In the later years of her life, as she's approaching the age of forty, the novelist Jane Austen helps her niece find a husband.

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In the later years of her life, as she's approaching the age of forty, the novelist Jane Austen helps her niece find a husband.

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Biography | Drama

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3 February 2008 (USA)  »

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Io, Jane Austen  »

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Trivia

The teal pelisse worn by a guest at the christening is the same costume worn by Natasha Little (Becky Sharp) at Mr. Raggles' flat in Vanity Fair (1998), a guest at the London party in Byron (2003), Rosie Hammond when she arrives at Kentchurch Court in The Regency House Party (2004), and an extra in the Assembly Rooms in Persuasion (2007). See more »

Quotes

Jane Austen: [Reads to Cassandra from first draft of Persuasion] More than seven years were gone since this little history of sorrowful interest had reached its close;
Jane Austen: She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.She had used him ill, deserted and disappointed him; and worse, she had shewn a feebleness of character in doing so, which his own decided, confident temper could not endure. She had given him up to oblige others.
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Version of Becoming Jane (2007) See more »

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Olivia Williams Pulls It Off
6 June 2009 | by (United Kingdom) – See all my reviews

This film is so much better than 'Becoming Jane' (which deals with Jane Austen's earlier life), that it is really in another category altogether. Olivia Williams as Jane Austen in this film is scintillatingly brilliant, she truly becomes the character, and although she had already shown in 'The Heart of Me' (see my review) what a sensational actress she is, here she transcends herself. Rarely can an actress have so thoroughly 'become' a historical character as in this film. Olivia Williams has now proved that she is one of the finest actresses in Britain today. She is not vain, and is not afraid to look rough when necessary for the story, whereas Hollywood actresses do not ever want to be seen from the wrong angle, so that they become artificial. Olivia Williams really does seem to suffer with her character every step of the way. She also effervesces and bubbles with uncontrollable mischief and naughtiness, rebelling against the intolerable restrictions of life for a woman in those days. The pathos of Austen's solitary state, when women who were unmarried could not carry on any other relationships either, is vividly portrayed. Greta Scacchi is marvellous as the silent sister Cassandra, though it is hard for me to come to terms with her no longer being the dazzling starlet she was when younger, as I still envisage her as that. Imogen Poots is a mixture of charm and jealousy, feather-brained idiocy, and beaming smiles, even a touch of innate wisdom, in other words, just as full of contradictions as a real person. She pulls it all off, and we believe every aspect of her changing nature as it varies from circumstance to circumstance, laughing with her one minute and at her the next. Her versatility and instinct will doubtless bring her a fine career. Phyllida Law is marvellous as Mrs. Austen, the mother worn out by it all. Adrian Edmondson does a wonderful job as brother Henry, charming but hopeless, devoted brother and failed banker. The director, Jeremy Lovering, has never directed anything other than television material, but here he shows himself as a superb feature film director, albeit this was a film made for television. Let's hope he can now break out of the box. He is announced as director for 'The Wedding Party', and maybe that is for a larger screen. He has proved that he knows how to tease the best results out of his actors and actresses. This film is a genuine triumph, and everyone connected with it should be thrilled at the result, which could hardly be bettered. It is an instant classic, and long may it live its life as a DVD, avidly watched by anyone with an ounce of taste. And above all, what will the amazing Olivia Williams do next? Will she get all the plum roles she deserves? If there be any justice in the world at all, we will see no end of her from now every which way we turn.


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