Directed by | |||
| Peter Andrikidis | |||
Writing credits | ||
| Peter Gawler | (written by) | |
| Greg Haddrick | (story) and | |
| Ronan Glennane | (story) and | |
| Nell Greenwood | (story) | |
Produced by | |||
| Peter Andrikidis | .... | producer | |
| Justin Bodle | .... | executive producer | |
| Richard Mewis | .... | development producer | |
| Sam Thompson | .... | line producer | |
Original Music by | |||
| Burkhard von Dallwitz | (2008) (as Burkhard Dallwitz) | ||
Cinematography by | |||
| Owen McPolin | (director of photography: London and Tajikistan) | ||
| Mark Wareham | (director of photography) | ||
Film Editing by | |||
| Neil Thumpston | |||
Casting by | |||
| Ann Robinson | |||
Production Design by | |||
| Kim Buddee | |||
Art Direction by | |||
| John Wingrove | (as JD Wingrove) | ||
Costume Design by | |||
| Louise Wakefield | |||
Makeup Department | |||
| Anna Gray | .... | hair & makeup artist | |
| Jennifer Lamphee | .... | hair/makeup supervisor | |
| Zoe Saleeba | .... | makeup assistant | |
Production Management | |||
| Gordon Andersen | .... | unit manager | |
| Nat Purdon | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Tremaine Egan | .... | third assistant director | |
| Jeremy Grogan | .... | second assistant director | |
| Russell Whiteoak | .... | first assistant director | |
Art Department | |||
| Mary-Liz Andrews | .... | art department coordinator | |
| John King | .... | stand-by props | |
| Katie Lenehan | .... | assistant stand-by props | |
| Melanie Livermore | .... | props buyer (as Mel Livermore) | |
| Melanie Livermore | .... | set dresser (as Mel Livermore) | |
| Sam Lukins | .... | assistant props buyer | |
| Sam Lukins | .... | assistant set dresser | |
| Frazer Moore | .... | assistant props buyer | |
| Frazer Moore | .... | assistant set dresser | |
| Victoria Williams | .... | props buyer | |
| Victoria Williams | .... | set dresser | |
Sound Department | |||
| Lucas Bone | .... | dialogue editor | |
| Jake Brown | .... | boom operator | |
| Justin Dotondo | .... | sound assistant | |
| Jared Dwyer | .... | sound assistant | |
| Cameron Grant | .... | sound effects editor | |
| Jason Hancock | .... | foley recordist: Feet 'n Frames | |
| Bronwyn Murphy | .... | dialogue editor | |
| Andrew Plain | .... | sound supervisor | |
| Peter Purcell | .... | sound mixer (as Pete Purcell) | |
| John Simpson | .... | foley artist: Feet 'n Frames | |
| Stuart Waller | .... | sound recordist | |
| Megan Wedge | .... | sound effects editor | |
Special Effects by | |||
| Daniel Bavell | .... | titles design | |
| Dave Everett | .... | special effects technician | |
| Andrew Hardingham | .... | electronics technician | |
| David Trethewey | .... | special effects supervisor | |
Visual Effects by | |||
| William O'Connell | .... | vfx compositor | |
| Francesca Pascoe | .... | computer graphics | |
Stunts | |||
| Ray Anthony | .... | stunts | |
| Raelene Chapman | .... | stunts | |
| Paul Doyle | .... | stunts | |
| Mark Duncan | .... | stunts | |
| Dean Gould | .... | stunt coordinator | |
| Sarah Grieve | .... | stunts | |
| Brian Grogan | .... | stunts | |
| Goran Jakovski | .... | stunts | |
| Ingrid Kleinig | .... | stunt performer | |
| Ingrid Kleinig | .... | stunts | |
| Marc Le Cornu | .... | stunts (as Mark Le Cornu) | |
| Tony Lynch | .... | stunts | |
| Scott McLean | .... | stunts | |
| Philip Partridge | .... | stunts (as Phil Partridge) | |
| Leon Stripp | .... | stunt performer | |
| Leon Stripp | .... | stunts | |
| Gordon Waddell | .... | stunts | |
| Mark Duncan | .... | stunt double: Jeremy Lindsay Taylor (uncredited) | |
| Mike Duncan | .... | stunt double: Dougray Scott (uncredited) | |
| Mike Duncan | .... | stunt double: Richard Roxburgh (uncredited) | |
Camera and Electrical Department | |||
| Craig Bartlett-Sweiger | .... | grip | |
| Stephen Brack | .... | still photographer (as Steve Brack) | |
| Wei-Ching Chong | .... | b focus puller | |
| Jason Ewart | .... | camera operator: "b" camera | |
| Stephen Harding | .... | grip assistant (as Stephen Harding Jr.) | |
| Carl Mullin | .... | grip assistant | |
| Michael Pedder | .... | best boy | |
| Toby Petch | .... | clapper loader | |
| Nino Tamburri | .... | focus puller: "a" camera | |
| Matthew Temple | .... | camera c operator | |
| Aron Walker | .... | key grip (as Aaron Walker) | |
| Simon Williams | .... | gaffer | |
| Jimmy Pozarik | .... | still photographer (uncredited) | |
Casting Department | |||
| Ann Robinson | .... | casting | |
| Gary Davy | .... | casting: uk (uncredited) | |
| Grant Thompson | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Bernadette Croft | .... | assistant costume stand-by | |
| Xanthe Heubel | .... | additional costume | |
| Amanda Irving | .... | costume supervisor | |
| Samantha Morley | .... | costume standby | |
Editorial Department | |||
| Annelie Chapple | .... | colorist (as Annelle Chapple) | |
| Simon Dibbs | .... | picture editor: Island Films | |
| Prue Fletcher | .... | high-definition post production: The LaB Sydney | |
| Margi Hoy | .... | assistant editor | |
| William O'Connell | .... | on-line editor | |
Music Department | |||
| David Herzog | .... | musician: acoustic and electric guitars | |
| Michael Letho | .... | music mixer | |
| Michael Letho | .... | music recordist | |
| Jess Moore | .... | music supervisor | |
Transportation Department | |||
| Adam Pinnock | .... | vehicle coordinator | |
Other crew | |||
| K.J. Andersen | .... | unit assistant (as KJ 'Kage' Andersen) | |
| Tony Andersen | .... | unit assistant | |
| Kingston Anderson | .... | location manager | |
| Robert Bailey | .... | catering assistant | |
| Teresa Barker | .... | production coordinator (as Terésa Barker) | |
| Carl Beaumont | .... | unit assistant | |
| Pat Breese | .... | unit publicity: Strut PR & Events | |
| Anni Browning | .... | completion guarantor: Film Finances | |
| Jean Paul Bruneteau | .... | catering supervisor | |
| Anthony Cogin | .... | adr loop group (as Tony Cogin) | |
| Emma Cohen | .... | unit nurse | |
| Trish Davidson | .... | post-production accountant | |
| Patrick Elkington | .... | unit assistant | |
| Karen Farrell | .... | unit publicity: Strut PR & Events | |
| Emma Fletcher | .... | production secretary | |
| Tony Garland | .... | armorer | |
| Tony Gibbs | .... | insurance: HW Wood Australia | |
| Ian Gledhill | .... | head of finance: Screentime | |
| Dean Gould | .... | safety supervisor | |
| Louise Johnson | .... | script supervisor | |
| Melinda Kuhl | .... | travel services: Encore Travel | |
| Peter Lamb | .... | technical advisor | |
| Reezy Miller | .... | post-production script | |
| Reza Mokhtar | .... | catering supervisor | |
| Ian Seymour | .... | unit assistant | |
| Sotiri Sotiropoulos | .... | safety supervisor | |
| James Weinert | .... | catering assistant | |
| Christopher Wheeler | .... | on-set location manager | |
| Cherie Whyte | .... | production accountant | |
| Sandy Willis | .... | legal and business affairs: Screentime | |
| Di Adams | .... | adr loop group (uncredited) | |
| Amanda Bishop | .... | adr loop group (uncredited) | |
| Emma Buzo | .... | adr loop group (uncredited) | |
| Darren Gilshenan | .... | adr loop group (uncredited) | |
| Sophie Gregg | .... | adr loop group (uncredited) | |
| Slava Orel | .... | adr loop group (uncredited) | |
| Nils Pedotti | .... | production runner (uncredited) | |
| Costa Ronin | .... | adr loop group (uncredited) | |
| Andrew Saareste | .... | accounting assistant (uncredited) | |
| Justin Smith | .... | adr loop group (uncredited) | |
| John Xintavelonis | .... | adr loop group (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
This long and more intellectually convoluted espionage television mini-series incorporates the strong European tradition of subdued mystery and moral angst that skews the more uplifting, positive energy of American action-thrillers. The script and special camera work overreach themselves in their attempt to be smart and intriguing, though a careful read will reveal a rather irritating editing and irregular flow of the storyline with a number of gaps in the plot continuity. There is a heavy dose of emotional guilt and suffering, strangely analogous to Eastern cultural humble and suffering sacrifice philosophies. The TV series never quite reaches the potential for really potent enlightening, though it does mightily in its effort to push those notes of inspiration. A hard movie to sit through, The Diplomat though still presents a qualitatively superior substantive performance.