Directed by | |||
| John Crowley | |||
Writing credits | ||
| Jonathan Trigell | (novel) | |
| Mark O'Rowe | (screenplay) | |
Produced by | |||
| Sue Calverley | .... | line producer | |
| Tally Garner | .... | producer | |
| Lynn Horsford | .... | producer | |
| Liza Marshall | .... | executive producer | |
| Nick Marston | .... | producer | |
Original Music by | |||
| Paddy Cunneen | |||
Cinematography by | |||
| Rob Hardy | (director of photography) | ||
Film Editing by | |||
| Lucia Zucchetti | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Jon Henson | |||
Art Direction by | |||
| Andrea Hughes | |||
Set Decoration by | |||
| Anita Gupta | |||
| Robert Wischhusen-Hayes | |||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Sarah Campbell | .... | hair stylist | |
| Sarah Campbell | .... | makeup artist | |
| Janet Horsfield | .... | hair stylist | |
| Janet Horsfield | .... | makeup artist | |
| Juliet Jackson | .... | hair stylist | |
| Juliet Jackson | .... | makeup artist | |
| Jessica Taylor | .... | hair designer | |
| Jessica Taylor | .... | makeup designer | |
Production Management | |||
| Helen de Winter | .... | post-production supervisor | |
| Kevin Jackson | .... | unit manager | |
| Amanda Wasey | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Laura Coggan-Hulmes | .... | second assistant director (as Laura Coggan) | |
| Gemma Nunn | .... | third assistant director | |
| Dan Winch | .... | first assistant director | |
| Jen Leng | .... | additional third assistant director (uncredited) | |
| Dominic Threlfall | .... | additional third assistant director (uncredited) | |
Art Department | |||
| Caroline Barclay | .... | stand-by art director | |
| Will Cann | .... | prop hand | |
| Gareth Cousins | .... | assistant art director | |
| David Ede | .... | scenic artist | |
| Neil Glynn | .... | stand-by props | |
| Patrick Henshaw | .... | dressing props | |
| Tony Henshaw | .... | property master | |
| Paul Mitchell | .... | prop hand | |
| Susan Ross | .... | scenic artist | |
| Kevin Smith | .... | stand-by carpenter | |
Sound Department | |||
| Antonia Bates | .... | dialogue editor | |
| Owen Bleasdale | .... | foley recordist editor | |
| Paula Boram | .... | foley artist | |
| Paul Davies | .... | supervising sound editor | |
| Jim Greenhorn | .... | sound mixer | |
| Gareth Llewellyn | .... | assistant sound mixer | |
| Christine Morton | .... | sound trainee | |
| Chu Li Shewring | .... | assistant sound editor (as Chu-Li Shewring) | |
| Jack Stew | .... | foley artist | |
| Andrew Stirk | .... | sound re-recording mixer | |
| Graeme Stoten | .... | adr recordist | |
| Jason Swanscott | .... | foley artist | |
| David Turner | .... | sound project coordinator (as Dave Turner) | |
| Justin Wilkinson | .... | sound maintenance engineer | |
| Thom Berryman | .... | assistant dubbing mixer (uncredited) | |
| Thom Berryman | .... | sound transfer engineer (uncredited) | |
Visual Effects by | |||
| Barney Jordan | .... | visual effects: The Farm | |
Stunts | |||
| Gary Connery | .... | stunt coordinator | |
| Ben Cooke | .... | stunt performer | |
| Aldonio Danny Freitas | .... | stunt performer (as Aldonio Freitas) | |
| Gareth Milne | .... | stunt coordinator | |
| Justin Pearson | .... | stunt performer | |
| Charles Ramsay | .... | stunt performer (as Charlie Ramsey) | |
| Andy Wareham | .... | stunt performer | |
| William Willoughby | .... | stunt performer (as Will Willoughby) | |
| Andy Wareham | .... | stunt double: Boy A @ 17 (uncredited) | |
Camera and Electrical Department | |||
| Richie Donnelly | .... | focus puller | |
| Steve Gartside | .... | electrician | |
| Richard Griffiths | .... | grip | |
| Lee Howarth | .... | stand-by rigger | |
| Tony Hughes | .... | electrician | |
| Ian Jackson | .... | rigging gaffer | |
| Wayne Mansell | .... | generator operator | |
| Ed Miller | .... | still photographer | |
| Daniel Nightingale | .... | camera assistant (as Dan Nightingale) | |
| Daniel Nightingale | .... | camera trainee (as Dan Nightingale) | |
| Matilda Smith | .... | clapper loader | |
| Laurie Sparham | .... | still photographer | |
| John Taylor | .... | Steadicam operator | |
| Roger Tooley | .... | Steadicam operator | |
| William Tracey | .... | gaffer | |
| Anthony Ward | .... | grip | |
| David Williamson | .... | video playback operator | |
Casting Department | |||
