| Photos (See all 40 | slideshow) | Videos (see all 16) |
| Ben Kingsley | ... | Dr. Squires | |
| Josh Peck | ... | Luke Shapiro | |
| Famke Janssen | ... | Mrs. Squires | |
| Olivia Thirlby | ... | Stephanie | |
| Mary-Kate Olsen | ... | Union | |
| Jane Adams | ... | Eleanor | |
| Method Man | ... | Percy | |
| Aaron Yoo | ... | Justin | |
| Talia Balsam | ... | Mrs. Shapiro | |
| David Wohl | ... | Mr. Shapiro | |
| Bob Dishy | ... | Grandpa Shapiro | |
| Joanna Merlin | ... | Grandma Shapiro | |
| Shannon Briggs | ... | Bodyguard #1 | |
| Roy Milton Davis | ... | Homeless Man | |
| Alexander Flores | ... | Kid in Bar | |
| Ross Levine | ... | Blunt Boy | |
| Ken Marks | ... | Oliver | |
| Kiah Fredricks | ... | Police Officer #1 | |
| Robert Armstrong | ... | Principal Edwards | |
| Flint Beverage | ... | Bartender | |
| Rudy Costa | ... | Corrections Officer | |
| Nick Schutt | ... | Albert | |
| Sam Dishy | ... | Subway Musician | |
| Nicole Berger | ... | Choreographer | |
| Dawn Noel | ... | Fly Girl 1 (as Dawn Pignuola) | |
| Tyler Gilstrap | ... | Fly Girl 2 | |
| Erin Elliott | ... | Fly Girl 3 | |
| Natalie R Ridley | ... | Fly Girl 4 (as Nathalie Ridley) | |
| Ioana Alfonso | ... | Fly Girl 5 | |
| rest of cast listed alphabetically: | |||
| Joseph Basile | ... | Prisioner | |
| Douglas J. Aguirre | ... | Desk Officer in the Prison (uncredited) | |
| Charlene Biton | ... | College Student (uncredited) | |
| Kevin Cannon | ... | Homeless Dealer (uncredited) | |
| Jack Caruso | ... | Arresting Police Officer (uncredited) | |
| Peter Conboy | ... | Man on Park Bench (uncredited) | |
| Sean Dillon | ... | Gruden (uncredited) | |
| John Farrer | ... | Faculty Member at Graduation (uncredited) | |
| Melissa Grimmond | ... | Girl #4 (uncredited) | |
| Eugene Kim | ... | Subway Guy (uncredited) | |
| Rylie J. Neale | ... | Luke's Classmate (uncredited) | |
| Bill Walters | ... | Barfly (uncredited) | |
Directed by | |||
| Jonathan Levine | |||
Writing credits(WGA) | ||
| Jonathan Levine | (written by) | |
Produced by | |||
| Keith Calder | .... | producer | |
| Jared Goldman | .... | line producer (as Jared Ian Goldman) | |
| Felipe Marino | .... | producer | |
| Joe Neurauter | .... | producer | |
| Brian Udovich | .... | co-producer | |
Original Music by | |||
| David Torn | |||
Cinematography by | |||
| Petra Korner | (director of photography) | ||
Film Editing by | |||
| Josh Noyes | |||
Casting by | |||
| Joanna Colbert | |||
| Richard Mento | |||
Production Design by | |||
| Annie Spitz | |||
Art Direction by | |||
| Beth Kuhn | |||
Set Decoration by | |||
| Cherish Magennis | |||
Costume Design by | |||
| Michael Clancy | |||
Makeup Department | |||
| Daisy Curbeon | .... | key hair stylist | |
| Patricia Grande | .... | hair department head | |
| Andrea Grande-Capone | .... | additional hair stylist | |
| Linda Grimes | .... | makeup department head | |
| E. Morrow | .... | key makeup artist (as Eve Morrow) | |
| Souraya Hamdi | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Dave Donars | .... | production supervisor | |
| Jared Goldman | .... | unit production manager (as Jared Ian Goldman) | |
| Zara Park | .... | post-production supervisor: digital intermediate, Modern Videofilm (as Zara Roberts) | |
| Michael Toji | .... | post-production supervisor: EPC | |
Second Unit Director or Assistant Director | |||
| Paul Epstein | .... | first assistant director | |
| Bruce Hall | .... | second assistant director | |
| Marcus Scigliano | .... | second second assistant director | |
Art Department | |||
| Derrick Alford | .... | key construction coordinator | |
| Jamie Arbuckle | .... | on-set dresser | |
| Scott Canfield | .... | leadman | |
| Travis Child | .... | charge scenic | |
| Anthony Cox | .... | best boy construction grip | |
| Paul George Divone | .... | carpenter foreman (as Paul Divone) | |
| Bridget Edwards | .... | additional set decoration shopper | |
| Stephen Girouard | .... | key construction grip (as Stephen Geirouard) | |
| Jonathan Hansen | .... | stage production assistant | |
| Kenneth W. Hoare | .... | set dresser (as Kenny Hoare) | |
| Greg Izzo | .... | set dresser | |
| Duncan Johnson | .... | art department production assistant | |
| Glenn Lloyd | .... | art department coordinator | |
