A writer buys a typewriter which brings out his deepest and darkest desires.

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Cast

Cast overview, first billed only:
Tony Rugnetta ...
Kenneth Richardson
Jacki Vogel ...
Beth
Rudy J. Altenor ...
Joey
...
Housekeeper
...
Emily
Deirdre Verdolino ...
Jennifer Gesner
Gerry Kirschbaum ...
Beth's Father
...
S. Freddor ...
Willie
...
John Thompson
William Schineller ...
Eric
Cathy Loch ...
Molly
Rachel Reasoner ...
Sadie
Anthony Rugnetta Jr. ...
Tommy
Casandra Tisdale ...
Nana
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Storyline

Kenneth Richardson is a tormented writer, possessed, affected by a haunted machine. His wife Beth has a volatile relationship with him resulting from the haunted typewriter that has consumed Kenneth's life. Joey is a mentally challenged man with the mind of an eight year old, befriended by Kenneth. Nana is Joey's mother and protector. Jennifer Gesner is a Goth chick, who aligns herself with Kenneth to achieve the most horrifying ritual of Satan worship. Isabella Conti becomes the housekeeper for Ken and Beth, an innocent young lady caught in the web of horror and terror as Ken's life dramatically transforms into a life of misery. Ted Richardson is the father of Ken. Written by John Orrichio

Plot Summary | Add Synopsis

Taglines:

A Journey Into Darkness...


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Details

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Release Date:

28 September 2007 (USA)  »

Box Office

Budget:

$500,000 (estimated)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?

Connections

References Requiem for a Vampire (2006) See more »

Soundtracks

Lava Lamp of Love
Written by Jim Baker and John Orrichio
Performed by John Orrichio and Cathy Loch
Courtesy of John Orrichio Productions
See more »

Frequently Asked Questions

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User Reviews

 
Could have been so much better.
31 August 2008 | by (United Kingdom) – See all my reviews

This movie was SO poor, and the initial reviews so inaccurate (I do wonder how many have been written by friends of the cast/production team) that I finally gave in and went through the IMDb registration process just to rant about it.

I was looking for some slightly cheesy horror, so the premise of this movie, sounded rather good - innocent writer is possessed by an evil spirit haunting his typewriter - excellent start! Black Ribbon, on the other hand wasn't 'so bad it's good' but just plain bad.

I have some sympathy for the actors. The flaws in this film start with the script and work outwards. Kenneth Richardson as a character does not invite sympathy. Rather than the nice guy afflicted by evil spirits, the opening dialogue with his wife portrays him as an insensitive ass with no social skills, and he merely gets ruder and more self-centred throughout the film. Also the writer is clearly too lazy to bother even with basic research. According to the film, the sadistic killer Blackwood died in 1856, whereas the Underwood typewriter company, who supposedly made his typewriter wasn't even formed until 1874. That wasn't necessarily the death of the film though. With good acting and direction, even the poor script could have been rescued. However, the film opens with the least convincing 'attack' I have ever seen outside of student film, and fails to improve.

Tony Rugnetta is abysmal as Mr. Richardson. The faces he pulls when he is 'possessed' belong only in comedy, and his only method of emoting is to turn up the volume. Even schlock horror should be played with a straight face, and this guy just cannot cut it. He and his 'wife' together make the least convincing couple I have ever seen. There is no touching, no eye contact, no emotion between them at all, and her acting in solo scenes is as bad as his (and who the hell reads a website aloud to themselves anyway? Fine, it was a plot device, but it could so easily have been a phone conversation...). The pair of them come across through the entire film as though they are reading a train timetable under duress, and getting rather fed up with it.

The only ray of light in terms of acting ability in this entire movie is the housekeeper, of whom there is sadly little. The scenes of 'torture' are laughable, the supposedly two century-old props look suspiciously like modern creations, and the sound track, whilst not actually awful, is edited in with a lack of subtlety that reminds me of the earliest episodes of Star Trek.

Yes, there is nudity, but frankly, if you're watching this for kicks you'd be better off with Baywatch, and for emotional intensity - try some amateur porn.

The only reason I watched this film all the way through was in an attempt to find something good to say about it. Sadly, I failed.


12 of 15 people found this review helpful.  Was this review helpful to you?

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