After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Kym Buchman has been in drug rehab for nine months, during which time she has been clean. She is released temporarily from the facility to attend her sister Rachel Buchman's wedding. During her release, Kym is staying at the family home, where the wedding is taking place. As such, it is like Grand Central Station for the duration of Kym's stay, which may not be the most conducive situation for her in constantly being exposed to the watching eyes of those who know and don't yet know her, but know of her situation. The reunion with her family members starts off well enough, but issues around Kym's release from rehab quickly surface. Kym and Rachel's father, Paul Buchman, wants to make sure that Kym is all right at all times, which to Kym feels instead like he doesn't trust her. Rachel slowly begins to resent Kym's situation taking over what is supposed to be the happiest day of her life, some of which is directed by Kym, some of which isn't. One person present but largely not included ... Written by
There is no pre-recorded background scene music throughout the film. All music heard in the film is performed live on screen. See more »
When Kym returns from the rehearsal dinner the piece of watermelon she eats has a bite taken out of it that disappears and re-appears during the scene. The thickness of the slice also varies. See more »
[Late to rehab meeting, she knocks over a chair]
[Who had been addressing the crowd]
Uh, only once. My dealer. I was very hard up for cash.
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Maybe this is a generational thing but I wholeheartedly agree with those who have said, "Excellent film sabotaged by execrable camera work," "Teenagers Making Video," and "Rachel Gets Married, Audience Gets Headache." When I was an engineer and again as a programmer, we had a saying, "Just because you can do something doesn't mean you have to do it." Last week I saw W. and had the same comment about it. The hand held, shaky, up your actor's nose close-ups all distract from what could be an interesting story. How I miss the carefully plotted camera work of people like Gregg Toland (The Grapes of Wrath and Citizen Kane), James Wong Howe (too many to mention), and Freddie Young (Lawrence of Arabia). As Dennis Miller says, "of course, that's just my opinion. I could be wrong."
I also feel that many of the scenes, particularly the wedding party, went on way, way too long. If I had wanted to watch my friend's long, boring, amateur wedding video, I could have stayed home and saved the price of admission.
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