The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth ... Written by
Warner Bros. Pictures
I am a huge fan of the old Dark Shadows shows. I liked the old series, bloopers and all. I liked the films House of Dark Shadows and to a lesser degree Night of Dark Shadows. I liked the 1991 revival series of Dark Shadows. This new Tim Burton/Johnny Depp version has some good elements in it, like the costumes, soundtrack and special effects, but the problem here lies in the written word. The script relies too much on gags, some funny and some rather lame. The basic characters are mostly here with the exception of the melding of Maggie Evans into Victoria Winters, and the actor playing Willie Loomis does a better job with the character than did the one from the 1991 revival, who chose (or was directed) to play the role as a half-wit.(The one element I disliked about the revival). The 1970s music, cars, costumes and hairdos are spot-on and add to the comfy 1970s feel of the piece. The climax is all special effects and one "revelation" of the plot is so absurdly done here that it is (unintentionally) laughable. In all, I would say that this film may appeal more to those who never saw any of the original versions of this than the fans of them. I didn't hate this film, I just didn't love it either.
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