Night at the Museum: Battle of the Smithsonian (2009)

Director:

Shawn Levy

Writers (WGA):

Robert Ben Garant (written by) &
Thomas Lennon (written by) ...

Release Date:

22 May 2009 (USA)

Genre:

Action | Adventure | Comedy | Family | Fantasy

Tagline:

When the lights go off the battle is on.

Plot:

Security guard Larry Daley infiltrates the Smithsonian Institute in order to rescue Jedediah and Octavius, who have been shipped to the museum by mistake. |

Plot Keywords:

Security Guard | Museum | Angel | Al Capone | Astronomer

Awards:

1 win & 3 nominations

Cast

Ben Stiller	...	Larry Daley
Amy Adams	...	Amelia Earhart
Owen Wilson	...	Jedediah Smith
Hank Azaria	...	Kahmunrah / The Thinker / Abe Lincoln
Robin Williams	...	Teddy Roosevelt
Christopher Guest	...	Ivan the Terrible
Alain Chabat	...	Napoleon Bonaparte
Steve Coogan	...	Octavius
Ricky Gervais	...	Dr. McPhee
Bill Hader	...	General George Armstrong Custer
Jon Bernthal	...	Al Capone
Patrick Gallagher	...	Attila the Hun
Jake Cherry	...	Nicky Daley
Rami Malek	...	Ahkmenrah
Mizuo Peck	...	Sacajawea

Also Known As:

Night at the Museum 2 (Australia) (Singapore: English title) (UK) (USA) (working title)
Another Night (USA) (working title)
Night at the Museum 2: Escape from the Smithsonian (USA) (working title)
Night at the Museum: Battle of the Smithsonian - The IMAX Experience (USA) (IMAX version)

MPAA:

Rated PG for mild action and brief language.

Runtime:

105 min

Country:

USA | Canada

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

USA:PG (certificate #44999) | South Korea:All | UK:PG | Singapore:PG | Finland:K-7 (re-rating after appeal) | Ireland:PG | Norway:7 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | Philippines:G (MTRCB) | Canada:G (Manitoba/Quebec) | Canada:PG (Alberta/British Columbia/Ontario) | Portugal:M/6 | Brazil:Livre | Netherlands:6 | Sweden:7 | Hong Kong:I | Iceland:L | Mexico:A | Argentina:Atp | Peru:PT | Japan:G | Australia:PG

Filming Locations:

Burnaby, British Columbia, Canada

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Cameo: [Jonah Hill]Uncredited cameo as the Smithsonian guard 'Brandon'.

Goofs:

Factual errors: Amelia Earhart's red Lockheed Vega carries no more than two people and would not reach New York City in a half an hour. They had only one hour until sunrise. The train takes three hours and a jet aircraft would take almost an hour. (Also the Smithsonian only preserves their exhibits and does not maintain their aircraft in flight ready condition.)

Quotes:

Larry Daley: I'm sorry. Last time I checked, I thought we lived in a free country. So...
Brandon: No, we don't.
Larry Daley: No?
Brandon: It's the United States of "Don't Touch That Thing Right in Front of You."

Movie Connections:

Featured in 81st Annual Academy Awards (2009) (TV)

Soundtrack:

I Only Have Eyes for You

Night at the Museum: Battle of the Underdeveloped Plot and Characters

There's an old saying in Hebrew that claims that if you try and catch as much as you can, you'll end up having nothing at all. After viewing Night at the Museum: Battle of the Smithsonian, I can sadly say that the same can be said when regarding this lesser sequel to the 2006 smash hit.

Even though most film critics despised the original movie, the first Night at the Museum was actually one of my favorite films of that year. For me, the film worked on two levels. First, by waking the inner-child in all of us and making us feel the magic Ben Stiller's character Larry experiences once the exhibits in his museum come to life in all their glory in front of him. Second, by telling a very straight-out and heart warming coming of age story of a grown-up divorced man who has to take control of his life and get his act together (with the museum working more as a metaphor of sorts). I also related to the additional educational values the film had to offer, another theme I felt received a lesser emphasis in the sequel.

In the second installment of the Night of the Museum series, much of the initial magic is already lost from the get-go. We already know the artifacts come to life and how, and the general feeling of suspense is gone. To make things worse, the whole story feels convoluted and unreal. We're expected to believe that Larry has turned from a no-good night guard at the museum in the first film to this mega-successful businessman in the second installment during the course of only a few years (and after being a virtual nobody for the vast majority of his life). I mean come on, Hollywood - Where did the charming loser from the first film go so quickly? Stiller's Larry is hardly likable at the beginning, and once he learns that his lovable exhibits/friends are moving to the Smithsonian museum (after the Museum of Natural History closed for technological renovation) things start happening so fast, that his motives for leaving his comfortable job to help rescue his friends are left and undeveloped and unconvincing.

The main course of this sequel is of course the special effects created by the two museum's re-animated exhibits, with the evil Egyptian Kamunrah (The Simpson's Hank Azaria) acting as the main villain who operates the evil Smithsonian exhibits who strive for world domination yadda yadda yadda. Some effects are cute (Al Capone's gangsters brought back to life in black and white, the heroes entering an old painting, the Lincoln memorial rising from his chair, amongst others) and some are once again undeveloped and underused. At times, it seems so much is happening on the screen, that you don't really know where to look or who to concentrate on. Many returning characters from the first film are outrageously underused (including Robin Williams' Teddy Roosevelt and Owen Wilson's Jedediah) and many comedians who are brought specifically for the film contribute blink-and-you-miss-it performances, including Ricky Gervais and Jonah Hill). The only true contribution for the film is the lovely Amy Adams (Enchanted), who portrays a fluffy re-animated Amelia Earhart who seems more lost than ever.

To sum things up, I'd say that Night at the Museum: Battle of the Smithsonian may have been cute at times, but it was mostly useless, as it really didn't add any significant notion to the elements presented in its predecessor. While that film felt like an instant classic to me, this one felt more like a quick money-grab with a lot of missed potential.