Susan and her sons Dane and Lucas Thompson move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and soon they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Wilhelm Scream: the infamous scream that appears in many science fiction movies can be heard in the background at around 49 minutes into the movie while the boy is sitting in the chair watching TV. See more »
When Julie is reading her book in bed, the power briefly goes out, along with her music. However, when she falls off her bed, you can briefly catch a glimpse of her iPod, which does not require a wall outlet to function and thus, should not have stopped playing music when the power went down.
Clearly the Evil affects all Electrical appliances/equipment so the power going off on her iPod would be perfectly acceptable. See more »
I know what you've got. You've got a gateway to hell under your house. And that is really cool.
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Still images of the cast appear on the end credits. The depths of the hole provide the backdrop for the end credits. See more »
My first encounter with the world of Joe Dante was almost twenty years ago when i caught a glimpse of Gremlins at the tender age of four. At the time I was horrified, but as I grew up it soon became one of my favourite films, instantly capable of transporting me back to a time when horror films used to scare me. I was hoping that Dante would be able to recapture this magic, and The Hole left me wishing that I was a pre-teen with a wild imagination once again, heading into a horror film for the very first time. This made me very jealous of the younger crowd in the audience as they were clearly stuck fast in their seats, horrified by the visions that unfolded before them - their silence spoke louder than any screams - and desperate for the frightening film to end.
The nightmare begins when a single sprightly mother, her angst-ridden adolescent son Dane and nervous pre-teen Lucas move into a new house in a strange neighbourhood, only to discover a seemingly bottomless pit locked away under a trapdoor in the basement. Curiosity gets the better of the boys and it is not long before they lower a camera into the mysterious hole in an attempt to film the unknown, but, as video footage shows in one of the films eeriest moments, some things are better left undisturbed.
After exploring the darkness underneath the trapdoor, the boys begin to be haunted by strange events, with the hole seemingly preying on their individual fears. This provides the basis for a number of scary moments which are quite effective considering The hole is aimed at a younger audience, but it is unlikely to have any impact on those familiar with recent scary films such as REC and Paranormal Activity. The story still remains intriguing enough to keep older viewers entertained for the most part, and could well bring back long forgotten memories of their first encounters with the world of the supernatural films.
Horror fans hoping for a repeat of Gremlins will be disappointed, but that's not to say that The Hole should be dismissed; its constant references to classic horror films cannot replace the dark, warped humour that made Gremlins so watchable, but certainly adds to the experience for fans of the genre. Numerous scenes invoke connections to Poltergeist and The Gate, with the icing on the cake being a homage to the Hands of Orlac - a very under-rated thriller from 1935 - that I imagine will pass by unnoticed by the majority of viewers due to unfamiliarity with the source material, and they all serve to remind us that Dante is an ardent horror fan and is not afraid to wear his influences on his sleeve.
As a children's horror film The Hole is excellent but unfortunately it fails to surpass the genre classics such as A nightmare before Christmas and Gremlins due to the lack of appeal to an older audience. The story is fairly entertaining and the references to cult classics are a great addition to the film but they are simply not enough to keep older viewers fully engrossed for the ninety minutes running time. I would definitely recommend this film to families with young teenagers and children eager to be scared, as The Hole is a perfect introduction to horror films for those easily scared, and one of Joe Dante's more accomplished directorial efforts.
If you like this you will enjoy these:
The Gate Paperhouse Poltergeist Gremlins
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