Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates) and a father of five children, all of whom live on the mainland and hold responsible... See full summary »
Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by ... See full summary »
Onoff is a famous writer who hasn't published any new books for quite some time and has become a recluse. When he is picked up by the police one stormy night, without any identification, ... See full summary »
In the world of high-end art auctions and antiques, Virgil Oldman is an elderly and esteemed but eccentric genius art-expert, known and appreciated by the world. Oldman is hired by a ... See full summary »
The film begins in the 1920's, in the Sicilian town of Bagheria (a.k.a. Baaria) where Giuseppe "Peppino" Torrenuova works as a shepherd to financially help his poor family. Over the next 50 years Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl (Mannina), has children and forges a political career for himself. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The scene of the cow killed in the movie was real. It is implied that Tornatore shot the movie in Tunisia to avoid the Italian laws on the matter of animal abuse. In fact, in Tunisia it is not forbidden to kill animals in movies. See more »
A red carpet event of major proportions. First time in 20 years that an Italian film opens the prestigious Venice Film Festival. The expectations were palpable. The film, as far as I'm concerned, a very personal 30 million dollar artsy rehash of a lot of common places. In a way the two and a half hours seemed to me the promotional teaser of a movie we have yet to see. In fact it looks and feels like a long, long trailer. Naturally, Tornatore knows how to steer sentiments and has a vivid commercial eye that survives in spite of the artistic aspirations. There are a couple of wonderful moments and it's a treat to see dozens of Italian stars making very brief cameos in a beautiful reconstructed city. The question is, after the emotional soirée, this morning it took me well after breakfast to remember the actual movie and I suspect that is because "Baaria" is too much and not enough at the same time. What come back to me at this very moment, trying to remember the epic is the wonderful face of Lina Sastri. So, Tornatore and his major collaborator Ennio Morricone are heading back to Oscar land. I wish them luck
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