| Daniel Ritchel | .... | assistant property master (as Danny Ritchel) | |
| Paul Robinson | .... | set dresser | |
| Bea Spitz | .... | original artwork | |
| Kara Torney | .... | set decoration buyer (as Kara Zeigon) | |
| Sabrina Wright | .... | property master | |
| Dan Kajeckas | .... | camera scenic artist (uncredited) | |
| Michael Lee Nirenberg | .... | lead scenic artist (uncredited) | |
| Adam Pessah | .... | camera scenic artist (uncredited) | |
| Travis Quegan | .... | property (uncredited) | |
| Noreen Souza-Bailey | .... | set dresser: additional crew (uncredited) | |
| Greg Voth | .... | graphic artist (uncredited) | |
| Joan Winters | .... | graphic design (uncredited) | |
Sound Department | |||
| Tara Blume | .... | sound effects editor | |
| Eugene Gearty | .... | sound designer | |
| John-Thomas Graves | .... | sound effects editor (as John Graves) | |
| Anguibe Guindo | .... | boom operator | |
| Ken Ishii | .... | sound mixer | |
| Trevor Jolly | .... | supervising sound editor | |
| Eric Justen | .... | sound re-recording mixer | |
| Donald Lyles | .... | adr mixer | |
| Maciek Malish | .... | dialogue editor (as Maciek Malisch) | |
| Maciek Malish | .... | foley editor (as Maciek Malisch) | |
| David Marcus | .... | director of sound services | |
| Joe Origlieri | .... | sound production assistant | |
| Jeffrey Perkins | .... | sound re-recording mixer | |
| Jeffrey A. Pitts | .... | sound effects editor (as Jeff Pitts) | |
| Eddie Rogers | .... | dialogue editor | |
| James Wright | .... | sound consultant: Dolby | |
| Vance Walden | .... | adr recordist (uncredited) | |
Visual Effects by | |||
| Rene Clark | .... | digital imaging artist: Modern Videofilm | |
| Manny Dubon | .... | iq assistant: Modern VideoFilm | |
| Nicholas Hasson | .... | iq artist: Modern VideoFilm (as Nick A. Hasson) | |
| Daniel Elliott Linger | .... | rotoscope artist: SnootFX | |
| Dimitri Loginowski | .... | digital artist: SnootFX | |
| Dave McCarthy | .... | drs operator: Modern Videofilm | |
| Karen McCarthy | .... | drs operator: Modern Videofilm | |
| Peter Moc | .... | digital imaging artist: Modern Videofilm | |
| Allan Nadel | .... | visual effects compositor: SnootFX | |
| Zara Park | .... | digital intermediate post-production supervisor: Modern Videofilm (as Zara Roberts) | |
| Eric Scofield | .... | electronic graphics operator: Modern Videofilm | |
| Dane Allan Smith | .... | visual effects producer: SnootFX (as Dane Smith) | |
| Corina Zuniga | .... | electronic graphics operator: Modern Videofilm (as Corina L. Zuniga) | |
| Tara Ansley | .... | assistant: visual effects supervisor (uncredited) | |
Stunts | |||
| Chris Barnes | .... | stunt coordinator | |
| Cort Hessler | .... | stunt coordinator | |
| Michael Lindengren | .... | stunt double: Dr. Squires | |
| Ian Mclaughlin | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Tamura Bakr | .... | company electrician | |
| Daniel Beaman | .... | dolly grip (as Dan Beaman) | |
| Mark Beattie | .... | company electrician | |
| Eric Boncher | .... | stage rigging gaffer | |
| Bob Calandro | .... | grip | |
| John Coots | .... | best boy electric | |
| John Corso | .... | camera operator | |
| Divine Cox | .... | company grip | |
| Jennifer Evans | .... | company grip | |
| Joseph Fleming | .... | company grip | |
| David Harges | .... | rigging best boy | |
| Milly Itzhak | .... | second assistant camera | |
| Zbigniew 'Ziggy' Kouros | .... | company grip (as Zbigniew Kouros) | |
| Ed Koza | .... | company grip | |
| Nina Kuhn | .... | company electrician | |
| Dave McAllister | .... | key grip (as David McAllister) | |
| Kevin McClean | .... | house electrician | |
| Iris Ng | .... | rigging gaffer | |
| Jesse Pelikan | .... | company grip | |
| Steve Peloquin | .... | best boy grip (as Steven Peloquin) | |
| Jeff Porter | .... | first assistant camera: "a" camera | |
| Sam Rosedietcher | .... | company grip (as Samuel Rosedietcher) | |
| Benjamin Salley | .... | company electrician | |
| Ken Shibata | .... | gaffer | |
| Frank Stubblefield | .... | company electrician | |
| Craig Vaccaro | .... | company grip | |
| JoJo Whilden | .... | still photographer | |
| William S. White | .... | loader (as Will White) | |
| Dennis Yeandle | .... | additional still photographer | |
