| Photos (See all 43 | slideshow) | Videos (see all 14) |
| David Roberts | ... | Raymond Yale | |
| Claire van der Boom | ... | Carla Smith | |
| Peter Phelps | ... | Jake | |
| Bill Hunter | ... | Gil Hubbard | |
| Kieran Darcy-Smith | ... | Barney | |
| Stephen Weston | ... | Charlie | |
| Lisa Bailey | ... | Wendy | |
| Lucy Bell | ... | Martha Yale | |
| Anthony Hayes | ... | Greg 'Smithy' Smith | |
| Damon Herriman | ... | Eddie | |
| Brendan Donoghue | ... | Leonard Long | |
| Luke Doolan | ... | Smithy's Mate | |
| Greg Hatton | ... | Smithy's Mate | |
| Joel Edgerton | ... | Billy | |
| Hanna Mangan Lawrence | ... | Lily (as Hannah Mangan-Lawrence) | |
| Paul He | ... | Restaurant Manager | |
| Julian Morrow | ... | Dale | |
| Eliza Logan | ... | Rita Smith | |
| Amanda Crompton | ... | Jenny | |
| Mia Irvin | ... | Jake & Jenny's Baby | |
| Tony Lynch | ... | Santa the Fireman | |
| Maree D'Arcy | ... | Smithy's Mum | |
| Jacinta Hocking | ... | News Reporter | |
| Paul Caesar | ... | Sergeant Gary Miles | |
| Thomas Chippendale | ... | Thomas | |
| Mia Chippendale | ... | Mia | |
| Tracey Furchtmann | ... | Lauren |
Directed by | |||
| Nash Edgerton | |||
Writing credits | ||
| Joel Edgerton | (written by) and | |
| Matthew Dabner | (written by) | |
| Joel Edgerton | (original story) | |
Produced by | |||
| Matthew Dabner | .... | executive producer | |
| Joel Edgerton | .... | executive producer | |
| Nash Edgerton | .... | executive producer | |
| Louise Smith | .... | producer | |
Original Music by | |||
| Frank Tetaz | (as Francois Tetaz) | ||
Cinematography by | |||
| Brad Shield | |||
Film Editing by | |||
| Luke Doolan | |||
| Nash Edgerton | |||
Casting by | |||
| Kirsty McGregor | |||
Production Design by | |||
| Elizabeth Mary Moore | |||
Art Direction by | |||
| Angus MacDonald | |||
Set Decoration by | |||
| Brooke Morris | |||
Costume Design by | |||
| Sally Sharpe | |||
Makeup Department | |||
| Anna Gray | .... | additional hair and make-up | |
| Jennifer Lamphee | .... | hair designer | |
| Jennifer Lamphee | .... | makeup designer | |
| Christine Spiller | .... | hair stylist | |
| Christine Spiller | .... | makeup artist | |
| Nik Dorning | .... | tattoo manufacture (uncredited) | |
Production Management | |||
| Sandy Stevens | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Drew Bailey | .... | first assistant director | |
| James Boyce | .... | third assistant director | |
| Maree Cochrane | .... | additional third assistant director | |
| Emma Jamvold | .... | second assistant director | |
| Hamish Roxburgh | .... | first assistant director (pick-ups) | |
Art Department | |||
| Marc Bergman | .... | props buyer/set dresser | |
| Jamie Cranney | .... | art department attachment | |
| Richard Jensen | .... | props buyer/set dresser | |
| Simon Way | .... | stand-by props | |
Sound Department | |||
| Yulia Akerholt | .... | dialogue editor | |
| Danielle Barron | .... | foley editor (as Danii Barron) | |
| Rosie Chase | .... | assistant sound editor | |
| Peter Grace | .... | sound recordist | |
| Manel López | .... | boom operator | |
| Robert Mackenzie | .... | sound re-recording mixer | |
| Michael McMenomy | .... | sound effects editor | |
| Sam Petty | .... | supervising sound editor | |
| Alex Stewart | .... | foley recordist | |
Special Effects by | |||
| David Trethewey | .... | special effects supervisor | |
Visual Effects by | |||
| Justin Alvarez | .... | lead compositor: FSM | |
| Dan Ashton | .... | scanning and recording technician | |
| Nick Booth | .... | scanning and recording supervisor | |
| Luke Bubb | .... | matte painter | |
| Romain Buignet | .... | digital effects artist | |
| Luke Cole | .... | systems administrator: FUEL International | |
| Sam Cole | .... | matchmove artist: FUEL International | |
| Felix Crawshaw | .... | visual effects producer: Fuel VFX | |
| James Fenton | .... | visual effects editor: Babyfoot Productions | |
| Alex Fry | .... | visual effects supervisor: Babyfoot Productions | |
| Heather Galvin | .... | compositor | |
| Elliot Goodman | .... | digital compositor: Babyfoot Productions | |
| Matthew Graham | .... | visual effects producer | |
| Carlo Monaghan | .... | compositor: Fuel VFX | |
| Dave Morley | .... | visual effects supervisor | |
| An Nguyen | .... | system administrator/pipeline engineer: FUEL International | |
| Kurtis Richmond | .... | matte artist | |
| Stephen Roucher | .... | scanning and recording technician | |
| Phil Stuart-Jones | .... | visual effects supervisor: FSM | |
| Antonny Sugianto | .... | visual effects artist: Babyfoot Productions | |
