After making wrong choices, Dale has found himself on a dark path: one of violence and crime. Earmarked to commit a murder, he is already dispassionate to his cause... but a collision with his romantic past sparks a deeper questioning
10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Four friends lose themselves in a carefree South-East Asian holiday. Only three come back. Dave and Alice return home to their young family desperate for answers about Jeremy's mysterious ... See full summary »
Lovers Ray and Carla plan to burn down her house at Christmas, to run off with her husband's drug money. Ray has a side scheme going too, taking kickbacks on the love hotel project whose construction he's managing. The suburban Aussie marrieds live across a river from each other, the much older, domesticated Ray in a upper middle-class neighborhood, Carla on the wrong side of the water. The cheaters will lure their families to the same Christmas picnic celebration, to provide alibis while still being able to sneak off and chat about the arson. Carla's tow-truck owner hubby, Smithy, is a fearsome tough to cross, so will the philanderers' holiday gifts come through, or explode in their lying faces? Written by
This is one of the best films that I have seen in a long time. Joel Edgerton is clearly an amazing talent as he writes and features in this highly unusual version of a somewhat common plot line. The story is full of twists and turns and really keeps you enthralled to the very end. There are high quality Australian actors in this film, who work together to produce some terrific scenes, that are realistic , dramatic and entertaining. The only disappointment was we were one of about five people in the audience. Considering it was a Saturday night and the The Square's first week at the cinemas, I felt very sad for the Edgerton brothers and also worried that if fantastic Aussie films like this one aren't drawing audiences, then what will? Australians need to get behind Australian film, particularly when it is this good.
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