This is a real-time story about the suicide of the protagonist, Harold. This film is inspired by true events. We follow him as his best friend, girlfriend, and mother all desert him. He is ... See full summary »
Patrick J. Adams,
'The Dealership' is about the dysfunctional world of Carson Luxury Auto Gallery, a family-owned, used-car dealership. Market collapse, credit crisis, the shrinking global economy -... See full summary »
Patrick J. Adams
At the end of their college years, Miller finds that he and his college buddies are growing apart as they choose different paths into the future. They are regulars at Murphy's, a popular ... See full summary »
Patrick J. Adams,
Frank Bartlett has been tortured, embarrassed, and humiliated by his brother Bruce -- usually on film -- his entire life. Now that Bruce is finally off drugs and has turned his life around, things should be different. They are not.
Based on a true story, this film tells the tale of the 1950 US soccer team who, against all odds, beat England 1 - 0 in the city of Belo Horizonte, Brazil. Although no US team has ever won a World Cup title, this story is about the family traditions and passions which shaped the lives of the players who made up this team of underdogs.
Michael and Jenna, having been a couple for three years, want to get married and start a family. These plans seem to be well on their way when Jenna announces that she's pregnant. But ... See full summary »
Ryden Malby graduates from college and is forced to move back into her childhood home with her eccentric family, while she attempts to find a job, the right guy, and just a hint of where her life is headed.
Sylvia, approaching 35, is the "sassy weather girl" at a Seattle TV station. On a live broadcast, she castigates her boyfriend Dale (who's the show's anchorman) for sleeping with his co-anchor; then she quits. She'd been living with Dale, who explains himself by saying she's cold, so she moves in temporarily with her younger brother Walt. His neighbor Byron, a computer programmer, is always in Walt's flat working. While Sylvia looks for a job, Byron offers himself as a no-strings-attached rebound-sex partner, with the condition that she not tell Walt. How will she respond, and what about finding work, living with her brother, sorting things out with Dale, and being cold? Written by
Enjoyable and entertaining little indie, formulaic but definitely funny
I attended a screening of Blayne Weaver's "Weather Girl" at the 2009 Los Angeles Film Festival. It had premiered at the Slamdance Film Festival in January and was one of those "buzz films" here.
Tricia O'Kelley stars a Seattle morning show's "sassy weather girl" who has an over-the-top, painfully funny on-air meltdown over her cheating boyfriend, the show's despicable co-anchor (the always-reliable Mark Harmon, "NCIS'" Agent Gibbs). Out of work, out of love, and homeless, she needs to pick up the pieces and start a new life. That begins with a knock on the door of her brother Walt's bachelor apartment (Ryan Devlin), where his best friend Byron (Patrick J. Adams) seems to have taken up permanent residence. Jon Cryer, Jane Lynch, and Blair Underwood are among other notables in the cast.
Although it's an indie, "Weather Girl" has the polished look of a Hollywood movie with top quality production values and cinematography that takes full advantage of its breathtaking Seattle location. But this is clearly a character-driven film where all the protagonists have their flaws and the villains simply cannot redeem themselves. There is a great deal of visual humor -- sight gags abound and facial expressions often are the jokes in themselves. The plot is somewhat formulaic, though, and we know where this is going right from the start. But even though we've seen this story before it is still entertaining and occasionally laugh out loud funny.
Writer/director Blayne Weaver, cast, and crew were present for a hilarious Q&A after the screening which rivaled the comedy in the movie.
Just a note: the picture was annoyingly dark. Generally I'd attribute this to poor projection on the part of the theater or a bad print (or digital copy) before I'd blame the post-production team. It definitely took away from my enjoyment of the film and I hope that's not the way the public will see it in the future.
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