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An honest cop named Sadhu Agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an ... See full summary »
Rajasthan-based Satyaveer Singh Randhawa works as a Junior Engineer with Lahkot Municipality's Public Works Department and lives a middle-class lifestyle with his wife, Nimmi, and son, Raju... See full summary »
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
Plain-clothed police officers, on patrol in a police van in Mumbai's Khar Danda area, recount the story of five crooks: Sheshadari, Shiva, Prakash, Vikram, Shardul, and their Police Inspector friend, Kalyan. The tale revolves around a bag containing 2.5 Crore Rupees that goes missing - resulting in lies, deception, betrayal, and death. Written by
Here is a film directed by someone whose previous directorial venture (Ek Hasina Thi), though stylishly executed, was a box office dud. A film which has Dharmedra as the biggest name in the credits. The second biggest is perhaps Shankar Ehsaan Loy, who are favorite composers for big banners these days. They have done a neat job here as well. A film which has a debuting actor with musical genes in lead role (he is grandson of legendary singer Mukesh). So what would be expected from such a venture? Not much I reckon. And that's the biggest strength of the film. Low expectations, high returns. The film is classic thriller by all standards. Be it acting, script, direction anything.
Commenting anything about the storyline would be a sin for this genre of cinema. Though its not suspense of "Who did it" sorts, but still its best that story is left untold. But it deserves to be told that unfolding and turn of events is gripping. It keeps you glued to your seats.
Technically the film is a jewel. Cinematography is top notch. Editing is crisp, narrative fast paced. There is hardly a dull moment. Background score is racy and innovative. Sriram Raghvan proves that the promise shown in his directorial debut was not fluke. He is a director to look out for. And thanks to him, we now have an actor too to look out for in Neil Nitin Mukesh.
So, some may call Johnny Gaddar a cult classic, some call it style exemplified. But in simple terms, it's a good film. Go and watch it.
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