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Directed by | |||
| John Erick Dowdle | |||
Writing credits(WGA) | ||
| John Erick Dowdle | (screenplay) & | |
| Drew Dowdle | (screenplay) | |
| Jaume Balagueró | (motion picture "Rec") & | |
| Luis Berdejo | (motion picture "Rec") (as Luiso Berdejo) & | |
| Paco Plaza | (motion picture "Rec") | |
Produced by | |||
| Sergio Aguero | .... | producer | |
| Clint Culpepper | .... | producer | |
| Doug Davison | .... | producer | |
| Drew Dowdle | .... | executive producer | |
| Carlos Fernández | .... | executive producer | |
| Carlos Fernández | .... | producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Glenn S. Gainor | .... | executive producer | |
| Roy Lee | .... | producer | |
| Nicolas Stern | .... | associate producer | |
Cinematography by | |||
| Ken Seng | |||
Film Editing by | |||
| Elliot Greenberg | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | |||
Production Design by | |||
| Jon Gary Steele | |||
Art Direction by | |||
| Chris Cornwell | |||
Set Decoration by | |||
| Dena Roth | |||
Costume Design by | |||
| Maya Lieberman | |||
Makeup Department | |||
| David A. Brooke | .... | special makeup effects artist | |
| Nikki Carbonetta | .... | makeup artist: additional photography (as Nikki Carbonetta-Aguirre) | |
| Leo Corey Castellano | .... | key special makeup effects | |
| Steve Costanza | .... | makeup artist (additional photography) | |
| André Dubois | .... | assistant key hair stylist | |
| Christina Guerra | .... | makeup effects operations manager: Almost Human | |
| Robert Hall | .... | special makeup designer: Almost Human, Inc | |
| Toby Lamm | .... | key makeup artist | |
| Toby Lamm | .... | special makeup effects artist | |
| Don Lanning | .... | key sculptor: Almost Human Inc | |
| Clayton Martinez | .... | special makeup effects artist | |
| Douglas Noe | .... | makeup department head | |
| Erik Porn | .... | project supervisor: Almost Human Inc. | |
| Sandra Rowden | .... | key makeup artist | |
| Darnell Shepherd | .... | hair/lab technician: Almost Human | |
| Solina Tabrizi | .... | key hair stylist | |
| Larry Waggoner | .... | hair department head | |
Production Management | |||
| Glenn S. Gainor | .... | unit production manager | |
| Nicolas Stern | .... | production supervisor | |
Art Department | |||
| Jory Alvarado | .... | drapery foreman | |
| Cristina B. Avery | .... | art department assistant | |
| Max E. Brehme | .... | property master | |
| Sharleen Bright | .... | paint coordinator | |
| James Dupuy | .... | head plasterer (as Jay Dupuy) | |
| David Elliott | .... | construction coordinator | |
| Brian Ferguson | .... | props | |
| Todd Harris | .... | storyboard artist | |
| Richard Lambert | .... | leadman | |
| Al Lewis | .... | assistant art director | |
| Lyle Maves | .... | plasterer foreman | |
| Brett McKenzie | .... | art department coordinator | |
| Barbara Mesney | .... | set designer | |
| Candice Muriedas | .... | art department coordinator | |
| Jon Nicholson | .... | on-set dresser | |
| Steve Powell | .... | general foreman | |
| Christopher Schultz | .... | assistant property master | |
| Andrew Settle | .... | assistant property master | |
| Trey Shaffer | .... | graphic designer | |
| James E. Tocci | .... | set designer | |
| Fante Zamora | .... | set dresser | |
Sound Department | |||
| Anthony Adams | .... | sound editor | |
| Kami Asgar | .... | supervising sound editor | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Scott G.G. Haller | .... | dialogue editor | |
| Robin Harlan | .... | foley artist | |
| Scott Heflin | .... | boom operator | |
| Shawn Holden | .... | production sound mixer | |
| Jesse Kaplan | .... | second sound recordist | |
| Chet Leonard | .... | utility sound technician | |
| John Marquis | .... | supervising sound editor | |
| Sean McCormack | .... | supervising sound editor | |
| Sarah Monat | .... | foley artist | |
| Erin Oakley | .... | adr supervisor | |
| Paul Pirola | .... | sound designer | |
