Set in Kansas during the early 1900s, a teen-aged Native American boy (newcomer Winter Fox Frank) is taken from his family and forced to attend a distant Indian "training" school to ...
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In 1939, African American leaders respond to Jim Crow segregation by building a rocket to colonize Mars. The three person crew blasts off, but time travel instead, arriving in present-day America revealing much about race today.
Seeking revenge and justice, Cole Brandt finds himself in the lawless town of Dead River where he is faced with one last bloody showdown for freedom in order to protect The Majestic Saloon and a beautiful woman.
Sheree J. Wilson,
Andrew W. Walker
Spiker is a pink-eyed albino serial killer who slashes his victims with railroad spikes and buries the bodies under train tracks. He escapes from an asylum and returns to the small town he terrorized years before.
A woman's haunting visions reveal a Catholic priest's sinister plot to silence her mother from speaking the truth about the atrocities that took place at her Native American boarding school... See full summary »
Set in Kansas during the early 1900s, a teen-aged Native American boy (newcomer Winter Fox Frank) is taken from his family and forced to attend a distant Indian "training" school to assimilate into White society. When he escapes to return to his family, Sam Franklin (Wes Studi), a bounty hunter of Cherokee descent, is hired to find and return him to the institution. Franklin, a former Indian scout for the U.S. Army, has renounced his Native heritage and has adopted the White Man's way of life, believing it's the only way for Indians to survive. Along the way, a tragic incident spurs Franklin's longtime nemesis, the famous "Indian Fighter" Sheriff Henry McCoy (J. Kenneth Campbell), to pursue both Franklin and the boy. Written by
A new and important addition to the "Western" film genre
I live in Lawrence Kansas where one of the earliest "normalizing" schools was set up for Indian children. Parents, after having their children confiscated, traveled and set up tents around Haskell School where their mournful cries were heard every night. This film is the FIRST in cinema history (that I am aware of anyway) that attempts to refer to this era of American history from this point of view. The storyline and script are dramatically engaging. The movie showcases a clash of cultures but rather than generalizing, the film reveals the individuality of both white and native individuals and showcases just how war and strife can create opportunistic "survivors" from any ethnic group.
I believe this movie adds a new chapter to the Western genre because the Native point of view is well represented in a realistic and powerful manner and because the protagonists, an Indian boy and man, are put into a fully developed role!
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