Teenager, Darren Shan, meets a mysterious man at a freak show who turns out to be a Vampire. After a series of events Darren must leave his normal life and go on the road with the Cirque Du Freak and become a Vampire.
John C. Reilly,
In this satire on 70s B-movie industry, a young ditsy pretty blond arrives in Hollywood to try her luck as an actress. After some mishap, a shady agent finds her a job with a sleazy B-movie crew plagued by strange deadly accidents.
Molly Hartley looks to put her troubled past behind her with a fresh start at a new school, where she sparks with one of the most popular students. But can her secrets stay buried, ... See full summary »
In 1967, strait-laced exploitation movie king Roger Corman embarks on a life-changing attempt to capture the psychedelic world of LSD on film by taking a "trip" himself, abetted by Jack Nicholson, Peter Fonda and Dennis Hopper.
After self righteous rockstar Jonny Splatter puts a bullet in his own head, only five people are chosen to attend the reading of Splatter's will. The manager, the shrink, the guitarist, the... See full summary »
Susan and her sons Dane and Lucas Thompson move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and sooner they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Julie is in the diner restroom, the power goes out while she is checking on the little girl in the stall. At the door, she flips the switches up and down several times trying unsuccessfully to get the lights back on. A bit later, at the side of the screen in a tighter shot of Julie's face, we see the switches are all in the down, or off, position. However, when Julie's friend comes into the restroom, we can see that all of the switches are now in the up position. Julie's friend puts her hand over the switches, acts like she has flipped them up (we even hear the sound of them being flipped up), and the lights come back on even though the she didn't actually change the positions of the switches. See more »
Who the hell is that? She one of your little friends?
I don't have any friends.
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Still images of the cast appear on the end credits. The depths of the hole provide the backdrop for the end credits. See more »
Gremlins remains one of my favourite films from childhood, and it is thanks to Joe Dante who helmed the films with enough to keep it frightening, yet kid friendly and family oriented at the same time. It's been a long while since I've missed Small Soldiers on the big screen, that he now returns with The Hole, yet dabbling with a similar treatment of making it quite the entertaining romp for both young and old to sit through.
A pity about the 3D version though, as I opted to watch this in 2D, and clearly because of the 3D gimmick, there were a few needless scenes stuck in, like having a kid throw a baseball toward the screen while lying on his back on his bed. On the whole there weren't too many deliberate 3D shots designed for the film, though I thought that the special effects put into it were spiffy enough, especially since there was a good mix of traditional stop motion efforts deliberate done in a cheesy manner, and those of the modern money shots toward the end.
As it's family oriented, this film like the rest of what Dante did thus far, has family being in the centre of all things that trip up in the dark, and we get three stories put into one, by virtue of each character having to deal with their fears come alive. Written by Mark L. Smith (Vacancy), the narrative keeps you guessing exactly what the reason is behind the threats are as faced by each child/teenage lead in the Thompson brothers Dane (Chris Massoglia) and Lucas (Nathan Gamble), and their neighbour Julie (Haley Bennett) when they look down the cursed hole, found in the new home of the Thompsons.
The idea is pretty cool in itself, because what could spook you more than what's truly your greatest fear? However that itself served up a mixed bag of scares, because the scares here are customized to the character's. For instance, Lucas has to deal with something straight out of Child's Play, although this little thingamajig had a small scene as a stinger after the end credits (well, if you have to know, it's only a wink, so you didn't miss much if you failed to stay behind). For Julie, it has to deal with a guilt from the past that manifest itself as something spiritual, and to face one's guilt is something that takes up her story arc.
For Dane's however, it was kept under wraps until the last, which provided for a fitting finale with all the bells and whistles thrown in, dealing with how the magnitude of one's problems when young seem to shrink in size as we grow older, possibly because we may either have outgrown it, or that being older we have a lot more other concerns to deal, in his case, the growing into a surrogate paternal role over the care of his younger brother, in a single parent family.
Still, despite being a horror/thriller, this is still something that will find a broad appeal, being somewhat simple in its stories, but nothing less than effective and of course for those catching it in 3D, yet another film to provide you that fixation with putting on the glasses. I'm not quite sure if a sequel would be made given the way it ended with a plot thread so glaringly hanging out, but we know how Gremlins 2 went.
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