| Pete Williams | .... | digital imaging manager | |
| Stuart Willis | .... | visual effects producer: Babyfoot Productions | |
| Billy Wychgel | .... | colourist | |
| Matthew Wynne | .... | compositor | |
Stunts | |||
| Andrea Berchtold | .... | stunt rigger | |
| Raelene Chapman | .... | stunts | |
| Mark Duncan | .... | stunt double: Peter Phelps | |
| Mark Duncan | .... | stunts | |
| Mike Duncan | .... | stunts (as Michael Duncan) | |
| Morgan Evans | .... | stunts | |
| Tony Lynch | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jessica Clarke-Nash | .... | preview assistant | |
| Grahame Dickson | .... | gaffer | |
| Luke Doolan | .... | additional camera operator | |
| Drew English | .... | clapper loader | |
| Jason Ewart | .... | additional steadicam operator | |
| Daniel Guerra | .... | still photographer | |
| Andrew Johnson | .... | Steadicam operator | |
| Andrew Johnson | .... | camera operator: "b" camera | |
| Matt Nettheim | .... | still photographer (as Matthew Nettheim) | |
| Luke Nixon | .... | first assistant camera | |
Casting Department | |||
| Emily Tilelli | .... | casting assistant | |
| Mim Weger | .... | extras casting | |
Costume and Wardrobe Department | |||
| Alex Locke | .... | costume supervisor | |
| Christina Validakis | .... | stand-by costume | |
Editorial Department | |||
| Steve Dunn | .... | post-production producer | |
| Mat Evans | .... | editing assistant (as Matthew Evans) | |
| Katie Flaxman | .... | first assistant editor | |
| Tristan La Fontaine | .... | colorist | |
| Tom Meares | .... | colorist assist | |
Music Department | |||
| Norman Parkhill | .... | music licensing | |
Transportation Department | |||
| Ben Skinner | .... | vehicle coordinator | |
Other crew | |||
| Carl Blacklidge | .... | boat wrangler | |
| Peta Clarke | .... | animal trainer | |
| Kieran Darcy-Smith | .... | additional stills | |
| Liz Doran | .... | script editor | |
| Lauren Edwards | .... | production secretary | |
| Vanessa Edwards | .... | production accountant | |
| Richard Horniblow | .... | epk: sound | |
| Meredith Hussey | .... | production coordinator | |
| Stuart McDonald | .... | script editor | |
| Daniel Power | .... | post production | |
| Chris Reynolds | .... | location manager | |
| Stephen Rutter | .... | travel manager | |
| Ashley Scott | .... | epk: video | |
| Sally Steele | .... | unit publicist | |
| Greg Tynan | .... | production runner | |
Thanks | |||
| Michele Bennett | .... | special thanks | |
| Kieran Darcy-Smith | .... | special thanks | |
| Luke Doolan | .... | special thanks | |
| Mirrah Foulkes | .... | thanks | |
| Michael Gracey | .... | special thanks | |
| Clayton Jacobson | .... | special thanks | |
| Ben Lee | .... | special thanks | |
| Eva Lontscharitsch | .... | thanks | |
| Greg Mclean | .... | special thanks | |
| Scott Meek | .... | thanks | |
| David Michôd | .... | special thanks | |
| George Miller | .... | special thanks | |
| John Polson | .... | special thanks | |
| Brett Praed | .... | special thanks | |
| Kath Shelper | .... | special thanks | |
| Spencer Susser | .... | special thanks | |
| Liz Watts | .... | special thanks | |
| Chris Wheeler | .... | special thanks (as Chris Wheeler - a.k.a. The Film Pope) | |
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| The Departed | Australia | Into the Wild | Training Day | Greed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Australia section |
Written by Joel Edgerton and Matthew Dabner, directed by Nash Edgerton and produced by Louise Smith, The Square eloquently shows that Australian films can embrace genre in an exciting, audience-aware way. This is thrilling film-making at its best.
The plot revolves around a middle aged man, Ray, (David Roberts) who makes a fatal mistake when he gets involved with younger woman, Carla, (Claire van der Boom). His attempts to make it right just land him deeper and deeper into the kind of trouble he'll never be able to resolve. This searing examination of middle-aged angst and displaced desire keeps the surprises coming and the twists turning.
In a series of colourful and dynamic performances, the supporting cast including Joel Edgerton as a pyromaniac crim-for-hire, Tony Hayes as the spurned husband with a dark secret of his own and Kieran Darcy-Smith as a nasty concrete guy only add to the strength of the world.
Beautifully shot, fantastic production design and razor sharp editing. Also of note is the soundtrack - perfectly tuned to mood - this one doesn't miss a beat.
This was my highlight of the Sydney Film Festival - audiences should flock to this one.
They won't be disappointed.