Directed by | |||
| James A. Contner | |||
Writing credits(in alphabetical order) | ||
| Matthew Chernov | written by | |
| David Rosiak | written by | |
Produced by | |||
| Kevin Bocarde | .... | co-executive producer | |
| Kyle Clark | .... | producer | |
| Patsy Fitzgerald | .... | associate producer | |
| Robert Halmi Jr. | .... | executive producer | |
| Larry Levinson | .... | executive producer | |
| Nick Lombardo | .... | co-executive producer | |
| Stephen Niver | .... | producer | |
| Lina Wong | .... | associate producer | |
Original Music by | |||
| Nathan Furst | |||
Cinematography by | |||
| Dane Peterson | (director of photography) | ||
Film Editing by | |||
| Craig Bassett | |||
Casting by | |||
| Penny Perry | |||
| Amy Beth Reece | |||
Production Design by | |||
| John Zachary | |||
Set Decoration by | |||
| Jessica Anderson | |||
Costume Design by | |||
| Heather Hershman | |||
Makeup Department | |||
| Jocelyn Carpenter | .... | key hair stylist | |
| Erin Good | .... | assistant makeup artist | |
| Zee Graham | .... | makeup department head | |
| Jane Koo | .... | makeup department head | |
| Tara Loren | .... | additional makeup artist | |
| Mike Tristano | .... | special makeup effects artist | |
Art Department | |||
| Robert W. Gaines | .... | art department assistant | |
| George Hobbs | .... | assistant property master | |
| Jameson Williams | .... | property master | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| Scott Cannizzaro | .... | adr engineer | |
| Jake Eberle | .... | sound editor | |
| Josh Eckberg | .... | sound recordist | |
| Mark Ettel | .... | sound re-recording mixer | |
| Marc Glassman | .... | sound effects editor | |
| Jeremy Gray | .... | studio engineer | |
| Benjamin Hoekstra | .... | boom operator | |
| Micky Hohl | .... | boom operator | |
| Anthony Krajchir | .... | sound engineer | |
| Rafael 'Bulan' Luna | .... | boom operator | |
| Manny Marquez | .... | boom operator | |
| Rich Novak | .... | foley mixer | |
| Steven Schwedt | .... | boom operator | |
| Michael Tyabji | .... | sound recordist | |
| Rosa Tyabji | .... | sound mixer | |
| Rosa Tyabji | .... | sound recordist | |
Visual Effects by | |||
| Eric Acsell | .... | digital compositor | |
| Allan Cabal | .... | animator | |
| John Lindstein | .... | lighting artist | |
| Justin Mitchell | .... | special visual effects | |
| Patrick Murphy | .... | visual effects producer | |
| Sharon Packer | .... | 3D supervisor | |
| John Peeler | .... | visual effects coordinator | |
| Philip Sisk | .... | digital compositor | |
| Ryan T. Smolarek | .... | lead digital compositor | |
| Rony Soussan | .... | technical director | |
| Mike Witting | .... | visual effects editor | |
Stunts | |||
| Cass Asher | .... | stunt double: John Schneider | |
| Liisa Cohen | .... | utility stunts | |
| Marijane Cole | .... | stunt double | |
| Kryshawn Cousins | .... | stunt double | |
| Kevin Derr | .... | stunts | |
| Wyatt Grass | .... | stunt double | |
| Aaron Haedt | .... | stunts | |
| Joshua Ray James | .... | stunt performer | |
| Bevin Kaye | .... | stunt double | |
| Dennis Kinard | .... | stunts and water safety | |
| Mark Kubr | .... | stunts | |
| Bryan Ludens | .... | stunt performer | |
| Eddie Paul | .... | stunt coordinator | |
| Juliana Phelps | .... | stunt double | |
| Jesse Tipton | .... | utility stunts | |
| Sonny Tipton | .... | stunt coordinator | |
| Ava Rose Williams | .... | stunt double: Darcy Rose Byrnes | |
| Darlene Ava Williams | .... | stunt double | |
Casting Department | |||
| Christine Babayans | .... | casting associate | |
| Heather Sirota | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kelly Kwon | .... | set costumer | |
| Emily Plummer | .... | costume supervisor | |
| Susan Wohlers | .... | wardrobe assistant | |
Editorial Department | |||
| Mario Barrera | .... | colorist | |
| Braden Friedman | .... | assistant editor | |
| Kevin Gieseking | .... | post-production coordinator | |
| Frank Sharp | .... | post-production coordinator | |
| Ru Sommer | .... | second assistant editor | |
| Mike Witting | .... | on-line editor | |
Music Department | |||
| Matt Shelton | .... | music editor | |
Transportation Department | |||
| Chris Attia | .... | transportation captain | |
| Davin Attia | .... | driver | |
| Grant Oge | .... | driver | |
| Thomas Rohrback | .... | driver | |
| Javier Zaizar | .... | driver | |
Other crew | |||
| Zach Bradshaw | .... | assistant production coordinator | |
| Suzanne Friedline | .... | adr voice match | |
| Kevin Franklin Gieb | .... | assistant to director | |
| Greg Hairfield | .... | assistant production coordinator | |
| Alyce Heath | .... | assistant accountant (as Alyce Schwartz) | |
| Robert Krywicki | .... | production accountant | |
| Marisa La Tour | .... | production associate | |
| Tony Oberstar | .... | production assistant | |
| Nathan Pavlik | .... | production assistant | |
| Jeff Rosenberg | .... | set coordinator | |
| Kara Sweeney | .... | assistant location manager | |
| Dan Urrutia | .... | production assistant | |
| Bob Wheway | .... | key production assistant | |
| Susan Wohlers | .... | craft service | |
| Javier Zaizar | .... | base camp manager | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
The only reason why I didn't rate Shark Swarm any lower was because of Armand Assante. Despite his rather stereotypical villainous character, he does put some gusto into his performance and he is enjoyable to watch. But the rest of the cast are poor. F Murray Abraham, outstanding in Amadeus, is wasted, he managed to save Blood Monkeys but he is not in Shark Swarm anywhere long enough to make the same impact. Daryl Hannah I loved in Splash and Roxanne, but other than her beauty she is very robotic and bland. John Schneider looks bored out of his mind, and who can blame him? They are not helped however their underdeveloped and very clichéd characters, nor by the horrendously cheesy writing. The story takes forever to get going, and never really picks up. The exposition scenes are dull and poorly written, the climax is contrived and the attacks are not scary or suspenseful in the slightest. The sharks are used sparsely, in hindsight you'd think that would work, however aside from the fact that they are horribly rendered in every scene they appear in(even the shark effects in Jersey Shore Shark Attack were this bad) you also don't learn anything about their origins or why they attack in the first place. In conclusion, Shark Swarm has nothing in its favour other than a pretty good turn from Assante(and actually even he deserved better than this). 2/10 Bethany Cox