| Sandrine Bonnaire | ... | Hélène | |
| Kevin Kline | ... | Kröger | |
| Valérie Lagrange | ... | Maria | |
| Francis Renaud | ... | Ange | |
| Alexandra Gentil | ... | Lisa | |
| Alice Pol | ... | Natalia | |
| Didier Ferrari | ... | Jacky | |
| Laurence Colussi | ... | Pina | |
| Élisabeth Vitali | ... | Marie-Jeanne | |
| Daniel Martin | ... | Le président du club d'échecs | |
| Dominic Gould | ... | L'Américain | |
| Jennifer Beals | ... | L'Américaine | |
| Valérie Tréjean | ... | L'infirmière | |
| François Orsoni | ... | Le journaliste | |
| Christine Ambrosini | ... | La femme de l'autocar | |
| Anne-Camille Challier | ... | Fanny | |
| Ivia | ... | La dame des toilettes | |
| Lionel Tavera | ... | Le chauffeur du bus | |
| Gilbert Barbera | ... | Le fiancé de Maria | |
| rest of cast listed alphabetically: | |||
| Maxime Delauney | ... | Le jeune homme du tournoi | |
Directed by | |||
| Caroline Bottaro | |||
Writing credits(in alphabetical order) | ||
| Caroline Bottaro | writer | |
| Bertina Henrichs | novel | |
Produced by | |||
| Dominique Besnehard | .... | producer | |
| Michel Feller | .... | producer | |
| Jean-Philippe Laroche | .... | executive producer | |
| Amelie Latscha | .... | co-producer | |
Cinematography by | |||
| Jean-Claude Larrieu | |||
Film Editing by | |||
| Tina Baz | |||
Casting by | |||
| Tatiana Vialle | |||
Production Design by | |||
| Emmanuel de Chauvigny | |||
Set Decoration by | |||
| Frédéric Jacq | |||
Costume Design by | |||
| Dorothée Guiraud | |||
Makeup Department | |||
| Cédric Kerguillec | .... | makeup artist | |
| Fabienne Robineau | .... | hair stylist | |
Production Management | |||
| Rémi Bergman | .... | production manager | |
| Ollivier Guytard | .... | assistant unit manager | |
| Jean-Philippe Laroche | .... | post-production manager | |
| Victor Léocata | .... | assistant unit manager | |
| Michel Simongiovanni | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jeanne Guerra | .... | second second assistant director | |
| Thomas Parnet | .... | second assistant director | |
| Julien Zidi | .... | first assistant director | |
Art Department | |||
| Charlotte Bayle | .... | titles designer | |
| Carine Demongueres | .... | first assistant art director | |
| Geraldine Scaramela | .... | assistant art director | |
Sound Department | |||
| Selim Azzazi | .... | sound editor | |
| Nicolas Bourgeois | .... | assistant sound editor | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Ivan Dumas | .... | boom operator | |
| Erwan Kerzanet | .... | sound | |
| Michel Monier | .... | sound consultant: dolby | |
| Pierre Picq | .... | boom operator | |
| Hubert Teissedre | .... | post sync recording engineer | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Visual Effects by | |||
| Stephane Bidault | .... | visual effects supervisor | |
| Christophe Lucotte | .... | color grader | |
| Romain Moussel | .... | digital effects artist | |
| Bes Paul-Emmanuel | .... | digital artist | |
| François Poupon | .... | visual effects artist | |
| Christian Tomikowski | .... | digital compositor | |
Casting Department | |||
| Valérie Trajanovski | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Dorothée Guiraud | .... | costume supervisor | |
| Chloé Lesueur | .... | costumer | |
| Mireille Todounou | .... | wardrobe | |
Editorial Department | |||
| Fabien Napoli | .... | colorist: dailies | |
| Géraldine Rétif | .... | assistant editor | |
Music Department | |||
| Angelo Giovagnoli | .... | music coordinator | |
| Nicola Piovani | .... | original music composition and performance | |
| Roma Film Orchestra | .... | music performed by | |
Other crew | |||
| Maxime Delauney | .... | production assistant | |
| Florence Franceschi | .... | location manager | |
| Ollivier Guytard | .... | location manager | |
| Sophie Heurzeau | .... | production assistant | |
| Julien Rambaud | .... | assistant unit manager | |
| Delphine Régnier | .... | script supervisor | |
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| The Painted Veil | Bitter Moon | Dodsworth | Atonement | An Education |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Hélène is "a simple housemaid", living a very modest life with her husband and daughter, who both take her for granted. One day, after watching a couple play chess in idyllic conditions, she decides to learn how to play.
Throughout the film, chess is very much a symbol for Hélène aspiring to more in life. At one point, while trying to teach her husband how to play, her eyes light up as she says "La dame est la pièce la plus forte... c'est fou hein?" which could be roughly translated as "The queen is the strongest piece on the board... crazy, huh?".
This single sentence seems to encapsulate the whole state of mind of our protagonist. On one hand, the idea that she could accomplish anything, even be great or the best at anything seems far-fetched to her, yet terribly enticing. She is on a journey towards self-realization that is both exciting and a little scary to Hélène and those around her.
Sandrine Bonnaire is absolutely amazing as usual, and succeeds in showing the state of mind of her character in very few words. Kevin Kline is great as well playing Dr. Kröger, the man who teaches chess to Hélène and develops an unusual and complex bound with her. There are lots of nuances in their relationship and again, in few words, we as viewers can sense a lot is going on. Tension, attraction, challenges.
Caroline Bottaro's direction captures very well Hélène's modest and quiet life and the implicit contrasts between social classes.
I recommend this movie. If you are not convinced yet, give Guy Bellinger's review (here on IMDb) a read.