9 out of 10 people found the following comment useful :- Now that's better . . ., 28 April 2008
Author:
alfa-16 from Rural Kent, UK
As one of the many Austen fans still smarting from the vacuously boring
Becoming Jane, I was nervous about this. As if sensing this
apprehension, Miss Austen Regrets set off at a gallop. One and a half
minutes in and we are already over the worst hurdles. We have a
talented, intelligent lead - an innovative, sparkily humorous script -
tactful and assured direction. Phew!
All memory of the toxically banal Ann Hathaway as the younger Jane
evaporated as the lovely Olivia Williams settled into the part - so
successfully that the sideswipe the writer takes at the earlier
production 20 minutes in seems inappropriately vengeful.
Without hitting the exact spot, this was very, very much better.
It played on safer ground. It portrays Austen between the publication
of Mansfield Park and Emma, just starting on the first draft of
Persuasion and surrounds her with characters with credible lives of
their own. It does an excellent job of demonstrating just how fragile
was the life of even a woman successful and famous enough to be a guest
of the Prince Regent. Only by marriage rather than as a result of her
work can Jane support her family in their modest style of life.
Questions over her brother's estate threaten the house she lives in but
can never own. This insecurity is what Miss Austen really regrets.
All the minor performances are what you'd expect from top-drawer BBC
period drama and Olivia Williams and Imogen Poots are excellent in the
two central roles of aunt who hasn't given up flirting and the niece
about to become engaged who is still learning the ropes. The whole
production portrays an interesting life, full of love, frustration,
struggle and uncertainty about life's choices, and does something like
justice to one of the greatest authors of literature and her most
intimate concerns.
So, if you've seen neither of the two recent dramas about Jane Austen's
life and you're prone to kicking the cat when angered, make absolutely
certain that you see this one first.
11 out of 18 people found the following comment useful :- Beautifully done!, 15 February 2008
Author:
saltlakefun74 from United States
I really loved this movie. I have read a biography or two about Jane
Austen and this movie seemed to me much more accurate than Becoming
Jane. Olivia Williams gave a brilliant performance as Jane. I also
liked Imogen Poots as Fanny. The actors who were her brothers Edward
and Henry were good too. I really liked the guy who played Mr. Haden
too.
I have enjoyed this much more than the new adaptations of her novels on
Masterpiece Theatre except for Northanger Abbey. Mansfield Park and
Persuasion were OK but not great and I don't know how good Sense and
Sensibility is going to be.
3 out of 6 people found the following comment useful :- What "Becoming Jane" wanted to be, 24 February 2008
Author:
prncsbtrcp from United States
This was quite good. All the acting was wonderful, especially Olivia
Williams. She brought all the intelligence and wit and feeling to Jane
that one would expect. The last scene between Jane and Cassandra was
absolutely incredible, so beautifully done. It made me wish this had
been made for theatrical release instead of "Becoming Jane." The
dialogue was very well written - witty where appropriate, cutting when
needed, and always intelligent and natural. My only quibble is the need
to show JA regretting anything. I like to imagine that she and
Cassandra and their mother (and friend who lived with them in real
life) all lived happily together and had even less stress and regret
than was shown in the film, although I realize that wouldn't be a very
long movie. Don't know why all these bio-pics feel the need to have
JA's mother trying to talk her into marrying for money, I don't think
there is any basis for that. However, that aside, it was very well
done.
I don't understand why, in the 2007/8 BBC JA fest, this and Northanger
Abbey were so good, and Persuasion and Mansfield Park we so very, very
bad. Couldn't they have gotten some of the people who did such a great
job on these (script, camera, production) and put them on the rest? I
don't have much hope for the Sense & Sensibility, but we'll see.
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Miss Austen Regrets (2008) (TV)
9 out of 10 people found the following comment useful :-

Now that's better . . ., 28 April 2008
Author: alfa-16 from Rural Kent, UK
As one of the many Austen fans still smarting from the vacuously boring Becoming Jane, I was nervous about this. As if sensing this apprehension, Miss Austen Regrets set off at a gallop. One and a half minutes in and we are already over the worst hurdles. We have a talented, intelligent lead - an innovative, sparkily humorous script - tactful and assured direction. Phew!
All memory of the toxically banal Ann Hathaway as the younger Jane evaporated as the lovely Olivia Williams settled into the part - so successfully that the sideswipe the writer takes at the earlier production 20 minutes in seems inappropriately vengeful.
Without hitting the exact spot, this was very, very much better.
It played on safer ground. It portrays Austen between the publication of Mansfield Park and Emma, just starting on the first draft of Persuasion and surrounds her with characters with credible lives of their own. It does an excellent job of demonstrating just how fragile was the life of even a woman successful and famous enough to be a guest of the Prince Regent. Only by marriage rather than as a result of her work can Jane support her family in their modest style of life. Questions over her brother's estate threaten the house she lives in but can never own. This insecurity is what Miss Austen really regrets.
All the minor performances are what you'd expect from top-drawer BBC period drama and Olivia Williams and Imogen Poots are excellent in the two central roles of aunt who hasn't given up flirting and the niece about to become engaged who is still learning the ropes. The whole production portrays an interesting life, full of love, frustration, struggle and uncertainty about life's choices, and does something like justice to one of the greatest authors of literature and her most intimate concerns.
So, if you've seen neither of the two recent dramas about Jane Austen's life and you're prone to kicking the cat when angered, make absolutely certain that you see this one first.
11 out of 18 people found the following comment useful :-

Beautifully done!, 15 February 2008
Author: saltlakefun74 from United States
I really loved this movie. I have read a biography or two about Jane Austen and this movie seemed to me much more accurate than Becoming Jane. Olivia Williams gave a brilliant performance as Jane. I also liked Imogen Poots as Fanny. The actors who were her brothers Edward and Henry were good too. I really liked the guy who played Mr. Haden too.
I have enjoyed this much more than the new adaptations of her novels on Masterpiece Theatre except for Northanger Abbey. Mansfield Park and Persuasion were OK but not great and I don't know how good Sense and Sensibility is going to be.
3 out of 6 people found the following comment useful :-

What "Becoming Jane" wanted to be, 24 February 2008
Author: prncsbtrcp from United States
This was quite good. All the acting was wonderful, especially Olivia Williams. She brought all the intelligence and wit and feeling to Jane that one would expect. The last scene between Jane and Cassandra was absolutely incredible, so beautifully done. It made me wish this had been made for theatrical release instead of "Becoming Jane." The dialogue was very well written - witty where appropriate, cutting when needed, and always intelligent and natural. My only quibble is the need to show JA regretting anything. I like to imagine that she and Cassandra and their mother (and friend who lived with them in real life) all lived happily together and had even less stress and regret than was shown in the film, although I realize that wouldn't be a very long movie. Don't know why all these bio-pics feel the need to have JA's mother trying to talk her into marrying for money, I don't think there is any basis for that. However, that aside, it was very well done.
I don't understand why, in the 2007/8 BBC JA fest, this and Northanger Abbey were so good, and Persuasion and Mansfield Park we so very, very bad. Couldn't they have gotten some of the people who did such a great job on these (script, camera, production) and put them on the rest? I don't have much hope for the Sense & Sensibility, but we'll see.
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