Critic Reviews



Based on 18 critic reviews provided by
Not a horror movie but a witty, expertly constructed psychological thriller.
This is a smart, melancholy crime picture, which takes its cues from the title of the perverse old standard Christensen plays on her stereo at night: “You Always Hurt The One You Love.”
The Hollywood Reporter
The film gets seriously weird as it goes along, but without losing its sense of direction or taste for offbeat humor.
Entertaining and full of surprising twists, this highly cinematic tale of a Copenhagen policeman working punishment duty in the provinces plays with genre in a manner that can be compared with the Coen brothers or David Lynch.
Village Voice
Cedergren is a little too bland, but that works with Hansen's air of haplessness and sets him apart from the colorful locals. His self-inflicted reckoning is a horizon visible throughout the movie, and the bog outside of town is a thudding but effective metaphor of willful repression.
The actors are charmingly low-key, and the lensing, by Jorgen Johansson, adds to the offbeat aura. Whatever you do, don't miss the booze-guzzling showdown.
It may not sound funny, but there's a bleakly comic air about the story, and a bit of surrealism, suggesting the most caustic side of the Coen brothers.
An enjoyably involving mystery-thriller.
The film is vigorous exercise for those who prefer their mysteries knowing and knotty.
Such dark doings won't be for everyone, but fans of similarly dry Nordic fare -- like the works of Aki Kaurismaki -- will be happy to have found it.

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