When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Nenette, who has the mental age of an 8-year-old, has always lived with her mother, who raised her alone. Nenette works, cleaning the community school, and her best friend is a tortoise. ... See full summary »
Bertrand Beauvois, a well-known attorney, is in Monte Carlo to defend a businessman's mother who murdered a gigolo with ties to gangsters. The businessman provides a bodyguard, Christophe, ... See full summary »
The Comte de Gonzague schemes against his cousin, the Duc de Nevers, even though he is the Duke's heir and will inherit his estates. The Count has kept secret the existence of the Duke's ... See full summary »
Philippe de Broca
"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a... See full summary »
Joaquim de Almeida,
A French film has not had me laughing this much in a long time. What a joy from hysterical beginning to hysterical end! In a long life of films, this is actually the only film I think I have ever seen twice in one week. But then I am dead center of the target audience. I must mention that I believe this film will be understood and applauded by a very specific audience- that of museum goers with an understanding of art history. When I noticed with bafflement that the IMDb average rating was 5, I then saw that the majority of low rating voters- were young men, and my guess is that they and other low-rating voters are not in the specific audience above.
The film makes fun of and with - virtually every type of museum goer, employee, and artist : uncultured 'hicks',faux-sophisticated art patrons,nationalistic art goers,fatuous conceptual artists,neglected artists, snobby curators, obsessive-compulsive curators, Earth Mother curators, vacuous politicians, exploited Third world artists, overtaxed guards, overly dramatic guides, and all manner of self-important types. (Thus the French film title, "Museum High,Museum Low" ) though the American title, "A Day at the Museum" well chosen as well.Throughout it are sprinkled very specific in-jokes that will give added giggles to art historians, .i.e. when the car-seeker finally finds the parking area he recognizes, it is called Velasquez, and when he jubilantly comes upon the sign/poster portrait of Velasquez, one sees in the background two diminutive figures from Velasquez's famous painting of the Spanish Infanta. While unrelated in subject matter, I think this film will appeal to many of those who love Almadovar. Goofy, quirky, colorful. There seem to be included in the cast at least 25 of France's most famous actors and comedians(including two Almadovar regulars.) I can only guess that they were all willing to contribute their (mostly) bit parts because the concept and set were such fun. I bet the director is a very likable guy, and that everyone had a blast making this film .The viewing audience at Boston's Museum of Fine Arts had a blast as well. I can't wait to research and see more from this director.
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