After making wrong choices, Dale has found himself on a dark path: one of violence and crime. Earmarked to commit a murder, he is already dispassionate to his cause... but a collision with his romantic past sparks a deeper questioning
10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Lovers Ray and Carla plan to burn down her house at Christmas, to run off with her husband's drug money. Ray has a side scheme going too, taking kickbacks on the love hotel project whose construction he's managing. The suburban Aussie marrieds live across a river from each other, the much older, domesticated Ray in a upper middle-class neighborhood, Carla on the wrong side of the water. The cheaters will lure their families to the same Christmas picnic celebration, to provide alibis while still being able to sneak off and chat about the arson. Carla's tow-truck owner hubby, Smithy, is a fearsome tough to cross, so will the philanderers' holiday gifts come through, or explode in their lying faces? Written by
Written by Joel Edgerton and Matthew Dabner, directed by Nash Edgerton and produced by Louise Smith, The Square eloquently shows that Australian films can embrace genre in an exciting, audience-aware way. This is thrilling film-making at its best.
The plot revolves around a middle aged man, Ray, (David Roberts) who makes a fatal mistake when he gets involved with younger woman, Carla, (Claire van der Boom). His attempts to make it right just land him deeper and deeper into the kind of trouble he'll never be able to resolve. This searing examination of middle-aged angst and displaced desire keeps the surprises coming and the twists turning.
In a series of colourful and dynamic performances, the supporting cast including Joel Edgerton as a pyromaniac crim-for-hire, Tony Hayes as the spurned husband with a dark secret of his own and Kieran Darcy-Smith as a nasty concrete guy only add to the strength of the world.
Beautifully shot, fantastic production design and razor sharp editing. Also of note is the soundtrack - perfectly tuned to mood - this one doesn't miss a beat.
This was my highlight of the Sydney Film Festival - audiences should flock to this one.
They won't be disappointed.
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