| Videos (see all 6) |
| Nathalie Baye | ... | Judith | |
| Eric Caravaca | ... | Marco | |
| Isabelle Carré | ... | Fanny | |
| Josiane Balasko | ... | Irène | |
| Catherine Hiegel | ... | Maggy (as Catherine Hiegel sociétaire de la Comédie Française) | |
| Marilou Berry | ... | Karine | |
| Félicité Wouassi | ... | Rosalie | |
| George Aguilar | ... | Jim | |
| Sandrine Le Berre | ... | Bérénice | |
| David Rousseau | ... | Alex | |
| Guillaume Verdier | ... | Zoltan | |
| Jean-Christophe Folly | ... | Toutoune | |
| Richard Berry | ... | Lucas | |
| Maria Schneider | ... | Marie-Hélène | |
| Joaquina Belaunde | ... | Rosanna | |
| Mauricette Laurence | ... | Mémée | |
| Arnaud Valois | ... | Sylvain | |
| Véronique Barrault | ... | Madame Vandamme | |
| Sylvie Herbert | ... | Madame Benaïche | |
| Chantal Banlier | ... | Madame Mercier | |
| Marie-Philomène Nga | ... | Madame Drame | |
| Cécile Breccia | ... | Elodie | |
| Guillaume Nicloux | ... | Jean-Louis | |
| Rudy Berry | ... | Jonathan | |
| Karen Dersé | ... | La maquilleuse | |
| Guy Prévost | ... | Victor | |
| Arnaud Foeller | ... | Jean-Marc | |
| Hassan Gningue | ... | Homme retour vidéo téléachat | |
| Virginie Bluzat | ... | Femme retour vidéo 2 | |
| Patrick Nogues | ... | Le chauffeur de maître | |
| Christian Clessi | ... | L'huissier | |
| Gérard Krawczyk | ... | Le patron du bistrot | |
| Nadja-Rebecca Warasteh | ... | La vendeuse de la bijouterie (as Nadja Warasteh) | |
| Tom Jedorowicz | ... | Jérémy | |
| Habibur Rahman | ... | Le vendeur de roses du Jardin du Luxembourg | |
| Jacques Petitpré | ... | Le scientifique du Palais de la Découverte |
Directed by | |||
| Josiane Balasko | |||
Writing credits | ||
| Josiane Balasko | ||
| Josiane Balasko | (adaptation) & | |
| Franck Lee Joseph | (adaptation) | |
Produced by | |||
| Patrick Batteux | .... | executive producer: Moab, Utah | |
| Cyril Colbeau-Justin | .... | producer | |
| Jean-Baptiste Dupont | .... | producer | |
| Josiane Balasko | .... | co-producer (uncredited) | |
Original Music by | |||
| DJ Kore | |||
Cinematography by | |||
| Robert Alazraki | |||
Film Editing by | |||
| Marie De La Selle | |||
| Claudine Merlin | |||
Production Design by | |||
| Olivier Radot | |||
Art Direction by | |||
| Keith Mosca | |||
Costume Design by | |||
| Fabienne Katany | |||
Production Management | |||
| Didier Abot | .... | unit production manager | |
| Matthieu Constans | .... | assistant unit manager | |
| Arnaud Foeller | .... | unit production manager | |
| Albert Prévost | .... | production manager | |
| Catalina Restrepo | .... | production manager: Utah | |
Second Unit Director or Assistant Director | |||
| Zazie Carcedo | .... | first assistant director | |
| Alice Darmon | .... | third assistant director | |
| Mathilde Kraemer | .... | second assistant director | |
Art Department | |||
| Marine Genin-Birchler | .... | key painter | |
| Baptiste Magis | .... | second assistant art director | |
| Laurent Saimond | .... | property master | |
| Julie Wassef | .... | second assistant decorator (uncredited) | |
Sound Department | |||
| Dominique Hennequin | .... | sound re-recording mixer | |
| Hassan Kamrani | .... | second boom operator | |
| Fabien Kharat | .... | boom operator | |
| Michel Kharat | .... | sound | |
| Marie-Christine Ruh | .... | sound editor | |
| Christophe Vingtrinier | .... | foley engineer | |
Visual Effects by | |||
| Arnaud Damez | .... | digital artist | |
| Olivier Debert | .... | digital artist | |
| Olivier Debert | .... | visual effects | |
| Roxane Fechner | .... | visual effects supervisor | |
| Elodie Glain | .... | visual effects coordinator | |
| Anita Lech | .... | digital artist (as Anita Lech Bedez) | |
| Aurélie Villard | .... | digital artist | |
Stunts | |||
| Pascal Guégan | .... | stunts | |
| Philippe Guégan | .... | stunts | |
Camera and Electrical Department | |||
| Yves Agostini | .... | camera operator | |
| Sylvain Bardoux | .... | grip | |
| Arnaud Borrel | .... | still photographer | |
| Sarah Boutin | .... | assistant camera: video | |
| Alain Cousseau | .... | gaffer | |
| Aurélien Dubois | .... | second assistant camera | |
| Maxime Héraud | .... | first assistant camera | |
| Jérôme Prébois | .... | photographer: poster | |
| Benoît Theunissen | .... | additional steadicam operator | |
| Jean-Baptiste Thibaud | .... | Steadicam operator | |
Casting Department | |||
| Youna De Peretti | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Virginie Bluzat | .... | costume design assistant | |
| Fabienne Josserand | .... | assistant costume designer | |
Editorial Department | |||
| Ornella Del-Vecchio | .... | digital conformation | |
| Frederic Jupin | .... | digital conformation | |
Other crew | |||
| Laetitia Dom | .... | production assistant | |
| Laetitia Dom | .... | production secretary | |
| François Ferracci | .... | opening titles | |
| Jessica Palud | .... | location scout | |
| Laurent Renard | .... | press attache | |
| Leslie Ricci | .... | press attache | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
CLIENTE ('A FRENCH GIGOLO') is a bit of French fluff using the subject of the world's oldest profession in an up to date role reversal situation. The 'seller' in this story is a young male construction worker (Marco - Eric Caravaca) who is married to Fanny (isabelle Carré) who owns a beauty salon that is on hard times: Marco's income drops below tolerable and he decides to try being a gigolo so that his wife won't lose her salon. The 'buyer' or client is divorced television personality and executive Judith (Natalie Baye) who satisfies her personal needs by hiring men via the internet for lunchtime trysts. Marco (who uses the name Patrick for his secret profession) connects with Judith and Judith pays him well for his services until Fanny discovers the source of Marco/Patrick's income and threatens to end their marriage. Marco returns to the home front, but returning to his life as a construction worker hardly pays the bills, and as Fanny stands to lose her salon, she encourages Marco to re-enter the life of a gigolo. Judith hires him again and a growing bond results from what should be a business arrangement. How Judith copes with the changes and the decisions Marco/Patrick makes fleshes out this light comedy that contains just enough of a bite to make it realistic.
There are other sidebar stories - Judith's sister's her affair with an American Indian, Marco's beloved Grandmother, Fanny's obnoxious live-in sister and Fanny's mother, and the reaction at the television studio by Judith's compatriots and their responses to her life style - that keep the story floating with very humorous and at times very tender diversions. Natalie Baye is her usual stunning self and manages to keep her character from becoming a parody. Josiane Balsako directs her own screenplay based on her own novel and understands the delicacies as well as the humor of the subject matter. It all works well and provides an evening of French comedy with a twist.
Grady Harp