| Jacob Riehle | .... | first assistant sound editor | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Randy Singer | .... | foley mixer | |
| Tim Tuchrello | .... | sound editor | |
| David Weisberg | .... | adr mixer | |
Special Effects by | |||
| Jonathan Gording | .... | contact lens consultant | |
| Zak Knight | .... | special effects foreman | |
| William 'Barcode' Rosa | .... | lab technician | |
Visual Effects by | |||
| Johnathan R. Banta | .... | digital artist | |
| Raoul Bolognini | .... | visual effects producer | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Trent Claus | .... | flame artist | |
| Sean Dowey | .... | motion graphics artist | |
| Sean Dowey | .... | title designer | |
| Devin Fairbairn | .... | tracking artist: Zoic FX | |
| Greg Groenekamp | .... | lead compositor | |
| Diana Hinek | .... | digital compositor | |
| Deke Kincaid | .... | lead compositor: Zoic Studios | |
| Steven Meyer | .... | compositing supervisor: Zoic Studios (as Steve Meyer) | |
| Thomas Nittmann | .... | visual effects producer: lola visual effects | |
| Nathan Overstrom | .... | compositor: Zoic Studios | |
| Rocco Passionino | .... | visual effects supervisor | |
| Bethany Pederson | .... | digital effects artist | |
| Ryan Reeb | .... | digital artist | |
| Sean Tompkins | .... | visual effects coordinator | |
| Edson Williams | .... | visual effects supervisor: lola visual effects | |
| Zachariah Zaubi | .... | compositor: Zoic Studios (as Zach Zabui) | |
| Ryan Zuttermeister | .... | associate visual effects producer: Lola Visual Effects | |
Stunts | |||
| Hank Amos | .... | stunts | |
| Randy Beckman | .... | stunt rigging coordinator | |
| Steve Berens | .... | stunts | |
| Troy Lindsay Brown | .... | stunt double | |
| Dartenea Bryant | .... | stunt double | |
| William H. Burton | .... | stunts | |
| Lance Gilbert | .... | stunt coordinator | |
| Tim Gilbert | .... | stunts | |
| Troy Gilbert | .... | stunts | |
| Jake Lombard | .... | stunts | |
| Matthew Taylor | .... | stunt double | |
Camera and Electrical Department | |||
| Joseph Aguirre | .... | camera operator | |
| Craig Bilodeau | .... | key grip | |
| Denise Brady | .... | rigging grip | |
| John Bramley | .... | still photographer | |
| Scott Donahue | .... | grip | |
| Patrick George | .... | light programmer: moving lights | |
| Michael Herron | .... | digital video assist operator | |
| Mark Hochman | .... | 24 frame video operator | |
| Andy C. Huber | .... | assistant chief lighting technician | |
| Pete Johnson | .... | grip | |
| Michael LaViolette | .... | chief lighting technician | |
| Bill-Brady Majors | .... | key grip | |
| Paul Maletich | .... | digital imaging technician: reshoots | |
| Michael Rich | .... | grip | |
| Kara Rittenhouse | .... | second assistant camera | |
| Lance Robinson | .... | second grip | |
| Eric Sandlin | .... | rigging gaffer | |
| Hannes Steixner | .... | grip | |
| Dave Wightman | .... | first assistant camera | |
| Annie Wildmoser | .... | second assistant camera | |
Casting Department | |||
| Claire Benjamin | .... | extras casting | |
| Julie Swistak | .... | casting associate | |
Costume and Wardrobe Department | |||
| Heidi Higginbotham | .... | costume supervisor | |
| Lindsey Kear | .... | wardrobe production assistant | |
| Laura E. Little | .... | costume supervisor | |
| Molly McConnaughy | .... | costumer | |
| Terri Middleton | .... | costumer | |
| Damien Quinn | .... | set costumer | |
| Cesha Ventre | .... | set costumer | |
Editorial Department | |||
| Patrick Leach | .... | post-production assistant | |
| Devin C. Lussier | .... | first assistant editor | |
| Blair Miller | .... | apprentice editor | |
| Reza Amidi | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Pilar McCurry | .... | music supervisor | |
Transportation Department | |||
| Neil Chisholm | .... | transportation | |
| Teresa Haney | .... | transportation captain | |
| William R. Peck | .... | driver | |
