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Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires) (1961)

A subtitle warns, "Beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the ... See full summary »

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Cast

Cast overview:
...
Anna, la jeune fille blonde
...
L'homme aux lunettes noires
Emilienne Caille ...
La fiancée noire
...
L'arroseur
...
Le croque-mort (as Sammy Frey)
Georges de Beauregard ...
Le conducteur du corbillard et de l'ambulance
Danièle Delorme ...
La vendeuse de fleurs
...
Le vendeur de mouchoirs
Alan Scott ...
Le marin
...
L'infirmier
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Storyline

A subtitle warns, "Beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses. Written by <jhailey@hotmail.com>

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Short | Comedy | Romance

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1961 (France)  »

Also Known As:

Die Verliebten von Pont Mac Donald  »

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1.19 : 1
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Trivia

This silent burlesque short was incorporated into Varda's full-length "Cleo de 5 a 7", although in a slightly different version. See more »

Connections

Featured in Cleo from 5 to 7 (1962) See more »

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User Reviews

 
Godard's shades
12 June 2010 | by See all my reviews

Filmed by Varda at the height of Nouvelle Vague's very short period of success with both critics and audiences, this short is a black and white silent comedy -- incorporated, in a slightly different version, in Varda's first feature "Cléo de 5 à 7" (1962) -- whose major interest today is the presence of a young Jean-Luc Godard (post-Breathless) as the protagonist. Emulating Buster Keaton's deadpan face and Harold Lloyd's fancy-clothed bespectacled romantic, Godard loves, disputes and saves his lovely fiancée, played by his then wife and muse Anna Karina (in a blond wig), and discovers that his somber vision of people and the world may very well be caused by his constant use of...dark-lensed glasses!

Varda tells us in her DVD introduction to this short that she wanted to show her friend Godard's beautiful, sad Buster Keaton eyes, always hidden behind his thick shades in everyday life. And she reveals to us what we've always suspected about JLG: that coupled with that genius wit, robotic voice and viperous lisping tongue there was a pair of sensitive, sad, soulful eyes. The short feels today like a heart-warming photograph of complex people allowing themselves to be slaphappy for a moment (even Eddie Constantine smiles!) and proves Varda's very special talent for capturing people's warmth and life-affirming vocation.


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