1967. The world is alive with change: brimming with reawakened energy, new styles, music and an infectious sense of hope. In Jordan, a different kind of change is underway as tens of ... See full summary »
About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
Tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the... See full summary »
Soraya, born in Brooklyn in a working class community of Palestinian refugees, discovers that her grandfather's savings were frozen in a bank account in Jaffa when he was exiled in 1948. Direct, stubborn, and determined to reclaim what is hers, she fulfills her life-long dream of "returning" to Palestine. Slowly she is taken apart by the reality around her and is forced to confront her own anger. She meets Emad, a young Palestinian whose ambition, contrary to hers, is to leave forever. Tired of the constraints that dictate their lives, they know in order to be free, they must take things into their own hands, even if it's illegal Written by
Palestine's first feature film by a female director. See more »
Composed by Marcel Khalife / (p) Nagam Records
Reinterpreted by Tamer Nafar, Suheil Nafar, Mahmud Greiri (DAM)
Kayvon Sarfejooy (DJ K-Salaam) & Nick Phillips (Beatnick)
Concept & Under the direction of Annemarie Jacir & Kamran Rastegar See more »
Cinema, in my eyes, is an art. The best pieces of art in almost any medium are subjective pieces of work they allow you to understand what the artist's feelings, emotion, messages etc. are. However when inducing politics into art one should be very objective. It is impossible to set out a rational film on a political issue if the movie is made in a subjective manner. 'Salt of this Sea' is one such movie where a strive has been made to critique a very delicate situation in Isreal/Palestine, however it is done in such a narrow scope, and at times, disgustingly sentimental way. The mere fact that in the movie, the main character feels such a strong connection with a place she has never been before, is almost laughable, as is the demonising of almost all Isreali characters throughout the film. There can be no doubt that some of the plot and events in the film have merit, but there is an overwhelming bias toward one side of a very complex and challenging issue, that it does no justice to history of the story it is trying to tell.
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