| Alice Searby | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Shahida Day | .... | costume supervisor (as Shaida Day) | |
| Victoria Lambe | .... | costume trainee | |
| Jane Marcantonio | .... | costume assistant | |
Editorial Department | |||
| Tonia Cohen | .... | negative checker: Reel Skill Film Cutting | |
| Andrew Dearnley | .... | digital film supervisor | |
| Ian Dood | .... | digital intermediate director of production: The Farm | |
| Aidan Farrell | .... | colorist: The Farm | |
| Marya Goga | .... | editorial administrator: Channel Four | |
| Clyde Kellett | .... | on-line editor | |
| David Klafkowski | .... | digital intermediate technical director: The Farm | |
| Justin Lanchbury | .... | film transfer consultant | |
| Alan Pritt | .... | film transfer coordinator | |
| Fiona DeSouza | .... | first assistant editor (uncredited) | |
Music Department | |||
| Simon Allen | .... | musician | |
| Arthur Dick | .... | musician | |
| Liz Gallacher | .... | music supervisor | |
| Paul Higgs | .... | musician | |
| Steve Parr | .... | music re-recording mixer | |
| Joe Townshend | .... | musician | |
Other crew | |||
| James Armitage | .... | legal services: Lee & Thompson | |
| Andrew Braithwaite | .... | paramedic | |
| Marianne P. Buckland | .... | legal and compliance: Channel Four | |
| Andrew Buglass | .... | floor runner | |
| Stephen Cheers | .... | location scout | |
| Julie Clyne | .... | paramedic | |
| Marti Consibee | .... | chef | |
| Anna Davis | .... | finance director: Cuba Pictures | |
| Craig Dickson | .... | head of legal: Cuba Pictures | |
| Jeremy Gawade | .... | legal services: Lee & Thompson | |
| Tammy Gouldesbrough | .... | chaperone | |
| Claire Harrison | .... | assistant accountant | |
| Elaine Harrison | .... | production accountant | |
| Julie Hodgson | .... | chaperone | |
| Rachel Jones | .... | production secretary | |
| Valerie Jones | .... | chaperone | |
| John Kerron | .... | title designer: The Farm | |
| Helene Lenszner | .... | location manager | |
| Colin Lewin | .... | finance director: Cuba Pictures | |
| Shelley Love | .... | choreographer | |
| Paul McCallister | .... | clips: Channel Four | |
| Bronwyn McConville | .... | assistant to commercial affairs: Channel Four | |
| Sarah McWhinney | .... | finance director: Cuba Pictures | |
| Alison Morrison | .... | chef | |
| James Muirhead | .... | location scout | |
| Claire Newton | .... | assistant location manager | |
| Rebecca O'Connor | .... | commercial affairs: Channel Four | |
| Claire Oakley | .... | assistant: John Crowley | |
| Tracey Pearce | .... | chaperone | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Sue Bruce Smith | .... | commercial development: Channel Four, Film4 (as Sue Bruce-Smith) | |
| Hilary Stewart | .... | commercial affairs: Channel Four | |
| Emma Thomas | .... | script supervisor | |
| Selina Ukwuoma | .... | finance director: Cuba Pictures | |
| Kathryn Williams | .... | head of commercial affairs: Channel Four | |
| Jenny Winston | .... | runner | |
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| Kings & Queen | The Reader | My Own Private Idaho | Conviction | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
We have all came across the stories and events of young children committing terrible crimes. They must be evil and need to be locked away as they are clearly not the same as you and me are they? Well what if they were the same, only they had a moment of madness, a moment that they did without thinking when they were young enough to know it was wrong but not too fully realise the full extent of their actions? This film does what all great films do, it educates and opens your eyes and mind to new on suggestions, in a sense it widens your experiences. If you really let it this film will get into your head and cause you to fight with your preconceived ideas on punishment for people or whether they deserve forgiveness.
This is a great film, I really liked it but I felt uncomfortable during most of it because I knew deep down it was just asking me a question. I know what the lead character did is wrong, I know he was a child when he did it, but now you see him in a new life, touching other people's lives. The film does have an ending for you but this is not the point of the film. The really ending is in your head and it stays with you, "are you are willing to forgive someone like Jack?"