Mike works at his parents' motel in Kingman, population 27,000, on old Route 66. Sue sells art for a Baltimore firm to corporations for office walls. He takes one look at her from behind as she registers at the motel and determines to connect. He's sweet, but hapless, with no ambition other than spending time with her. She's enigmatic - rarely smiling, occasionally impulsive, committed to helping homeless people, feeling the clock tick after a breakup with a boyfriend who could have provided security. Is there any way he stands a chance with her? What can he offer? Written by
A Catholic priest in Portland, Oregon, received an invitation to read for a scene involving a priest, while filming occurred in that city. A Portland-based member of the casting department told him that writer/director Stephen Belber was unsatisfied with the readings and characterizations that auditioning actors had been giving for the very brief lines in the scene. The casting department told the priest they found him through a random Internet search, yet he happened to be a serious film buff (for instance, he has an IMDb account). He had even hoped that someday he might get a bit part as a priest in a film. But he declined the invitation to read for the part in Management, after seeing the script of the scene in question and learning more about the film's storyline and about some of its other content. A modified version of the scene - without a priest - is in the film. See more »
Near the beginning of the movie Sue (Jennifer Aniston) is sitting in her hotel room on the bed looking down at the email screen on her laptop. The left-hand side of the screen shows there are 4 unread emails but there are actually 8 unread emails. The top right-hand corner of the screen says 'Viewing messages: 1 to 8 (8 total)' but there are actually 15 messages displayed. See more »
What about kids? Do you want to have kids?
[avoiding the question]
You know what was really great about that Yoga class?
It was the breathing stuff. I don't do that.
There are days where I have to instruct my heart to request additional air
[takes a deep breath]
and I have to tell myself "Breathe, Sue. Just keep breathing."
Yes, I want kids.
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Mike (Steve Zahn) is a hapless young man stuck in Arizona; Sue (Jennifer Aniston) is a young career woman on the move all over the country. He thinks he has something special with her but she just views his actions as inappropriate.
Aniston's Sue comes across as mature and diplomaticvery different than Rachel and her other recent characters. While Steve Zahn's character was very well written. He's very awkward and inexperienced around women and his use of words shows that perfectly and humorously. He's also very observant and a good judge of character. These characteristics help him build a connection with Sue and move the film forward.
At times, the structure of the story drags the film down a bit. The beginning is about introducing the characters and the second half has a more active plot when we meet Sue's on-again, off-again, and on-again boyfriend Janga (Woody Harrelson) and Mike gets closer to sorting out his life. The two halves aren't connected as well as they could have been but there is a bit of subdued humour sprinkled throughout.
"Management" is just a romantic comedy, but it has better written humour than most in the genre and much better written characters. I recommend it for its cute performances by Aniston and Zahn and for the little bit of inspiration that such real and developed characters can provide.
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