Quim drives around an isolated rural area through a maze of lanes. When he drives into the woods, he gets lost. Trying to find his direction, he suddenly gets shot from the hill. On his ... See full summary »
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
Samuel Pierret (Gilles Lellouche) is a nurse who saves the wrong guy -- a thief (Roschdy Zem) whose henchmen take Samuel's pregnant wife (Elena Anaya) hostage to force him to spring their ... See full summary »
Psychologist Margaret Matheson and her assistant study paranormal activity, which leads them to investigate a world-renowned psychic who has resurfaced years after his toughest critic mysteriously passed away.
Robert De Niro,
Quim drives around an isolated rural area through a maze of lanes. When he drives into the woods, he gets lost. Trying to find his direction, he suddenly gets shot from the hill. On his escape from gunshots, he meets Bea, an attractive young woman, who apparently is lost as well. Suspicious of each other, they join forces to run away through the forest, unprotected, cold, hunted... Written by
Nearly a rather good thriller, sunk by a poor final block
It's always fun to watch unsuspecting travellers encounter the horrors of the back-roads, so I was rather looking forward to King of The Hill. We follow Quim, on a mission to get back together with his girlfriend but put a little off track when an impromptu gas station tryst with a mysterious lady ends in her stealing his wallet. They meet again, but not before both have come under fire from a sniper, and the movie proceeds with the two of them trying to evade their unseen antagonists. Director Gonzalo Lopez Galego keeps things tight and mysterious for much of the time, concentrating on pace over character and attractive visuals and periodically jolting the viewers with short sharp bursts of action, skilfully turning the heat up moment by moment. The mountainous setting, trees, slopes and blue sky are well captured by the gorgeous cinematography of Jose David Montero, a picturesque setting at interesting odds with the impersonal menace that lurks within. Happily, the setting isn't just used for prettiness but excitement too, with rivers, trees, pitfalls and bushes all obstacles to navigate, there's an adventurous spirit to goings on that takes the film closer to classics like Deliverance than the more clichéd back-woods nastiness that tend to dominate films of this type. Stars Leonardo Sbaraglia and Maria Valverde make for a sympathetic pairing, wisely the film doesn't stop to long to give them a relationship but they have a certain mild chemistry that makes their bond under adversity a compelling one. For around two thirds or so of its length King of The Hill is rather great, hardly earth shattering in its events or approach but sufficiently well handled that it really stands out, unfortunately it doesn't end the same way. Like most films of its mysterious ilk, there's a "big reveal" here, and it's deeply ill-advised, an attempt at sombre significance that flops hard. A turn in events that would be unlikely and fairly tricky to pull off even if it were a significant part of the film from the start, here the film expects us to just buy the plot turn and then continues in the same uncompromising vein as before. To say much about why it doesn't work would be going into spoiler territory and since other have enjoyed this much more than I and not been troubled by the finale I won't divulge events, but for me it was daft verging on laughable, it not only took all the wind out of the film's sails but also rather tainted what had gone before. A saddening turn of events, as I wanted to dig this one and it came close to being a winner, but I can only go by my final impression, which was one of disappointment. A 5/10 then, even though for a fair amount of the runtime this is more like a high 7.
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