Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates) and a father of five children, all of whom live on the mainland and hold responsible... See full summary »
Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by ... See full summary »
Onoff is a famous writer who hasn't published any new books for quite some time and has become a recluse. When he is picked up by the police one stormy night, without any identification, ... See full summary »
In the world of high-end art auctions and antiques, Virgil Oldman is an elderly and esteemed but eccentric genius art-expert, known and appreciated by the world. Oldman is hired by a ... See full summary »
The film begins in the 1920's, in the Sicilian town of Bagheria (a.k.a. Baaria) where Giuseppe "Peppino" Torrenuova works as a shepherd to financially help his poor family. Over the next 50 years Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl (Mannina), has children and forges a political career for himself. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Baarìa is the Sicilian name of Bagheria, a small town close to Palermo where Tornatore, the film director, was born and grew up. Most of the scenes were shot in Bagheria, however, others were shot on a massive set in Tunisia, where part of the Sicilian town was reconstructed according to the urban aspect the city had in the early 1900s. See more »
Looking back with a sentimental eye and a generous budget doesn't guarantee a masterpiece and in fact "Baaria" is not a masterpiece, but it manages to be a lot of other things and when I say a lot a mean an awful lot, too much perhaps. The ambition of the enterprise clashes with its clarity, its accomplishment even with its honesty. I've spent 10 critical years of my childhood in Sicily and the Sicily depicted here, beauty an all, felt like the work of a foreigner. This is a Sicily for exportation or, the Sicily of a dreamer with a very acute cinematic eye. Not the Sicily of Visconti's "La Terra Trema" to be sure but perhaps Tornatore's way is a cleverer way to go about it. This is a exemplary crafted "product". It doesn't have the depth of real art nor its purity. It has, however, a great show of confidence in itself. Beautiful images, beautiful protagonists, beautiful score. The toothless smiles of the under proletarians the color coordinated attire of the rich, everything in place just the way we imagine. To say that I was disappointed wouldn't be quite true, in fact, I enjoyed it much more that I thought I would, but now, twenty four hours later, very little of it remains in my mind or in my heart.
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