| George Bianchini | .... | Steadicam operator (uncredited) | |
| Matt Cross | .... | electrician (uncredited) | |
| René Crout | .... | additional first assistant camera: "b" camera (uncredited) | |
| Robert DiGiacomo | .... | first assistant camera: underwater scenes (uncredited) | |
| Chris Dixon | .... | electrician (uncredited) | |
| Cory Durst | .... | company grip (uncredited) | |
| Micah Eisenmann | .... | electrician (uncredited) | |
| Afton Grant | .... | Steadicam operator (uncredited) | |
| Martin Jaksa | .... | grip (uncredited) | |
| Alexander Martin | .... | electrician (uncredited) | |
| Aaron Medick | .... | Steadicam operator (uncredited) | |
| Matthew Mendelson | .... | electrician (uncredited) | |
| Michele SchianodiCola | .... | best boy rigging electrician (uncredited) | |
| Yoshi Sonoda | .... | electrician (uncredited) | |
| Walter Strafford | .... | electrician (uncredited) | |
| Joe Victorine | .... | additional electrician (uncredited) | |
| William S. White | .... | additional first assistant camera (uncredited) | |
| David Woolner | .... | electrician (uncredited) | |
Casting Department | |||
| Jesse Lucy Allen | .... | casting assistant | |
| Lee Genick | .... | extras casting assistant | |
| Ronen Gevint | .... | background casting | |
| Ali Merhi | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Felicity Gifford | .... | set costumer | |
| Lisa Kisner | .... | wardrobe production assistant | |
| Pilar Limosner | .... | assistant costume designer | |
| Ivonne Reimann | .... | wardrobe intern | |
| Laura Steinman | .... | wardrobe supervisor | |
| Sonya Strich | .... | wardrobe intern | |
| Justine Chevalier | .... | wardrobe assistant (uncredited) | |
| May Elbaz | .... | stitcher (uncredited) | |
| Cassidy Mosher | .... | additional costumer (uncredited) | |
Editorial Department | |||
| Jenny Bassichis | .... | post-production coordinator: Wow & Flutter | |
| Carl L.W. Bochek III | .... | post-production assistant: EPC (as Carl Bochek) | |
| Shawn Broes | .... | digital intermediate editor: Modern VideoFilm | |
| Jason Crump | .... | dailies colorist: Mega Playground | |
| Joe Fineman | .... | post-production consultant: EPC | |
| Joe Finley | .... | digital intermediate colorist: Modern VideoFilm | |
| Alisha Kosaka | .... | post-production coordinator: Wow & Flutter (as Alisha Marks) | |
| Bryan Park | .... | digital intermediate editor: Modern VideoFilm | |
| Nicole Ruiz | .... | post-production coordinator: EPC | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Amy Skerkoski | .... | post-production assistant: EPC | |
| Michael Smollin | .... | dailies colorist: Mega Playground | |
| Joe Violante | .... | dailies advisor: Technicolor N.Y. (as Joey Violante) | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Ryan Michael Demaree | .... | assistant composer | |
| Gabe Hilfer | .... | music coordinator | |
| Bryan Lawson | .... | music producer (as Bryan Elliott Lawson) | |
| Bryan Lawson | .... | score mixer (as Bryan Elliott Lawson) | |
| Bryan Lawson | .... | supervising music editor (as Bryan Elliott Lawson) | |
| David Torn | .... | music producer | |
| David Torn | .... | score mixer | |
| Sam Zeines | .... | music editor | |
Transportation Department | |||
| Bobby Alberga | .... | driver (as Robert Alberga) | |
| Lewis Dangelo | .... | driver | |
| Bob Donavan | .... | driver (as Robert Donovan) | |
| Billy Featherstone | .... | driver | |
| Michael Fennimore | .... | transportation captain | |
| George Grover | .... | driver | |
| Jimmy Heidrich | .... | driver (as Jim Heidrich) | |
| Gabe Turiello | .... | driver | |
| Drew Yanarella | .... | driver | |
Other crew | |||
| Allison Adams | .... | assistant: Ben Kingsley | |
| Adam Ballesteros | .... | assistant: producers | |
| Howard Baral | .... | post-production accountant: R.C. Baral & Co. | |
| Jeremy Brena | .... | stand-in: Josh Peck | |
| Scott Brooks | .... | set production assistant | |
| Grant Carpenter | .... | production intern | |
| Rob Coleman | .... | location scout | |
| Kathleen Corbin | .... | location coordinator | |
| Olivia Curtis | .... | adr loop group | |
| Evan Davies | .... | adr loop group | |
| Leo Driver | .... | parking coordinator | |
| Shannon Dry | .... | first assistant accountant | |
