The story of a young Jack, newly released from serving a prison sentence for a violent crime he committed as a child.

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Writers:

(novel), (screenplay)

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12 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Alfie Owen ...
Victoria Brazier ...
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Madeleine Rakic-Platt ...
Schoolgirl
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Bully
Dudley Brewis ...
2nd Bully
Leigh Symonds ...
Eric's Dad
Maria Gough ...
Eric's Mum
Taylor Doherty ...
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Carlene Hanson ...
Waitress
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Storyline

A young man is released from prison after many years and given a new identity in a new town. Aided by a supervisor who becomes like a father to him he finds a job and friends and hesitantly starts a relationship with a compassionate girl. But the secret of the heinous crime he committed as a boy weighs down on him, and he learns that it is not so easy to escape your past. Written by Peter Brandt Nielsen

Plot Summary | Plot Synopsis

Taglines:

They took his name so he could have a future. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language, sexuality, some disturbing content and brief drug use | See all certifications »

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Details

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Release Date:

4 September 2008 (Singapore)  »

Also Known As:

A Rapaz  »

Box Office

Opening Weekend:

$13,024 (USA) (27 July 2008)

Gross:

$106,368 (USA) (22 August 2008)
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Company Credits

Production Co:

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In a retrospective scene young Eric and his friend Philip are walking around impersonating Spider-Man shooting web and swinging along the street. Andrew Garfield, the actor playing old Eric/ Jack, is Peter Parker/Spider-Man in The Amazing Spider-Man (2012). See more »

Quotes

Michelle: [about Jack's local hero news in the paper] Hey hero! Look what I've got!
Jack Burridge: [embarrassed] Horrible, horrible.
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Connections

References Lost (2004) See more »

Soundtracks

Princess
Performed by Mint Royale
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Frequently Asked Questions

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User Reviews

 
A master class in the art of film-making
6 May 2008 | by (United States) – See all my reviews

Few films wowed audiences at the 2008 Tribeca Film Festival as much as John Crowley's "Boy A." Scipted by Mark O'Rowe from a Jonathan Trigell novel, "Boy A" is a story-driven mystery which is carried on the shoulders of newcomer Andrew Garfield, in a tour de force performance that dominates the film from opening title to closing credits.

Jack Burridge is leaving prison after a 14-year sentence for a crime he committed as a child. His mentor Terry has been working to gain his release and help him transition into the new world in which he'll live and work under a new identity. It's up to Jack to determine who he wants to be, but it's up to those around him to determine whether or not he will be allowed to do so. It's that challenge which is at the heart of "Boy A." Andrew Garfield ("Doctor Who," "Lions for Lambs") is frighteningly brilliant as Jack. It's his movie to make or break, and this role is sure to be singled out as the launching pad for what is destined to be a notable career. The viewer sees a sweet, sensitive, puppy dog of a young man while his secret past indicates something completely different. We wrestle with that concept as he does himself, and it's an emotional, moving piece of work. As his counselor Terry, Peter Mullan ("Trainspotting," "Children of Men") is the father figure who provides a foundation for Terry's wandering existence. His attempts to keep Jack alive and well are both heartening and heartbreaking.

"Boy A" is visually stunning. The interplay of light and shadow through the use of diffusion filters and silhouette gave me chills. The dramatic manipulation of white light is a seemingly simple device but cuts to the bone. Cinematographer Rob Hardy demonstrates true artistry with camera-work that is often a character in itself. A recurring visual theme using tunnels, alleyways, hallways, and bridges stands out even to the untrained eye. Paddy Cunneen's score makes it clear that this is, at its heart, a tale of intrigue.

Told in flashback, the secrets of "Boy A" are revealed in bits and pieces. The reality of who Jack is becomes more powerful and painful as the film progresses. Garfield is so charismatic, and his Jack so incredibly sympathetic, that this film easily rises to the top of those screened at this year's festival. John Crowley's "Boy A" is a master class in the art of film-making.


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