| Photos (See all 19 | slideshow) |
| Sebastien Roberts | ... | Devin Hall / Dan Hall | |
| Sarah Allen | ... | Jane Kozik | |
| Jayne Heitmeyer | ... | Katherine Randell | |
| Rebecca Windheim | ... | Kelsey Kozik | |
| Robert Englund | ... | Eli Giles | |
| Michel Perron | ... | Mayor Blatz | |
| Sheena Larkin | ... | Beverly Rowe | |
| Robert Higden | ... | Father Francis | |
| Andrew Shaver | ... | Homeless Man | |
| Mike Paterson | ... | Ice Cream Man | |
| Gordon Masten | ... | Coroner Dr. Fogg | |
| Jacques Monast | ... | Neighbor / Policeman | |
| Joey Dufault | ... | Sniper #1 | |
| Gerardo Lo Dico | ... | Sniper #2 |
Directed by | |||
| David Winning | |||
Writing credits | ||
| Todd Samovitz | (story) | |
| Todd Samovitz | (teleplay) & | |
| Ethlie Ann Vare | (teleplay) | |
Original Music by | |||
| Mario Sévigny | |||
Cinematography by | |||
| Daniel Vincelette | |||
Film Editing by | |||
| Simon Webb | |||
Production Design by | |||
| Gaudeline Sauriol | |||
Costume Design by | |||
| Janet Campbell | |||
Makeup Department | |||
| Penny Lee | .... | key makeup artist | |
| George Tucci | .... | key special makeup effects artist | |
| Camiel McLean | .... | daily makeup artist (uncredited) | |
Production Management | |||
| Karl Archambault | .... | unit manager | |
| Elissa Lewis | .... | post-production supervisor | |
| Diandra Yoselevitz | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nadine Brassard | .... | second assistant director | |
| Ross Clyde | .... | first assistant director | |
Sound Department | |||
| Scott Donald | .... | supervising dialogue editor | |
| Philippe Espantoso | .... | sound re-recording mixer | |
| David Gertsman | .... | sound designer | |
| David Gertsman | .... | supervising sound editor | |
| Steven Gurman | .... | post sound consultant | |
| François Guérin | .... | boom operator (as Francois Guerin) | |
| Roger Guérin | .... | sound re-recording mixer | |
| Michel Lecoufle | .... | sound recordist | |
| Louis Molinas | .... | sound effects editor | |
Special Effects by | |||
| Gary Coates | .... | special effects | |
| Marc Reichel | .... | special effects coordinator | |
Visual Effects by | |||
| Eric Aubry | .... | digital effects artist | |
| Marie-Eve Bedard-Tremblay | .... | visual effects coordinator | |
| Eric Fortin | .... | animator | |
| Carl Gagnon | .... | lead modeler | |
| Daniel Gaudreau | .... | digital compositor | |
| Virginie Goulet | .... | digital compositor | |
| Jonathan Laborde | .... | digital effects artist | |
| Bruno-Olivier Laflamme | .... | digital effects artist | |
| Jean-Francois Lafleur | .... | visual effects supervisor | |
| Etienne Laroche | .... | digital effects artist | |
| Guillaume Mainville | .... | digital effects artist | |
| Jonathan Paquin | .... | animator | |
| Mario Rachiele | .... | visual effects supervisor | |
| David Raymond | .... | visual effects artist | |
| Kristen Tooley | .... | digital effects artist | |
| Emily Vaillancourt | .... | digital effects artist | |
Stunts | |||
| Annie Carignan | .... | stunts | |
| Mike Chute | .... | stunt coordinator | |
| Naomi Frenette | .... | stunt double | |
| François Gauthier | .... | stunts | |
| Nathalie Girard | .... | stunt double | |
| Stéphane Lefebvre | .... | stunt performer | |
| Thomas Luccioni | .... | stunts | |
| Louis Paquette | .... | stunt performer | |
| Derek Seguin | .... | stunts | |
Camera and Electrical Department | |||
| Jean-Philippe Bernier | .... | second assistant camera | |
| Michel Bernier | .... | focus puller camera "b" | |
| Michel Paul Bélisle | .... | chief lighting technician | |
| Denis-Noel Mostert | .... | a cam/steadicam operator | |
| Pantazidis Panagiotis | .... | still photographer | |
Casting Department | |||
| Andrea Kenyon | .... | casting | |
| Johanne Titley | .... | extras casting | |
Editorial Department | |||
| Catherine Henry | .... | assistant editor | |
| Marie-Christine Potvin Bouchard | .... | assistant editor | |
| Evan Tussman | .... | post-production supervising producer | |
| Sarah Vachon | .... | assistant editor | |
| Serge Verreault | .... | on-line editor | |
Other crew | |||
| Sophie Boyer | .... | script supervisor | |
| Charles Castonguay | .... | production assistant | |
| Vincent Colpron | .... | production secretary | |
| Alexander Sandy Jesion | .... | chief financial officer | |
| Mélanie Lebrun-Lacouvée | .... | production coordinator | |
| André Nicholas Malouf | .... | production assistant | |
| Betty Palik | .... | unit publicist | |
| Lexi Pathak | .... | assistant publicist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
Usually I try to be generous with my ratings and encouraging with my comments, but I have come across movies that are so bad and make you so angry that they aren't deserving of either. Black Swarm is one such movie. To start with, it is choppily edited with dull lighting and scenery and poor if not quite atrocious effects. I have come across worse acting, but these actors still seem largely uninvolved with their characters and don't deliver their lines with anywhere near enough passion and care about what's happening to them. The music is generic and you don't remember any of it afterwards, while the wasps are lacking in menace and the attacks are done with a great deal of predictability and no real sense of horror or suspense. The script, story and characters are the worst assets. The dialogue is just terrible, full of cheesy lines, stilted delivery, no sense of logic and everything just feels aimless. The story is thin and very predictable, with an unatmospheric and abrupt climax and no explanation as to the wasps' control. In regard to the characters, I don't mind if they are clichéd, but they have to be likable and well-written to make me not care about that and just empathise with the character. The characters aren't just clichéd, they are undeveloped and annoying and I found myself not only not caring for any one of them but actually shouting at the screen at the countless times a character did something dumb, and these ladies and gentlemen are simple common sense things that you should've already learnt at five years old that they get so wrong here. Pacing is also an issue, because the story is so thin in structure already Black Swarm does become tedious to watch. Overall, it is difficult to begin criticising Black Swarm as everything imaginable was wrong with it. 1/10 Bethany Cox