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The Hole (2009)

PG-13  |   |  Adventure, Fantasy, Thriller  |  11 June 2010 (Italy)
5.7
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Ratings: 5.7/10 from 17,426 users   Metascore: 57/100
Reviews: 67 user | 144 critic | 7 from Metacritic.com

A pair of brothers stumble upon a mysterious hole in their basement that leads to the darkest corridors of their fears and nightmares.

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Cast

Cast overview, first billed only:
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Monster Dad (as John Desantis)
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Normal Dad (as Doug Chapman)
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Travis
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Young Cop
Jonathan Bruce ...
Mover
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Jessica (as Merrit Patterson)
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Tiffany
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Storyline

Susan and her sons Dane and Lucas Thompson move from Brooklyn to Bensonville, in the countryside. Dane is upset with the constant changes of address and the family has lived in many cities. Lucas and Dane befriend their next door neighbor, the gorgeous Julie and the brothers find a bottomless hole in the basement of their house locked with several padlocks. They take the locks off and sooner they are haunted by their darkest fears. Further, they believe that the hole might be a gateway to hell. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

It Knows Your Deepest Fears. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for frightening images, violence and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

11 June 2010 (Italy)  »

Also Known As:

The Hole 3D  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£906,722 (UK) (24 September 2010)

Gross:

£2,812,547 (UK) (15 October 2010)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Julie is reading "La divina commedia/The Divine Comedy" by the Italian author Dante Alighieri. It describes Dante's travels through Hell, Purgatory, and Heaven. The director's name is Joe Dante. Also on the sleeve it says: "Lasciate ogne speranza, voi ch'intrate" translated means something like "All hope abandon, ye who enter in." See more »

Goofs

When Dane dives into the pool and pulls Lucas out it cuts to a close up of Lucas' face, and his hair is dry. See more »

Quotes

[last lines]
Susan: When I was a little girl I was pretty scared of a monster that I thought was under my bed.
Lucas: Uh oh...
See more »

Crazy Credits

Still images of the cast appear on the end credits. The depths of the hole provide the backdrop for the end credits. See more »

Connections

Referenced in The Hole: Family Matters (2010) See more »

Soundtracks

Shake 'N Shout
Written by Pete Surdoval
Performed by Pete Surdoval
Published by Red Engine Music (ASCAP)
Courtesy of Master Source Music Catalog
See more »

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User Reviews

 
Not for kids!
7 October 2010 | by (United Kingdom) – See all my reviews

The great thing about Dante's latest feature (his first in 7 years) is that it's so disarming. The look, feel and tone all tells you this a family-friendly kids flick, in the same vane as The Goonies and Explorers. In fact, I first heard this movie pitched as a gentle introduction to horror for tweens. This film, however, is definitely not suitable for a 12 year old.

Dante is renowned for having his tongue lodged firmly in his cheek, his movies very much anarchic in tone and content (Gremlins being a perfect example). The Hole is much more tempered than this, and the first two thirds are a genuine masterclass in ratcheting up fear and tension. Sure, there are plenty of jump shocks, but Dante cleverly places his camera close to the characters, leaving most of the background hidden so you never see what's coming.

The lead characters are all very good, and the initial scenes with Dane and the girl-next-door feel realistically stilted (as you would if you were a teenager and you just met the cute babe next door). Dante doesn't hang about, and quickly gets to the hole. This in turn immediately opens up all manner of scares, with some dark and genuinely frightening scenes, extremely well executed.

Dante borrows heavily from the likes of The Grudge, Poltergeist and The Sixth Sense, as well as affectionate nods to his own films (Gremlins, Small Soldiers and even It's A Good Life, a segment he directed for Twilight Zone The Movie). However, none of it feels ripped-off. It has its own inimitable style and is expertly put together, complementing the story.

For me, the final act was a little wacky but the overall movie is a satisfying experience. Considering its influences and the fact that Dante has been in the game for over 30 years, this is a surprisingly fresh addition to the genre.


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