A hardened American gunslinger is repeatedly thwarted in his attempts to mount a showdown in a friendly town in Canada where no one seems to understand or appreciate the brutal code of the American Wild West.
Following the lives of a dozen Australian soldiers who served in the Australia and New Zealand Army Corps (ANZAC) during World War I which follows them from the 1915 battle of Galipoli, to ... See full summary »
Sergeant Michael Dunne fights in the 10th Battalion, AKA The "Fighting Tenth" with the 1st Canadian Division and participated in all major Canadian battles of the war, and set the record for highest number of individual bravery awards for a single battle. Written by
The scene at the beginning of the battle of Passchendaele where Canadian soldiers walk on wooden planks between the wet trenches is virtually identical to a famous picture of the battlefield taken by Australian photographer Frank Hurley on October 29th 1917. See more »
The position of the German's bayonet over Dunne's chest during the scuffle. See more »
Listen to me. Forests burn 'cos they have to. And oceans, they go up and down 'cos they have to. I don't think we're that different. If you want to get through this you have to start seeing it for what it is. It's something we do all the time because we're good at it. And we're good at it because we're used to it. And we're used to it because we do it all the time.
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During the end credits, Black and White footage of the real battle of Passchendaele are shown. See more »
In 1917, in the World War I, the veteran Sergeant Michael Dunne (Paul Gross) is wounded in the front and is nursed by Nurse Sarah Mann (Caroline Dhavernas). He is diagnosed neurasthenic and returns to his hometown Calgary to work in the recruitment. Michael fall in love for Sarah, but is not corresponded. When Sarah's asthmatic brother David (Joe Dinicol) forces his enlistment to be recognized by the father of his girlfriend Cassie Walker (Meredith Bailey), Sarah believes Michael is the responsible and blames him for the engagement of her brother in the army. Michael enlists using his mother last name to protect David and they are sent to the no man's land in the front of the Battle of Passchendaele.
"Passchendaele" is a good romance in times of war. The marketing is totally wrong since the romance prevails over the war genre. The cinematography is extremely beautiful, highlighting the magnificent landscapes and scenarios. The gorgeous and sweet Caroline Dhavernas recalls Lara Flynn Boyle and has a great performance. The characters could be better developed and there are some parts that do not work well, like the annoying David Mann, who does not deserve the sacrifice of Michael; the last scene with the analogy to Jesus Christ is awful and unnecessary. But in general, "Passchendaele" is an above average movie. My vote is eight.
Title (Brazil): "A Batalha de Passchendaele" ("The Battle of Passchendaele")
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