A hardened American gunslinger is repeatedly thwarted in his attempts to mount a showdown in a friendly town in Canada where no one seems to understand or appreciate the brutal code of the American Wild West.
Baron Manfred von Richthofen is the most feared and celebrated pilot of the German air force in World War I. To him and his companions, air combats are events of sporty nature, technical ... See full summary »
Following the lives of a dozen Australian soldiers who served in the Australia and New Zealand Army Corps (ANZAC) during World War I which follows them from the 1915 battle of Galipoli, to ... See full summary »
Paul Gross stars as the leader of a recently reunited curling team from a small Canadian town. This offbeat comedy follows the team as they work through their respective life issues and ... See full summary »
James B. Douglas
Sergeant Michael Dunne fights in the 10th Battalion, AKA The "Fighting Tenth" with the 1st Canadian Division and participated in all major Canadian battles of the war, and set the record for highest number of individual bravery awards for a single battle. Written by
When filming the Battle of Passchendaele, Paul Gross was very meticulous about maintaining historical accuracy. He would keep various photos of the real battlefield and compare them with how the set looked. See more »
The position of the German's bayonet over Dunne's chest during the scuffle. See more »
My God! Watching this film, I found it hard to believe that it was done with a straight face. Cliché riddled, irrelevant and soporific subplots, truly laughable, wooden, anachronistic dialogue, stilted acting, the miscasting of virtually every character (with Gross himself taking the blue ribbon in this regard), the movie is an embarrassment. Indeed, its hard to know what's more embarrassing - the movie itself or the fact there are so many reviewers whose patriotism makes them blind to its stink and causes them to heap praise upon it. I'm embarrassed that people can be so misguided and let their need to boost Canada interfere with their critical faculties. But I digress.
In fact, it was obvious that the film was going to be dreadful within minutes of the opening titles. By this I mean that it actively oozed CBC - the sets, the vistas, the type of lens used, EVERYTHING just reeked of a CBC influence. Except for the battle scenes, there was a pervasive sense that one was watching yet another prototypical, Sunday 7 PM, CBC special presentation. It is actually sad that Paul Gross invested so much of his heart and soul in this production.
I've given it a '2' out of 10, rather than a mere '1', to reflect the fact that it had at least one redeeming quality - it ended.
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