| Harriet Steel Durkes | .... | set production assistant | |
| Katrina Dykes | .... | scheduling director: Wow & Flutter | |
| Corrine Ellington | .... | stand-in: Framke Janssen | |
| Cristina Esteras-Ortiz | .... | dailies coordinator: Mega Playground | |
| Lindsay Feldman | .... | production coordinator | |
| Tori Fritz | .... | adr loop group | |
| Michelle Garcia | .... | production intern | |
| Stephen Garrett | .... | electronic press kit | |
| Sky Gewant | .... | set production assistant | |
| Chris Gewehr | .... | adr loop group | |
| Robert Gillespie | .... | production intern | |
| Billy Gooch | .... | set production assistant | |
| Eric Goodwin | .... | production intern | |
| James Granger | .... | production secretary | |
| Libby Grant | .... | adr loop group | |
| Trish Gray | .... | location scout | |
| Greg Highsmith | .... | payroll accountant | |
| Jennifer Hoopes | .... | location coordinator | |
| Sierra Hornung | .... | adr loop group | |
| Nora Jenewein | .... | production intern | |
| Phyllis Kaufman | .... | legal counsel: Fish & Richardson | |
| Ryan David Kohler | .... | office production assistant | |
| Katie Kramer | .... | set production assistant | |
| Kristina Lee | .... | assistant production coordinator | |
| Evan Levine | .... | production intern | |
| Ross Levine | .... | production consultant | |
| Stephen Lippross | .... | production accountant | |
| Emilie Maison | .... | press attache france | |
| Elizabeth Marley | .... | stand-in: Olivia Thirlby | |
| Christopher Menges | .... | location assistant (as Chris Menges) | |
| Karen S. Neasi | .... | product placement coordinator (as Karen Neasi) | |
| Shikha Nirula | .... | dailies coordinator: Mega Playground | |
| John H. Powers | .... | set production assistant | |
| Matthew Reedy | .... | key set production assistant (as Matthew J. Reedy) | |
| Dawn Rosado | .... | craft service assistant | |
| Ali Rossiter | .... | production intern | |
| Betsy Rudnick | .... | unit publicist: Falco Ink. | |
| Chris Santangelo | .... | stand-in: Ben Kingsley | |
| Ian Sitek | .... | additional key production assistant | |
| Collin Smith | .... | location manager | |
| Jeannine Sturtevant | .... | adr loop group | |
| Rodney Tait | .... | assistant parking coordinator | |
| Shannon Treusch | .... | unit publicist: Falco Ink. | |
| Gabe Turiello Jr. | .... | production assistant | |
| Rob van de Laar | .... | craft service | |
| David Velasco | .... | assistant location manager | |
| Chris von Hoffmann | .... | production assistant | |
| Allison Wardley | .... | production intern | |
| Sharon Watt | .... | script supervisor | |
| Jack Wheeler | .... | set production assistant | |
| Sarah Berge | .... | assistant: Ms. Janssen (uncredited) | |
| Nicole Berger | .... | choreographer (uncredited) | |
| Todd M. Hofacker | .... | assistant: Ben Kingsley (uncredited) | |
| Brendan Kehoe | .... | location scout (uncredited) | |
| Doug McCafferty | .... | production assistant (uncredited) | |
| Sean Pinnow | .... | intern (uncredited) | |
| Adam S. Poswolsky | .... | location scout (uncredited) | |
| Wendy L. York | .... | additional script supervisor (uncredited) | |
Thanks | |||
| Judy Greer | .... | very special thanks | |
| Tom Hanks | .... | very special thanks | |
| Phedon Papamichael | .... | very special thanks | |
| Liz Phair | .... | special thanks | |
| Shawn Regruto | .... | thanks | |
| Jason Rio | .... | special thanks | |
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The Wackness is one of those rare movies that I go into the cinema not knowing next to anything about. Apart from a relatively unimpressive TV Spot I had seen I really didn't know what to expect. In fact it wasn't until the day before I was going to see it that I actually had any interest in seeing it. So I entered the cinema knowing Josh Peck (from that dreadful Drake and Josh show) and Ben Kingsley were starring. That was the extent of my knowledge. Two hours later I left the cinema feeling extraordinarily happy, in fact this movie made me smile more than most other movies have made me this year. While it isn't the funniest movie ever the movie does make you feel good about life. Perhaps the negative things that happen to the characters and how they overcome them that made me feel so good, or maybe it was the