Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, ... See full summary »
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
After an experimental bio-nerve gas is accidentally released at a remote U.S. military base in Texas, those exposed to the gas turn into flesh-eating, mutating zombies out to kill. An assortment of various people who include stripper Cherry, her shady mechanic ex-boyfriend Wray, a strong-willed doctor, the local sheriff, and an assortment of various people must join forces to survive the night as the so-called "sickos" threaten to take over the whole town and the world. Written by
Skip Reissig, who plays strip-club owner Skip, isn't an actor but is actually director Robert Rodriguez real-estate agent. Rodriguez thought he'd be perfect for the part of the brusque, no-nonsense, tough-talking strip-club owner because, as Rodriguez says, "that's the way he really is". See more »
Cherry's gun-leg does not appear to have a function to fire and change ammo, but the leg was designed in the company of a bio-mechanical engineer that clearly has capabilities beyond a rational reality, so the fact that she doesn't need to pull triggers or activate different weapons in the gun-leg is rational, given the context and scope of the movie, along with the obvious fact that the technical functions of the device were deliberately overlooked by the filmmaker(s) to keep the action pace of the "grindhouse" film. See more »
Real pretty tonight, Holly.
[two girls are kissing]
Goddammit, girls - if you're gonna do that shit, do it onstage!
Smokin' hot. Whew!
See more »
After the credits we see that Tony Block survived his self-inflicted gunshot wound and is shown sitting on a beach looking at his pets. See more »
While Quentin Tarantino's Death Proof seems to be a much more authentic representation of 1970s grindhouse pictures, Robert Rodriguez' Planet Terror is more of a loving caricature of 1980s zombie splatter films. Nothing in the film is played straight, and virtually every scene is accompanied by a wink and a grin at the audience.
If Tarantino's effort is accused of being slow (or deliberately paced, depending on your opinion), Planet Terror never even thinks about slowing down. From the exploitative opening credits through to the final frames of the film, this is a roller coaster ride of a film that doesn't let up.
With Planet Terror, Robert Rodriguez continues his "everything and the kitchen sink" mentality when it comes to his film-making by throwing everything at the wall just to see what sticks. While it sometimes feels like this technique gets in the way of Rodriguez finding a true film-making voice, it works quite well for a film like Planet Terror where there's no room for subtlety.
The cast that Rodriguez assembled is a glorious ensemble of bygone action heroes, horror icons, and Rodriguez stock actors. They all bring their parts to life in a cartoonish sort of way that fits the tone of the movie beautifully.
While the uncut DVD edition of Planet Terror doesn't change the film drastically in any way, it definitely improves the film. It gives the film smoother transitions and fills in some gaps in the plot (though that missing reel is still there and will always remain there as one of the many comical winks at the audience). The large cast of characters are also given more beats here and there that help fill out their personas a little more. All in all, this uncut version simply allows the film to breathe a little more, rather than having to jump frantically from scene to scene in an effort to make the 84 minute running time.
At the end of the day, Planet Terror isn't going to win any awards, and it's certainly not meant to. It's simply an extremely enjoyable guilty pleasure of a film that virtually anyone with the stomach for it can probably have a good time with, especially if you're a horror fan. Take a couple of classic John Carpenter films like The Fog and Escape From New York and throw them into a blender with a couple of classic zombie splatter films like Evil Dead 2 and Dawn of the Dead and you've got a pretty good idea of what Planet Terror is like. And at the end of the day, you could definitely have a worse combination of films to pay loving homage to.
95 of 134 people found this review helpful.
Was this review helpful to you?