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| [Rec] | Diary of the Dead | The Fugitive | Split Second | Day of the Dead |
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Quarantine is a remake of 2007 Spanish horror film Rec, which has been receiving amazing reviews from horror fans, including myself. It was tense, terrifying and had great acting. I only saw Rec a few months ago, and would say it's one of the best of the year. Hearing about a US remake so soon, especially one told to be shot-for-shot, was kind of ridiculous. However, the cast for Quarantine was good, the trailer and stills looked cool, so I thought I'd give it a watch to see how it holds up to Rec. Needless to say, Rec was better, but I still enjoyed Quarantine. It was better than the remakes of Shutter, The Eye and One Missed Call, that's for sure.
Plot basically tells the story about a young woman who is filming with her cameraman at a fire station in Los Angeles, when they receive a distress call from an apartment. They head out, soon make a horrifying discovery regarding one of the residents and find themselves Quarantined by the government in the apartment building. It's exactly the same plot as the original, but it isn't actually shot-for-shot as there are a few new scenes thrown in there. Good ones, though. The acting was also strong, with Jennifer Carpenter being the lead. Manuela Velaso was better in Rec, but Jennifer did a really good job. I was surprised at the lack of Johnathon Schaech's screen time though, considering he was in nearly every scene in the recent remake of Prom Night. I loved Dania Ramirez and Jay Hernandez too.
Quarantine has really good acting, is entertaining from start to the end, but it has it's flaws. The movie was actually a little slow in one or two parts, and some of the characters I didn't really care for, such as the cocky businessman. I am also rather annoyed by the lack of effort from the writer/directors of this film. Drew and John Dowdle are rather new to the business, and not only have they remade a film that is less than a year old, but the direction and writing just wasn't there. They took most of the screenplay from Rec, so if anyone deserves the writing credit, the original makers deserve most of it. The direction, well, was also lacking...because it's a POV movie and a lot of shots are similar to the original, so the guy clearly didn't do as much as a regular director because it's a POV remake. They have also lied to the audiences, saying that they changed the ending. So they are new to the business, remaking a film less than a year old and lying? Stupid. I feel that the actors, and the creators of the original Rec, made this film what it was. The only things the Dowdle brothers deserve credit for are for their new scenes (5-10 mins total, which probably took an hour or two to write) and well, assisting with some of the direction...oh, and also managing to collect huge paychecks for doing very little of what a normal writer/director would do.
Overall, Quarantine was an entertaining remake after some of the lame ones we've had this year. It's nowhere near as bad as the haters are thinking it is, which actually doesn't make much sense, because if they loved the original...why hate a shot-for-shot remake? Unless it's because it has American actors, which again wouldn't make sense, as they are very talented actors. If you dislike POV movies though, this movie won't really be for you, so don't be an idiot and go and see it, and then complain about feeling sick...it's your own fault! Rec was the superior film, but overall, Quarantine was a good remake. But like I said before, if anyone deserves the credit for this remake, it's the original writer/directors (for the shots, writing and original - this remake wouldn't be here without them) and the actors of this remake. I do advise you though, don't be ignorant over a movie with subtitles, and check out the original Rec. It really is an amazing film.
Quarantine (2008) - 7/10.
Rec (2007) - 9/10.