It's the summer of 1994, and the streets of New York are pulsing with hip-hop. Set against this backdrop, a lonely teenager named Luke Shapiro spends his last summer before university selling marijuana throughout New York City, trading it with his unorthodox psychotherapist for treatment, while having a crush on his stepdaughter.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
Friendship, love, and coming of age in New York City, summer of 1994. Luke Shapiro has just graduated from high school, sells marijuana, and trades pot for therapy from a psychologist, Dr. Jeffrey Squires. Luke is attracted to a classmate, Stephanie, who's out of his league and Squires' step-daughter. By July, he's hanging out with Stephanie, taking her on his rounds selling pot out of an ice-cream pushcart. Then things take a turn. In the background, Squires and his wife as well as Luke's parents are having their troubles. Written by
On the "honeymoon" the kids take, Faith Evan's "You Used to Love Me" is heard playing on the boom-box. The story takes place in the summer of 1994, while Evan's single wasn't released until 1995, nearly a year later. See more »
So that was all bullshit right? All that stuff about embracing your pain, making it a part of you? You can't do this, you can't just give up. Life is hard and it's full of pain and what-not, but we take it cause there's great stuff too. And we can do it cause we have friends- because we have each other.
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When the Sony Pictures Classics logo appears at the very beginning and at the very end of the film, the word "classics" is erased and replaced with a graffiti rendering of the same word. See more »
This might get me into trouble with the film elite, but I found this film so much more real and absorbing than David Gordon Green's "All The Real Girls." They both deal with young men coming of age thanks to first love, but this film has such superior performances and writing. Expertly directed and stacked with some of the best hip hop of the nineties, it's a film that is hilarious, sad and moving, populated with great characters you'll enjoy spending a couple of hours with.
I really wish a film like this had found me in my teenage years, because it's so refreshing and honest. It's nice to watch a movie that celebrates the time honored art of owning and embracing the pain that makes you who you are.
People whine and bitch about the glut of hollow Hollywood formula flooding the marketplace, but a great little film like The Wackness with a strong voice is not getting the support it deserves.
The entire theater loved it, as did my friends I brought along who knew nothing about it.
Do yourself a favor and go see The Wackness. You won't be disappointed.
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