| Clovis Cornillac | ... | Tolbiac | |
| Vimala Pons | ... | Last botanist | |
| Zohar Wexler | ... | Technician | |
| Sifan Shao | ... | Technician | |
| Arben Bajraktaraj | ... | Technician | |
| Abdel Kader Dahou | ... | Guard (as Abdelkader Dahou) | |
| Tony Amoni | ... | Guard | |
| Antonin Bastian | ... | Guard | |
| Joachim Staaf | ... | Guard | |
| Benjamin Baroche | ... | Guard | |
| Zakariya Gouram | ... | Guard | |
| Gabriella Wright | |||
| Asha Sumputh | |||
| Nadia-Layla Bettache | |||
| Lavinia Birladeanu | |||
| Mariella Tiemann | |||
| Nadia Fina | |||
| Alexandra Ansidei | |||
| Liou Chou | |||
| rest of cast listed alphabetically: | |||
| Olivier Dupuy | |||
Directed by | |||
| Franck Vestiel | |||
Writing credits(in alphabetical order) | ||
| Pierre Bordage | screenplay | |
| Franck Vestiel | screenplay | |
Produced by | |||
| Cédric Jimenez | .... | producer: Imperia Films | |
Original Music by | |||
| Alex Cortés | |||
| Willie Cortés | |||
Cinematography by | |||
| Thierry Pouget | |||
Film Editing by | |||
| Nicolas Sarkissian | |||
Casting by | |||
| Laurence Gormezano | |||
Production Design by | |||
| Jean-Philippe Moreaux | |||
Costume Design by | |||
| Rachel Quarmby | |||
Makeup Department | |||
| Mabi Anzalone | .... | key makeup artist | |
| Christophe Chabenet | .... | special makeup effects artist | |
| Bernard Floch | .... | makeup consultant | |
| Jean-Christophe Spadaccini | .... | special makeup effects artist | |
Production Management | |||
| Martin Guena | .... | assistant unit manager | |
| Mathilde Kraemer | .... | assistant unit manager | |
| Alain Monne | .... | production manager | |
| Jean-Philippe Moreteau | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Justine Cohendet | .... | second assistant director (reshoots) | |
| Julie Grumbach | .... | assistant director | |
Art Department | |||
| Jeanne dit Fouque Damien | .... | graphic design | |
| Samirha Salmi | .... | assistant art director | |
Sound Department | |||
| Emilie Boueil | .... | assistant sound editor | |
| Eric Cervera | .... | sound | |
| Gael Nicolas | .... | additional sound designer | |
| Vincent Vatoux | .... | sound | |
| Jérôme Wiciak | .... | sound re-recording mixer | |
| Jérôme Wiciak | .... | supervising sound editor | |
Visual Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Charles Chorein | .... | visual effects artist | |
| Antoine Douadi | .... | flame artist | |
| Elodie Glain | .... | visual effects coordinator | |
| Stéphane Keller | .... | matte paintings | |
| Anita Lech | .... | digital artist (as Anita Lech Bedez) | |
| Carine Poussou | .... | visual effects coordinator | |
| David Rousseau | .... | digital effects artist | |
| Fred Roz | .... | titles | |
| Bruno Sommier | .... | visual effects supervisor | |
| Lee F. Sullivan | .... | sequence supervisor: Eclair numérique | |
| Jeremy Thomas | .... | digital artist | |
| Joan Panis | .... | research and development (uncredited) | |
Stunts | |||
| Alexandre Cauderlier | .... | stunt double | |
| Alexandre Cauderlier | .... | stunts wire effects | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts wire effects | |
| Patrick Cauderlier | .... | stunts | |
| David Genty | .... | stunts | |
Camera and Electrical Department | |||
| Grégory Bar | .... | electrician | |
| Reynald Capurro | .... | first assistant camera | |
| François Comparot | .... | key grip | |
| Pierre-Loup Corvez | .... | grip | |
| Pierre Emily | .... | grip | |
| David-Alexandre Gassin | .... | video assistant | |
| Pauline Teran | .... | second assistant camera | |
| Stéphane Zajac | .... | first assistant camera: "b" camera | |
Editorial Department | |||
| Romeo Julien | .... | digital conformation | |
| Frederic Jupin | .... | digital conformation | |
| Marjolaine Mispelaere | .... | colorist | |
| Marina Pajuelo | .... | assistant editor | |
| Richard Riffaud | .... | additional editor | |
Other crew | |||
| Nathalie Iund | .... | press attache | |
| Mylène Mostini | .... | script supervisor | |
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| City of Ember | Splice | Resident Evil | Deep Red | Open Your Eyes |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb France section |
I am glad to read the positive comments about this film, but also I can understand those who found this film slow and were not able to enjoy it. I think film is dedicated to a narrow audience: One must be moved by archetypal imagery alone (I mean the lack of gripping plot here) and enjoying just the atmosphere; without motion, without anything for the conscious mind.
At the beginning I was at once gripped by the atmosphere. Scenery, camera motion is the best part of the film. (If you don't watch this film in the cinema, complete darkness is advised.) The nearly-monochrome images, the play with light and darkness is used artistically and originally to keep us perplexed and uncertain; to show us the struggle for consciousness of man.
The viewer is so to say forced to identify with the protagonist. Here the camera viewpoint is very important and very well done. The camera shows the scene always from the protagonist's viewpoint or he himself.
While watching the viewer (or at least I) constantly tries to grab a wider view of the actual place, but he can not do that; his view is narrow as is the protagonist's. Thus the viewer is able to empathize with struggle of the protagonist, feel hes fear, anger, struggle, anxiety. This is combined with the lack of information and understanding about what is going on so again we feel uncertain and perplexed.
I love archetypal imagery and I am satisfied by them alone. Thats why I didn't feel the movie lacks the plot. But I cant deny it lacks. I actually love the uncertainty it has. I must admit, that I don't understand everything, and that is maybe not the end I would write to it. But thats it. I still love it this way.
And just because I read in an other comment... The rape-lovemaking scene is just perfect. It is so natural. And again I like the play, the uncertainty.... is it rape? is it love by first sight? is it a natural ground-and-earth way that ADAM and EVE meet? who knows....
So... thank you for this film!