The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.


Add Image Add an image

Do you have any images for this title?

Learn more

People who liked this also liked... 

Hokusai (1953)
Documentary | Short | Biography
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A documentary about the life and art of wood-block artist Katsushika Hokusai.

Director: Hiroshi Teshigahara
Stars: Yoshi Katô
Ako (1965)
Short | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Follows Ako, a 16 year old Japanese girl, as she spends time working in a bakery and going out with her friends.

Director: Hiroshi Teshigahara
Stars: Miki Irie, Teruko Hasegawa, Yoko Matsushita
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

An entomologist on vacation is trapped by local villagers into living with a woman whose life task is shoveling sand for them.

Director: Hiroshi Teshigahara
Stars: Eiji Okada, Kyôko Kishida, Hiroko Itô
Rikyu (1989)
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Legendary tea master Sen no Rikyu is faced with his warmongering lord's unrealistic pretensions.

Director: Hiroshi Teshigahara
Stars: Rentarô Mikuni, Yoshiko Mita, Tsutomu Yamazaki
Pitfall (1962)
Crime | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A man wanders into a seemingly deserted town with his young son in search of work. But after a bit of bad luck, he joins the town's population of lost souls.

Director: Hiroshi Teshigahara
Stars: Hisashi Igawa, Sumie Sasaki, Sen Yano
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A private detective is hired to find a missing man by his wife. Contradictory evidence and the lack of clues soon render the case as virtually unsolvable, as the detective grows more and more frustrated.

Director: Hiroshi Teshigahara
Stars: Shintarô Katsu, Etsuko Ichihara, Osamu Ôkawa
Rusty Knife (1958)
Action | Crime | Film-Noir
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Two friends who witnessed an organized crime murder are threatened by the local mob into keeping quiet.

Director: Toshio Masuda
Stars: Yûjirô Ishihara, Mie Kitahara, Shôji Yasui
Chinmoku (1971)
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and to locate their mentor.

Director: Masahiro Shinoda
Stars: David Lampson, Don Kenny, Tetsurô Tanba
Biography | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A fictionalized account in four chapters of the life of celebrated Japanese writer Yukio Mishima.

Director: Paul Schrader
Stars: Ken Ogata, Masayuki Shionoya, Hiroshi Mikami
Tanin no kao (1966)
Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.

Director: Hiroshi Teshigahara
Stars: Tatsuya Nakadai, Mikijirô Hira, Kyôko Kishida
Tokyo 1958 (1958)
Documentary | Short
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Eight filmmakers collaborate with Teshigahara to bring a newsreel-style snapshot of Tokyo in 1957-58, when it had eight and a half million people and was the largest city in the world. The ... See full summary »

Directors: Susumu Hani, Yoshirô Kawazu, and 7 more credits »
Stars: Donald Richie
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: Hiroshi Teshigahara
Stars: Ihei Kimura, Jun Mki, Shôji Ohtake


Credited cast:
Tomoko Naraoka ...
Narrator (voice)
Rest of cast listed alphabetically:
Sofu Teshigahara ...


Traces the history of ikebana, flower arranging: its origins, its formalization 500 years ago, the emergence of the rikka or standing flower style with its heaven-earth-man trinity, and the influence of Rikyu's simplicity. Enter the modern era, embodied at the Sogetsu School, where flower arranging is taught alongside modern sculpture and pottery. We visit a weekend class of flower arranging with novice and experienced students evaluated by a master, Sofu Teshigahara, the director's father. Then we watch the master prepare for his annual one-man show. If life is an unceasing spiritual journey, says the narrator, then art gives us the courage to go on. Written by <>

Plot Summary | Add Synopsis


Documentary | Short





Release Date:

15 May 1957 (Japan)  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs



Aspect Ratio:

1.37 : 1
See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Cultivating images
18 November 2011 | by (Greece) – See all my reviews

Buddhist practice has produced the most refined art integrated with a worldview that I know of, a work in form that strives to embody the practice of seeing the world as it unveils itself truly. There is no clutter, the baggage of self and thought. The result is not consciously cultivated with beauty like we strive to do here, where things are meant to stand the test of time, rather a space for unmediated soul to pour.

(only the masters of Soviet montage have come close for me, even if just a little, with their experiments – rooted in Chinese calligraphy no less – to discover an eye unfettered by narrative that constructs the world by seeing, but they lasted for barely 10 years before Stalin and the censors scattered them to the four winds).

At any rate it is not art such as we know here, but a practice of meditation.

So the effort is for a work that resonates with images and a world from them as they arise and disappear; for creation that mirrors asymmetry, imperfection, vital emptiness. Every step taken on the Noh stage is a step taken to purge ego with movement, not merely to represent but to actually embody transience. A calligrapher's imperfect brushstroke draws, reveals from the perfect-centeredness of what in Zen is understood as the 'heart-mind', a heart that minds.

Ikebana is the most self-referential of these practices, a way of actually cultivating abstract beauty. But of course the effort is to cultivate inside, and trust the hand to arrange a reflection outwards. It is a practice carried out in silence, and what better way to embody transience than to chose raw materials for perishability?

So a beauty cultivated fully in the knowledge that it will come to pass, itself a visual space for contemplation. These are the beauties of Buddhist art.

I'm writing all these by way of introduction because there's little background or insight into the actual practice in the film we have here. It is mostly a tour around the school of Sofu Teshigahara, Hiroshi's father, with snippets of both students and the sensei at work.

Inadvertently the essence of ikebana has been perverted many times over. Aristocrats in feudal Japan used it as an ornamental pastime for reflecting status and opulence, constructing in lavish scale. The great tea-master Rikyu restored it back to Buddhist grassroots and moved it to the tea-room - this is called chabana, I have briefly tried my hand in it with workmanlike results. But the tea-room is another story, a wonderful story.

What Sofu pioneered in his Sogetsu school, which continues to this day under his daughter's tutelage, was traditional ikebana welded together with modern ideas about sculpted space. Misshapen branches are structured together with beams of wrought iron, or blocks of solid rock are made to stand in awe-inspiring balance.

There are many arrangements presented here, some great, some not so great. It's worth seeing for these alone, especially if you have a vested interest in the above.

But as a film? It is short and no doubt an opportunity for the son to get valuable film practice while promoting his father's work, but as film it is ordinary. You'll understand more about ikebana by identifying it in Hiroshi's films, asymmetric arrangements of visual space from emptiness and misshapen elements.

Eventually he gave up film to take up his father's school, and only sporadically returned thereafter to make films about Gaudi and Rikyu himself. I suggest you pick up the thread there.

2 of 2 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss Ikebana (1957) on the IMDb message boards »

Contribute to This Page

Create a character page for: