| Lou Diamond Phillips | ... | Bobby Hattaway | |
| Stacy Keach | ... | Robert Hattaway | |
| Vincent Spano | ... | Stu Croker | |
| Marta DuBois | ... | Dora | |
| Terry Maratos | ... | Curtis | |
| Cynthia Preston | ... | Constance | |
| Angela Alvarado | ... | Serena (as Angela Alvarado Rosa) | |
| Mike Starr | ... | Lloyd | |
| Robert Baker | ... | Vic | |
| Timothy Bottoms | ... | Gus | |
| Ann Walker | ... | Irene | |
| Tom Schanley | ... | Mike Butler | |
| rest of cast listed alphabetically: | |||
| Maria Jordan | ... | Saloon Girl | |
| Nygell | ... | Townfolk | |
| Jimmy Ortega | ... | Rough Rider #4 | |
| David Reiner | ... | Townfolk | |
| Wendy Riordan | ... | Saloon Girl | |
| Phillip Sanchez | ... | Mexican Husband | |
| Daniel Trainer | ... | Blacksmith (uncredited) | |
Directed by | |||
| David S. Cass Sr. | |||
Writing credits(in alphabetical order) | ||
| Frank Sharp | written by | |
Produced by | |||
| Albert T. Dickerson III | .... | producer | |
| Matt Fitzsimons | .... | co-executive producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Larry Levinson | .... | executive producer | |
| Nick Lombardo | .... | co-executive producer | |
| Michael Moran | .... | co-executive producer | |
| Traceigh Scottel | .... | co-producer | |
Original Music by | |||
| Joe Kraemer | |||
Cinematography by | |||
| James W. Wrenn | |||
Film Editing by | |||
| Tricia Gorman | |||
Casting by | |||
| Penny Perry | |||
| Amy Beth Reece | |||
Production Design by | |||
| Yuda Acco | |||
Makeup Department | |||
| Kristy Horiuchi | .... | key makeup artist | |
| Starr Jones | .... | makeup department head | |
| Rachel Lee | .... | hair stylist | |
| Jerri Lynn Marlborough | .... | key hair stylist | |
| Magan Michele | .... | additional makeup artist | |
Second Unit Director or Assistant Director | |||
| Crisoforo Aguilar | .... | key second assistant director | |
| Ryan Krayser | .... | second second assistant director | |
| Charity Ozarowski | .... | first assistant director | |
Art Department | |||
| Matt Caetano | .... | set dresser | |
| David Delvalle | .... | leadman | |
| Kirk Graves | .... | assistant property master | |
| Becky Martinez | .... | set dresser | |
| John Sadler | .... | property master | |
Sound Department | |||
| Josh Eckberg | .... | sound recordist | |
| Mark Ettel | .... | sound re-recording mixer | |
Visual Effects by | |||
| John Peeler | .... | digital compositor | |
| John Peeler | .... | visual effects coordinator | |
Stunts | |||
| Richard Bucher | .... | stunt double | |
| Richard Bucher | .... | stunt double: Vincent Spano | |
| Jake Crawford | .... | stunt performer | |
| Bryan Friday | .... | stunt double | |
| Shawn Patrick Nash | .... | stunts | |
| Joe Ordaz | .... | stunt double | |
| Joe Ross | .... | stunt performer | |
Camera and Electrical Department | |||
| Mark Evans | .... | dolly grip | |
| Jose Elias Felix | .... | dolly grip | |
| Christopher Goss | .... | first assistant camera | |
| Steve Irvine | .... | lighting technician | |
| Chris Owen Jones | .... | additional first assistant camera (as Christopher Jones) | |
| J. Lamar King | .... | electrician | |
| Erwin Landau | .... | Steadicam operator | |
| Erwin Landau | .... | camera operator | |
| Aaron Marquette | .... | eyemo tech | |
| Aaron Marquette | .... | second assistant camera | |
| Eric McCandless | .... | still photographer | |
| Luke Miller | .... | gaffer | |
| Jessica Plaxton | .... | electrician (as Jessica Szejn) | |
| Jacob Rupe | .... | grip | |
| Bernie Smith | .... | first assistant camera | |
| Matthew Thiemann | .... | best boy electric | |
| Marielle Woods | .... | camera production assistant | |
| Vincent Wrenn | .... | camera operator | |
| Christopher Goss | .... | camera operator (uncredited) | |
Casting Department | |||
| Christine Babayans | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lisa Goldman | .... | costumer | |
Editorial Department | |||
| Elijah Dylan Costa | .... | assistant editor | |
| Andrew Drapkin | .... | colorist | |
| Peter Hagan | .... | assistant editor | |
