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Baarìa (2009)

Not Rated | | Comedy, Drama | 25 September 2009 (Italy)
Baaria is Sicilian slang for Bagheria where Tornatore was born and this is an autobiographic epic of three generations in the Sicilian village where he was born.

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Nominated for 1 Golden Globe. Another 14 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Lina Sastri ...
...
Sarina
...
Sarina as a young woman
Ficarra ...
Nino (as Salvo Ficarra)
Picone ...
Luigi (as Valentino Picone)
Gaetano Aronica ...
Cicco
Alfio Sorbello ...
Cicco as a young man
Lollo Franco ...
Don Giacinto
Giovanni Gambino ...
Peppino as a child
Giuseppe Garufì ...
Pietro as a child
Aldo ...
Speculator (as Aldo Baglio)
...
Roman journalist
Paolo Briguglia ...
Catechist
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Storyline

The film begins in the 1920's, in the Sicilian town of Bagheria (a.k.a. Baaria) where Giuseppe "Peppino" Torrenuova works as a shepherd to financially help his poor family. Over the next 50 years Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl (Mannina), has children and forges a political career for himself. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

25 September 2009 (Italy)  »

Also Known As:

Baaria  »

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Box Office

Budget:

€28,000,000 (estimated)

Opening Weekend USA:

$4,900, 30 January 2011, Limited Release

Gross USA:

$4,900, 30 January 2011
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Company Credits

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Technical Specs

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Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film exists in two versions: the original, shown at the Venice Film Festival and spoken almost entirely in Sicilian dialect, and a dubbed version for general theatrical release in Italy. See more »

Connections

References The Good, the Bad and the Ugly (1966) See more »

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User Reviews

 
A Very Personal Epic
3 September 2009 | by See all my reviews

The film was received last night with an ovation. I was there in the audience, applauding. What a beautiful looking film! That was last night, today I found myself in difficulty trying to describe what I had seen. Where to start? With a kid running? Or, with Giuseppe Tornatore himself, a skillful craftsman with too much power? I suppose Tornatore is what I've carried with me from the experience. He tried to give us a "1900" but just hinting at the highs and lows with pretty pictures and Ennio Morricone. More Zeffirelli than Visconti. More Richard Attenborough than Bernardo Bertolucci. We in Italy need to see one of our most successful directors as an artist, as a man of culture. That's a trap an inhuman trap. The superficiality of "Baaria" is disguised by alluding to great themes with heavy "artistic" moments, dream like, magic realism, slow motion, but at the end of the day the superficiality shows up. Some of my favorite films appear superficial when in reality they are not. But I get terribly impatient when the opposite is true. I don't want to be negative towards this effort and I'm sure it will find a large audience all over the world I just don't want it to be presented to me like the serious work of a great artist because it's not. I loved Tornatore's "A Pure Formality" and the first part of "Cinema Paradiso" From "Baaria" I loved the beautiful faces of the two new comers in the leading roles and most of the score. I found the brief appearances by famous Italian actors entertaining but distracting. Perhaps that was the intention. Now, all said and done I will urge you to see it and make up your own mind.


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