| Hiroshi Abe | ... | Ryota Yokoyama | |
| Yui Natsukawa | ... | Yukari Yokoyama | |
| You | ... | Chinami Kataoka | |
| Kazuya Takahashi | ... | Nobuo Kataoka | |
| Shohei Tanaka | ... | Atsushi Yokoyama | |
| Kirin Kiki | ... | Toshiko Yokoyama | |
| Yoshio Harada | ... | Kyohei Yokoyama | |
| rest of cast listed alphabetically: | |||
| Ryôga Hayashi | ... | Mutsu Kataoka | |
| Haruko Kato | |||
| Hotaru Nomoto | ... | Satsuki Kataoka | |
| Susumu Terajima | ... | Sushi deliverer | |
Directed by | |||
| Hirokazu Koreeda | |||
Writing credits | ||
| Hirokazu Koreeda | (original story) | |
| Hirokazu Koreeda | (screenplay) | |
Produced by | |||
| Yoshihiro Kato | .... | producer | |
| Satoshi Kôno | .... | producer | |
| Hijiri Taguchi | .... | producer | |
| Masahiro Yasuda | .... | producer | |
Original Music by | |||
| Gonchichi | |||
Cinematography by | |||
| Yutaka Yamasaki | |||
Film Editing by | |||
| Hirokazu Koreeda | |||
Art Direction by | |||
| Toshihiro Isomi | |||
| Keiko Mitsumatsu | |||
Costume Design by | |||
| Kazuko Kurosawa | |||
Sound Department | |||
| Shuji Ohtake | .... | sound | |
| Yutaka Tsurumaki | .... | sound | |
Camera and Electrical Department | |||
| Eiji Oshita | .... | gaffer | |
Other crew | |||
| Mami Sunada | .... | production assistant | |
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| Grave of the Fireflies | The Notebook | Maborosi | Don't Look Now | Australia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
Few other nations can capture the beauty of family drama with such subtlety and grace as the Japanese can. Perhaps it is a blessed legacy left behind by the master Yasujiro Ozu who in his lifetime made over 50 films, all of which are family dramas that often dealt with generational gaps. Japan, more than any other nation struggles with the problem of generational gap, being a nation that has continued to endure conflict between the young and the old, the traditional and the modern. Stepping into Ozu's shoes is the acclaimed director Koreeda Hirokazu, whose films "Nobody Knows" and "After Life" has already garnered universal praises.
"Still Walking" begins as a family reunites to commemorate the death of one of its members. With new members joining the family and old wounds resurfacing, everyone tries their best to pass the two day gathering with as little problem as possible. Sounds simple doesn't it? Well, therein lies the plain and subtle beauty of the film. From a few words exchanged between the grandfather and his new grandson to the laughter of three children as they caress a blossoming flower, these simple moments will linger in your mind with tasteful resonance long after the film.
While watching the movie, I found it hard not to be immersed by the beauty of Japanese suburbia. I could picture myself - like the characters, taking a stroll on a simmering summer day with the cool breeze in my hair as the gentle picking of guitar strings play in the background. Or perhaps eating lunch and drinking cold ice tea on tatami mats as the wind-charm tickles with the slightest vibration. "Still Walking" is a meditation on life and death that may just move you to tears...without even trying.