| Photos (See all 27 | slideshow) | Videos (see all 2) |
| Josh Lucas | ... | Eldest Son | |
| Jacqueline Bisset | ... | The Mother | |
| Lukas Haas | ... | Youngest Son | |
| Morena Baccarin | ... | Beautiful Woman | |
| Betty Gilpin | ... | Young Model | |
| Emma Bell | ... | Young Girl | |
| Vanessa Kai | ... | Asian Woman | |
| Carrington Vilmont | ... | The Doctor | |
| Jean Brassard | ... | Young Girl's Father | |
| Adam Brody | ... | Talent Agent | |
| Stu Richel | ... | The Father | |
| Matt Walton | ... | Young Father | |
| Jake Houston | ... | Younger Brother | |
| Nicholas Sireci | ... | Young Brother | |
| Kelli Giddish | ... | Young Mother | |
| Joe Forbrich | ... | Hotel Manager | |
| Ron Megown | ... | Older Doctor (as Ronald Megown) | |
| Seth Fisher | ... | Hotel Receptionist | |
| Jamie Hurley | ... | Woman Tending Child | |
| Ravenna Fahey | ... | Woman In Cafe | |
| Jeffrey K. Miller | |||
| Lars Gerhard | ... | Uniformed Guard | |
| Kathleen Doyle | ... | Woman on Street | |
| Francis Dumaurier | ... | Old Lawyer | |
| Pascale Faye | |||
| Jeanne Omlor | ... | Young Girl's Mother | |
| Laura Holloway | ... | Woman #1 | |
| Grace Nassar | ... | Woman #2 | |
| rest of cast listed alphabetically: | |||
| Abigail Kuklis | ... | Featured | |
| Fabrizia Dal Farra | ... | Concentration Camp Woman (uncredited) | |
| Nick Latrenta | ... | Bar Patron (uncredited) | |
| Jacqueline Margolis | ... | The Widow (uncredited) | |
| Jena Mroz | ... | Model (uncredited) | |
| Elizabeth Newman | ... | The Waitress (uncredited) | |
| Rich Odell | ... | Agent (uncredited) | |
Directed by | |||
| Boaz Yakin | |||
Writing credits(WGA) | ||
| Boaz Yakin | (written by) | |
Produced by | |||
| Alma Har'el | .... | co-producer | |
| Kathleen Heffernan | .... | associate producer | |
| Josh Lucas | .... | executive producer | |
| Rafael Marmor | .... | associate producer | |
| Boaz Yakin | .... | producer | |
| Joseph Zolfo | .... | producer | |
| Andrew Zolot | .... | associate producer | |
Original Music by | |||
| Lesley Barber | |||
Cinematography by | |||
| Frederik Jacobi | |||
Film Editing by | |||
| John F. Lyons | |||
Casting by | |||
| Todd M. Thaler | |||
Production Design by | |||
| Dara Wishingrad | |||
Set Decoration by | |||
| Jade Healy | |||
Costume Design by | |||
| Sue Gandy | |||
Makeup Department | |||
| Bert Reo Anderson | .... | key hair stylist | |
| Joseph Farulla | .... | makeup department head | |
| Joseph Farulla | .... | special effects makeup designer | |
| Christal Schanes | .... | hair department head | |
| Christal Schanes | .... | head hair department | |
| Christal Schanes | .... | wig designer | |
Production Management | |||
| Andrew Zolot | .... | production supervisor | |
Art Department | |||
| Tracy Crim | .... | camera scenic artist | |
| Roxy Gillespie | .... | set dresser | |
| Melanie Hamlett | .... | set dresser | |
| Kathleen Heffernan | .... | creative consultant | |
| Aya Kaneta | .... | art department intern | |
| Kasia Kowalczyk | .... | art department intern | |
| Tim Linden | .... | set dresser | |
| Jennifer Pastecchi | .... | art department intern | |
| Amy Teitter | .... | set dresser | |
| Chris Trujillo | .... | leadman | |
Sound Department | |||
| Karina Becker | .... | foley artist | |
| Ryan Maguire | .... | adr mixer | |
| Ryan Maguire | .... | foley mixer | |
| Richard Murphy | .... | sound mixer | |
| Tara Paul | .... | sound re-recording mixer | |
| Robert Pruyn-Bush | .... | second boom operator | |
| Seth Tallman | .... | boom operator | |
Visual Effects by | |||
| Mark Wilhelm | .... | digital effects artist | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator | |
| Vince Cupone | .... | co-stunt coordinator | |
Camera and Electrical Department | |||
| Sebastián Almeida | .... | first assistant camera | |
| Denise Bailie | .... | second unit: camera operator | |
| John Clifford | .... | still photographer | |
| Dylan Crawshay-Williams | .... | key rigging grip | |
| David Giesbrecht | .... | still photographer | |
| Erik Guldbech | .... | additional set electrician | |
| Rob Harlow | .... | best boy grip | |
| Rob Harlow | .... | grip | |
| Nina Kuhn | .... | gaffer | |
| Alexander Martin | .... | electrician | |
| Tom Mone | .... | best boy grip: second unit | |
| Iris Ng | .... | Genny operator | |
| Samantha Sa | .... | additional grip | |
| Michele SchianodiCola | .... | best boy grip | |
| Yoshi Sonoda | .... | best boy electric | |
| Debbie Stampfle | .... | second assistant camera | |
| David Woolner | .... | electrician | |
Casting Department | |||
| Allison Twardziak | .... | casting associate | |
Costume and Wardrobe Department | |||
| Natasha Konowalow | .... | costume design intern | |
| Yolanda Rodney | .... | wardrobe supervisor | |
| Danielle Smith | .... | costumer (as Danielle Stephenson) | |
Editorial Department | |||
| David Gauff | .... | digital intermediate editor | |
Music Department | |||
| Lesley Barber | .... | pianist | |
| Ben Goldberg | .... | music supervisor | |
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| Damage | Before the Devil Knows You're Dead | Eyes Wide Shut | American Beauty | Secret Things |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Don't let the first few seconds scare you away. After that, the remaining initial nine minutes of dialog in this movie grabbed my attention. As a 49 year old guy, it was like the conversation that I've been holding in my own head was exposed, thoughts that I've never admitted to another human because of my shame, somehow brought out into the public for everyone to hear. Unbelievably honest, real, certainly a glimpse into my very brain with the same rationale and conclusions that I have come to in my own life.
If you've lived enough of live, you recognize the maternal instinct of the mother for her disadvantaged son. She protects him, puts up with him and shows a patience that only a guilt laden (whether deservedly so or not) mother will demonstrate. Her description of the call of her jilted boyfriend's parent's call is also not out of the ordinary for some of us. The acting of the disabled son, the emotion, absolutely fantastic and realistic. Unbelievably realistic, like looking into someone's personal life.
The movie only gets better. Watch it if you're interested in exploring the shadows of the human condition in an honest, thought provoking manner. Bravo!