The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth ... Written by
Warner Bros. Pictures
Production designer Rick Heinrichs designed Collinwood to reflect its maritime heritage (the mansion was close to the ocean, and its owners have a background in fishing); ocean motifs like fish and mermaids are present throughout the house and its furnishings, including seahorses in the fireplace along with statues of the sea god Neptune. See more »
When Angelique kisses Barnabas in the study, the lipstick smudges change shape and disappear and reappear between shots. See more »
It is said that blood is thicker than water. It is what defines us, binds us... curses us.
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The opening credits feature Victoria Winters en route to Collinwood, repeating her name to herself ("My name is Victoria Winters..."), while the prologue featured a shot of waves breaking onto a cliffshore. This is a reverse of the Dark Shadows (1966) opening, where the prologue featured Victoria Winters traveling and the title sequence was of the waves breaking upon seashore scree. See more »
I saw every Tim Burton film since Mars Attacks! at the cinema. Until this came along. I had had enough of Burton's subpar efforts over the years and Alice In Wonderland was his last chance as far as I was concerned. Finally saw this and I'm glad I waited. This is simply awful. Based on a soap opera, Burton doesn't seem to know what to do. It changes tone dramatically from obvious humour involving Depp's character waking up after 200 years of being buried and being confused by things such as television. To grisly kills where he takes out innocent victims. There are a whole cast of characters, each one is given their own story, but none of them are given enough time to develop. Miller, Carter, Heathcote are all wasted as are their stories. I didn't even get the point of Miller, which is a shame because he was great with what he had. Entire scenes have no place in the film, or are needlessly long and repetitive. The main plot seems to have Eva Green asking Depp to be hers and him rejecting her, over and over and over again. It really does feel like snippets from a soap opera condensed down. This is really just a clip show. By the end it starts pulling things out of its backside. Couldn't care for anybody in this film and think the original property should have just been left alone.
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