| Roger La Prairie | .... | colorist | |
Music Department | |||
| Matt Shelton | .... | music editor | |
Other crew | |||
| Carrie Berg | .... | production assistant | |
| William Clark Coit III | .... | location manager | |
| Warren T. Goz | .... | financial consultant | |
| Janet M. Graham | .... | production assistant | |
| Blaine G. Houserman | .... | production accountant | |
| Josephine Hunt-Korn | .... | production assistant | |
| Angie Kern | .... | set medic | |
| Marisa La Tour | .... | production associate | |
| Christian Labarta | .... | set production assistant | |
| Beth J. Linden | .... | assistant production coordinator | |
| Stewart McMichael | .... | financial consultant | |
| Brian McQuery | .... | location assistant | |
| Amanda Phillips Atkins | .... | director of development (as Amanda Phillips) | |
| Mary Przybylski | .... | pre-production coordinator | |
| Ace Mudbone Ramsey | .... | production assistant | |
| Laura Sherman | .... | production coordinator | |
| Daniel Trainer | .... | key production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Great western...about time | kris-mcconville |
| Release Date | george2266 |
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| Spirit: Stallion of the Cimarron | The Outlaw Josey Wales | Hidalgo | GoldenEye | Parade of the West |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
What a disappointment. I like Lou Diamond Phillips, and he and some other actors try, but the script, direction, and editing are terrible.
All the characters are one dimensional. The villain is so totally mean and one dimensional that one cannot fathom that he was Phillip's character's best friend when they were younger.
I wonder if the script was longer and it was butchered to fit into a 2 hour time slot on TV? Or was the script so bad this was all the director had to work with? Or was the editor at fault in fitting the movie into a 2 hour time slot? A number of scenes come so rapid fire to establish continuity and move the plot along, but they are so short and jarring that I wondered what I was missing.
For example, Phillips's character gets a woman he is interested in for a picnic. Cut to his cousin getting waylaid, robbed, and beaten. Cut to Phillips returning from the picnic to learn the news his cousin was robbed and beaten and was now at the doctor's place. Cut to talk with his family at the doctor's place about what happened (with no interaction with the cousin). Cut to two of the villain's henchmen beating up a homesteader and tieing him to a tree. Phillip's character witnesses it from a distance. (wait a minute, why is Phillip's wandering the countryside when he should be concerned about his cousin and retribution?) Henchmen ride off. Phillip's rides in and cuts the homesteader loose. The next we know Phillip's speaks with the sheriff to learn the sheriff won't do anything because he says the homesteader won't press charges and Phillip's wasn't there to witness the beating.
All the above happens over the course of a few minutes. There is a lot that could be expanded in each scene to give the scene weight, but isn't. Therefore none of it has any emotional resonance and is almost a montage, or could have been done by talking to explain situations. The actual picnic scene should have been there to establish a relationship between Phillips and the woman. I'm not sure why Phillips is attracted to this woman - could she be the only single woman in town not working at the saloon? Speaking of the woman, from the movie she worked for another business woman, yet in trying to remember her character name, IMDb apparently lists her a "Saloon girl". No... in the movie she has a conversation with the saloon owner about not working for him.
The fight scenes are poorly shot and edited. Lots of closeups and quick edits. The gunfights are dumb and lame.
The villain's wife spends half her screen time running around in corsets and bloomers with a drink in her hand, but somehow the movie can't even make that have a hint of sexiness.
Bad, bad, bad.