A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Mike works at his parents' motel in Kingman, population 27,000, on old Route 66. Sue sells art for a Baltimore firm to corporations for office walls. He takes one look at her from behind as she registers at the motel and determines to connect. He's sweet, but hapless, with no ambition other than spending time with her. She's enigmatic - rarely smiling, occasionally impulsive, committed to helping homeless people, feeling the clock tick after a breakup with a boyfriend who could have provided security. Is there any way he stands a chance with her? What can he offer? Written by
The screenplay for this film was featured in the 2007 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
Near the beginning of the movie Sue (Jennifer Aniston) is sitting in her hotel room on the bed looking down at the email screen on her laptop. The left-hand side of the screen shows there are 4 unread emails but there are actually 8 unread emails. The top right-hand corner of the screen says 'Viewing messages: 1 to 8 (8 total)' but there are actually 15 messages displayed. See more »
What about kids? Do you want to have kids?
[avoiding the question]
You know what was really great about that Yoga class?
It was the breathing stuff. I don't do that.
There are days where I have to instruct my heart to request additional air
[takes a deep breath]
and I have to tell myself "Breathe, Sue. Just keep breathing."
Yes, I want kids.
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First of all, I'd like to start by saying that I'm not a frequent movie comments writer, or any other sort of writer apart from my academic essays, hence, the lack of experience or proper writing structure which, more than probably would be blatant to a knowledgeable reader. However, I'm more than passionate about cinematography and I do believe without a shadow of a reasonable doubt that I've developed a fine taste for my viewing themes.
That said, I'm more than willingly commenting on this movie is because I have read an unjust and undermining comment about it right after I've watched it. So, the reasons I'd like to point out why this movie is more than a decent flick and contradict the over demanding (perhaps) commentator are:
A. It's a comedy slash romance flick (for crying out loud). So, it's quite obvious that if you are going to see this with expectations of such grandiose productions as of, in my opinion, Citizen Kane and 12 Angry Men, or Schindler's List, then you would more than likely be quite disappointed.
B. From where I stand, the casting was ingenious. In other words, it couldn't have been better (surprisingly enough since I've never appreciated Jenny as an actress, but this was just her ideal role).
C. The story is not over exaggerated which adds to its credibility. It's simple, well digestible and, not just funny, but harmfully hilarious at some points. On top of that, it's heart warming and free of "superficial additives".
D. The whole execution was flawless, starting from acting to photography and visual/audio presentation.
And, to rap things up, compared to its own kind, this flick stands in the top 10. So, it's a must see for sure.
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