Manny, Sid, and Diego discover that the Ice Age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the wooly mammoths.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
Ben Stiller returns as night watchman Larry Daily, now a successful business man, who gets back to the museum just in time to find that he needs to get his friends out of trouble. This new installment takes us to the Smithsonian, and introduces us to new characters, such as Amelia Earhart, General Custer, and many more!
When the Wright Flyer is shown in closeup (with Amelia and Larry flying the plane) you can see that the engine is mounted mirrored to the correct position. The intake and exhaust of the engine was on the pilot-side, not the crankshaft. See more »
Things have changed in the years since Larry Daley (Ben Stiller) left the New York museum where he was once the night guard. Daley himself has flourished, founding a successful business that sells made-for-TV products while the museum is struggling. When he finally visits his old stomping ground, he finds that many of the exhibits are being packed up and sent to Smithsonian storage without the ancient Egyptian tablet that allows them to come to life at night (in case you haven't seen the first "Night at the Museum" that's pretty much the entire plot). Soon, however, he gets an urgent call from his friend/miniature Cowboy exhibition item Jedediah (Owen Wilson), who informs him that the tablet has come with them into storage and that they are under attack from all the various items packed away in the nation's capital.
That is a lot of summarizing for such a simple kid's movie. As far as these movies go, "Museum 2" isn't all bad. There are a few laughs, Stiller is invested in his character (no matter how shallow it may be), and it all comes together fairly concisely. So it's not bad, it's just not necessary. This is the kind of movie that SCREAMS, "We know we can make a ton of money on this no matter what kind of crap we throw on screen." The first "Museum" was a surprising success and a movie that really had some fun, valuable moments. I actually quite enjoyed the first film, though I admit my expectations were virtually nil going in. The sequel, however, is clearly stretched for quality content and is hampered by a plot that doesn't really leave much room for growth or development. Even supporting actors like the multi-talented Hank Azaria and Soap Box Office-favorite Amy Adams can't find much of a groove to work in as the whole movie just seems to be spinning its wheels. I know, I know, it's a kid's movie, it's not supposed to be inherently complex or layered. But we live in a world in which movies like "How to Train Your Dragon" and everything Pixar has ever done have set a standard for making smart, dynamic children's movies. By contrast, "Night at the Museum 2" fails to produce much of anything worth recommending.
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