Bertrand Beauvois, a well-known attorney, is in Monte Carlo to defend a businessman's mother who murdered a gigolo with ties to gangsters. The businessman provides a bodyguard, Christophe, ... See full summary »
A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.
Cécile De France,
Life smiles at Dino Fabrizzi,a cool forty-two-year old Italian. Not only is he the most successful salesman at The Maserati dealership in Nice but he has had a steady (and hot) relationship... See full summary »
Two different mothers in two different worlds. The first one from comes from the western world, lives in France and after a tragic lost of her child is trying to continue living and find ... See full summary »
Teona Strugar Mitevska
A French film has not had me laughing this much in a long time. What a joy from hysterical beginning to hysterical end! In a long life of films, this is actually the only film I think I have ever seen twice in one week. But then I am dead center of the target audience. I must mention that I believe this film will be understood and applauded by a very specific audience- that of museum goers with an understanding of art history. When I noticed with bafflement that the IMDb average rating was 5, I then saw that the majority of low rating voters- were young men, and my guess is that they and other low-rating voters are not in the specific audience above.
The film makes fun of and with - virtually every type of museum goer, employee, and artist : uncultured 'hicks',faux-sophisticated art patrons,nationalistic art goers,fatuous conceptual artists,neglected artists, snobby curators, obsessive-compulsive curators, Earth Mother curators, vacuous politicians, exploited Third world artists, overtaxed guards, overly dramatic guides, and all manner of self-important types. (Thus the French film title, "Museum High,Museum Low" ) though the American title, "A Day at the Museum" well chosen as well.Throughout it are sprinkled very specific in-jokes that will give added giggles to art historians, .i.e. when the car-seeker finally finds the parking area he recognizes, it is called Velasquez, and when he jubilantly comes upon the sign/poster portrait of Velasquez, one sees in the background two diminutive figures from Velasquez's famous painting of the Spanish Infanta. While unrelated in subject matter, I think this film will appeal to many of those who love Almadovar. Goofy, quirky, colorful. There seem to be included in the cast at least 25 of France's most famous actors and comedians(including two Almadovar regulars.) I can only guess that they were all willing to contribute their (mostly) bit parts because the concept and set were such fun. I bet the director is a very likable guy, and that everyone had a blast making this film .The viewing audience at Boston's Museum of Fine Arts had a blast as well. I can't wait to research and see more from this director.
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