brilliant direction and script, or maybe, just maybe this is one of those rare movies that can be classed as a masterpiece. Anyway the fact is at the moment that this is my current second favourite movie of the year, behind The Dark Knight of course. The performances here are extremely top notch, I have no idea why I ever doubted Josh Peck in the role. I suppose Drake and Josh had destroyed all my images of him ever being a serious actor, which is stupid because I remember how brilliant he was in the highly under-watched Mean Creek. But this movie belongs to Sir Ben Kingsley as Peck's psychiatrist/friend/man he sells dope to. Kingsley is hilarious yet also oddly touching in a role not many actors could pull off. His story arc is played through extremely well, and whenever he is on screen the movie is a true revelation. But extra credit must go to the director, who has made an unoriginal tale seem so vivid and original its extraordinary.
Anyway as I said Josh Peck was an extremely pleasant surprise as Luke. Peck really proves himself as an actor in this movie, in fact to the extent that I believe he could potentially gain an Oscar nomination in future years, not for this movie though, he's good not that good. Peck delivers some pretty amusing lines pretty easily, but where he really shines through is the more dramatic sequences. A scene at the beach towards the end sees him deliver a killer of a performance. It also helps that he has considerable chemistry with Sir Ben Kingsley. Seriously I would love to see them in a movie together after this performance. Anyway Sir Ben Kingsley. I admit to not being much of a fan of him. Despite him delivering a good performance in Gandhi, which I have always regarded as overlong, tedious and way overrated, nothing else really stood out in my eyes. It also doesn't help his performance in Thunderbirds still haunts me to this day. However I honestly want him to get an Oscar nomination for his performance here. He is brilliant. This is the only movie you will probably see him kissing an Olsen, using a bong, and getting high a lot. His storyline is the best thing in the movie, and whenever he is on screen the movie goes from very good, to incredible. Olivia Thirlby delivers almost an equally as impressive performance as Peck. She makes a potential two dimensional character quite possibly more than three dimensional! Her character is never dull, not a stereotype, and her very final scene with Peck really is one of the films many highlights. Famek Janssen seems to have drawn the short straw in this movie, unfortunately she gets barely any screen time. A shame since her character does actually get very interesting in the middle of the movie, yet she seems a bit wasted, despite an above average performance.
The true power of The Wackness however comes from the way it is written, and also the direction. I was four in 1994, so am probably not the best person to talk about the time the movie is set, at this time I was still running around in my Power Rangers pyjamas! Anyway the music and the way people talk in the movie seem pretty accurate by my accounts, and also there are moments the feel of the movie seems pretty right. Anyway enough about that, the script here is the key. As I have said before the storyline isn't exactly original, in fact when it all boils down to it the movie is a simple coming of age tale. Still the script here makes the storyline seem refreshing. Peck is made to be extremely sympathetic, even when he is at his mopiest. Kingsley's character gets all the best lines of course, but his more dramatic moments once again show the level of thought gone into the character. The movie doesn't start off in the best way though, the first ten minutes are admittedly not what I really expected and left me a bit dumbstruck. Most namely a dance on the subway, which the more I think about the more I like. Anyway by the end you do feel genuinely happy and also impressed. There were seven people in my cinema screen, only me and my friend really laughed in it, but this is still a movie I urge people to see.
The Wackness is probably the biggest surprise for me of the year and one I cannot wait to buy on DVD. It won't make mega bucks at the cinema, but this really deserves to be watched more than it has been so far.