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A television reporter and her cameraman are trapped inside a building quarantined by the CDC, after the outbreak of a mysterious virus which turns humans into bloodthirsty killers.

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Cast

Cast overview, first billed only:
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Scott Percival
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Yuri Ivanov (as Rade Sherbedgia)
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Lawrence
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Bernard
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Kathy
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Briana
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Nadif
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Jwahir
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Storyline

A television reporter and her cameraman are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew's videotape. Written by Screen Gems

Plot Summary | Plot Synopsis

Taglines:

On March 11 2008, the government sealed off an apartment complex in Los Angeles. The residents were never seen again. No details. No witnesses. No evidence. Until now. See more »


Motion Picture Rating (MPAA)

Rated R for bloody violent and disturbing content, terror and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

10 October 2008 (USA)  »

Also Known As:

Quarantined  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$14,211,321 (USA) (10 October 2008)

Gross:

$31,691,811 (USA) (14 November 2008)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The average shot was between 4 and 6 minutes long. See more »

Goofs

Although it's a necessary resource for the finale, the main character's video camera model does not have a "night-vision" feature. This function is commonly found on domestic Handycam camcorders but hardly on a big professional news reporter camera. See more »

Quotes

Angela Vidal: [after witnessing Bernard be killed by a CDC Sniper] Scott... They're not gonna let us out of here alive, are they?
Scott Percival: No... I don't think so.
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Crazy Credits

There are no opening credits. See more »

Connections

Featured in A Light in the Darkness (2009) See more »

Soundtracks

My Kinda Lover
Written by Billy Squier
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Frequently Asked Questions

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User Reviews

 
Infectious Horror
21 October 2008 | by (Toronto, ON, Canada) – See all my reviews

Even at a glance, it is clear that Quarantine has boarded the 'fad' bandwagon it two respects. Firstly, this chiller joins up with the abundance of remakes that choke the gullet of Hollywood, and at an impressively rapid pace I may add, duplicating its Spanish predecessor (Rec) within a year's time. Secondly, it is the successor in a line of films, some from earlier this year in fact, that adopt the hand-held camera technique (which may soon be classified more accurately as a gimmick) to construct a first hand, real time account of events. Yet, despite succumbing to these popular fixations, and the flag of death that is the studios reluctance to screen the film, Quarantine is crisp effective horror.

When comparing (Rec) and Quarantine, the similarities are glaring. In fact, the films are almost identical, save a few altered snippets. Which is good in the sense that nothing was lost in translation and although nowhere near as disgraceful as remaking classics or art films, it still begs to ask the question why? Alas, the average viewer does not wish to read subtitles, especially when watching horror, so the update went through. Directed by newcomer John Erick Dowdle he makes the most of his debut. Procuring a larger budget then its inspiration, Quarantine looks better as a whole (despite more frequent incomprehensible shots involving darkness and jiggle cam) and is able to incorporate some effects into the production, such as a continuous and chilling shot of a person being tossed down a stairwell. Comparisons to 2008's earlier films Cloverfield and Diary of the Dead are unavoidable, and remains squarely in the middle; a far-cry from the ingenuity and atmosphere of Cloverfield, but avoids the horrendous acting and scripting of Diary.

Mirroring (Rec) Quarantine begins with a reporter, Angela Vidal (Jennifer Carpenter) who hosts a late night television program. On this particular night, Angela and her cameraman Scott (Steve Harris) are doing a ride-along with the firemen of a local station in L.A., including Jake (Jay Hernandez) and Fletcher (Jonathan Schaech). After a tenuous night of boredom and anxiety, they are finally called to the scene of an apparent accident in an aging condo, involving an elderly tenant. Things are not as they seem however as soon after, the CDC seals off the building with the foursome, and the reaming residents still inside. Their reasoning is good it seems, as all hell breaks loose as a mysterious rabies virus rips through the building turning those exposed into zombie-like fiends. The survivors must work together to battle the infected, the authorities and each other.

Both films incorporate the inherent problem of the disease itself, which seems to frequently shift in its required incubation period, but is not really a huge impediment for the film as a whole. The opening act which is situated entirely at the station is both surprisingly involving and witty, and works to some extent as character development. The finale is also pulse-pounding, if not entirely inspired, but lacks the sheer terror I felt at the finale of (Rec). When breaking it down, Quarantine's opening is better then the original, and (Rec)'s final act is better then its imitator, so things balance out. Each film boast a superb scene mid to late film, including the aforementioned stairwell plummet in Quarantine and a scene in (Rec]) involving the same stairwell in which the heroes peer down to see the lower floors of infected peering back; eerie stuff. I would encourage horror fans to see both before making their choice, and to be honest I haven't quite chosen myself which is superior. Regardless, Quarantine takes advantage of a ploy that has not yet become stale, and yielding authentic portrayals from its relatively unknown cast and an ominous atmosphere, this flick is infectious to be sure.

See all my reviews at: http://simonsaysmovies.blogspot.com


64 of 109 people found this review helpful.  Was this review helpful to you?

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Why Quarantine looks more 'staged'? Sigmund
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