea"--creating an all female prison on a ship--is absolutely ridiculous! Greene, however, will stop at nothing to get his film made. After pitching a big studio executive, played by Joshua LeBar, Float is a go, until his sudden termination. Losing his multi-million dollar budget, Greene must now figure out how to raise the money on his own and film the movie independently.
Intermixed with a workable romantic story, Float proves more than humorous. As Simmons mentioned in the Q&A after the film, the viewer doesn't necessarily relate to or want to be Paul Greene, but is sympathetic to his plight. His character, played by the writer, Paul Kolsby, is a likable--albeit pathetic--gem. I want to see more of his adventures! Float certainly doesn't inspire the independent filmmaker--nor should it--but it does laugh at the expense of Big Hollywood.