It's the summer of 1994, and the streets of New York are pulsing with hip-hop. Set against this backdrop, a lonely teenager named Luke Shapiro spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment, while having a crush on his stepdaughter.

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Drama

Feature adaptation of the 2012 documentary about a junior high school class from New York City competing an a chess tournament.

Director: Jonathan Levine
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Cast

Cast overview, first billed only:
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Eleanor
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Justin
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Grandpa Shapiro
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Grandma Shapiro
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Bodyguard #1
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Homeless Man
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Kid in Bar
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Storyline

Friendship, love, and coming of age in New York City, summer of 1994. Luke Shapiro has just graduated from high school, sells marijuana, and trades pot for therapy from a psychologist, Dr. Jeffrey Squires. Luke is attracted to a classmate, Stephanie, who's out of his league and Squires' step-daughter. By July, he's hanging out with Stephanie, taking her on his rounds selling pot out of an ice-cream pushcart. Then things take a turn. In the background, Squires and his wife as well as Luke's parents are having their troubles. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Sometimes it's right to do the wrong things. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for pervasive drug use, language and some sexuality | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

1 August 2008 (USA)  »

Also Known As:

Bódulat  »

Filming Locations:

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$138,401 (USA) (4 July 2008)

Gross:

$2,077,046 (USA) (17 October 2008)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

"The What?" performed by The Notorious B.I.G. featuring Method Man is playing while Luke visits his supplier Percy, who happens to be played by Method Man himself. See more »

Goofs

On the "honeymoon" the kids take, Faith Evan's "You Used to Love Me" is heard playing on the boom-box. The story takes place in the summer of 1994, while Evan's single wasn't released until 1995, nearly a year later. See more »

Quotes

Dr. Squires: Young men need sex, Luke. All men, actually... I- I can get you a hooker if you like.
Luke Shapiro: God, I was *this* close to respecting you.
Dr. Squires: Big mistake, Luke. Call your girl. You don't need medication, Luke. You just need to get laid.
See more »

Crazy Credits

When the Sony Pictures Classics logo appears at the very beginning and at the very end of the film, the word "classics" is erased and replaced with a graffiti rendering of the same word. See more »

Connections

References Three's Company (1977) See more »

Soundtracks

"Summertime'
Written by George Funky Brown, C.F. Martin, Claydes Smith, Robert Kool Bell,
Ronald Bell, Will Smith (as Willard Smith), Robert Spike Mickens, Alton Taylor,
, Dennis D.T. Thomas, Hula Mahone, The Guru, Richard Westfield,
, and K P Fingers
Performed by Jeffrey A. Townes and Will Smith
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Frequently Asked Questions

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User Reviews

 
Touching period coming-of-age flick
30 August 2008 | by (London, UK) – See all my reviews

A thirty-something's dream summer movie, a bittersweet romantic comedy ironically bleached by the day-glo hip hop soundtrack. It's better than a simple nostalgia montage though. The unlikely friendship of Luke Shapiro (Josh Peck) and his psychiatrist (Kingsley) is the buddy movie subplot that might as well be the permissive 60s and its zonked-out, ideologically vacant progeny.

The two men muddle through, but it's the summer romance in summery New York that propels the film. Luke doesn't have any sort of direction until he's gifted the company of Olivia Thirlby's Stephanie, a streetwise but unthinking classmate - with mate being the operative word.

It's a pretty straightforward film. There's plenty of amiable humour and a number of small but well-drawn supporting characters. I felt it missed a trick though. The temperament of the film seems so well-judged, human but halcyon, that I was preparing myself for an enormous twist, a juddering revelation or emotional detonation. Instead Levine chokes and goes for a weak final 15 mins with too much talk and unable to stop the comic wagon on which he's carted the rest of the film along. 7/10


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