Jill is annoyed with Jack, ignoring his attempts to get her to smile as she drives a city road. She stops for petrol, and while she's filling the tank, he goes into the station's mini-mart ... See full summary »
After making wrong choices, Dale has found himself on a dark path: one of violence and crime. Earmarked to commit a murder, he is already dispassionate to his cause... but a collision with his romantic past sparks a deeper questioning
10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Lovers Ray and Carla plan to burn down her house at Christmas, to run off with her husband's drug money. Ray has a side scheme going too, taking kickbacks on the love hotel project whose construction he's managing. The suburban Aussie marrieds live across a river from each other, the much older, domesticated Ray in a upper middle-class neighborhood, Carla on the wrong side of the water. The cheaters will lure their families to the same Christmas picnic celebration, to provide alibis while still being able to sneak off and chat about the arson. Carla's tow-truck owner hubby, Smithy, is a fearsome tough to cross, so will the philanderers' holiday gifts come through, or explode in their lying faces? Written by
With cheap Christmas stuff coiled around most of it's Aussie edges, "The Square" was suspenseful and fun to watch. The stupidity of the main characters, like most film noir, set-up a nasty sequence of events that become complicated by twisted motives and coincidental plot developments. Our main character, Ray Yale, is as pathetic as his mistress, Carla Smith, is desperate, and we know that they're both going to suffer some heavy consequences for their selfishness. Still, we hardly imagine that so much is going to go so brilliantly wrong.
The director, Nash Edgerton, must have enjoyed playing with all the production values of "The Square" as much as his brother, Joel, enjoyed writing the story upon which the screenplay evolved. I mean, really, can anyone think of a better name for a contemporary interpreter of the genre than a chap named Nash Edgerton? Not only did we get the usual dark images and sweaty brows, but Edgerton was also able to provide a shaggy dog and a baby, too! "The Square" is a film that should entertain most people who enjoy the film noir genre.
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