| Isabella Ragonese | ... | Marta | |
| Massimo Ghini | ... | Claudio | |
| Valerio Mastandrea | ... | Giorgio Conforti | |
| Micaela Ramazzotti | ... | Sonia | |
| Elio Germano | ... | Lucio 2 | |
| Sabrina Ferilli | ... | Daniela | |
| Laura Morante | ... | Voce narrante (voice) | |
| Giulia Salerno | ... | Lara | |
| Edoardo Gabbriellini | ... | Roberto | |
| Valentina Carnelutti | ... | Maria Chiara | |
| Caterina Guzzanti | ... | Fabiana | |
| Elena Arvigo | ... | Moglie di Giorgio Conforti | |
| Paola Tiziana Cruciani | ... | Madre di Sonia | |
| Raffaele Vannoli | ... | Assistente Claudio (as Lele Vannoli) | |
| Mary Cipolla | ... | Madre di Marta | |
| Luisa Battaglia | ... | Catena | |
| Tatiana Farnese | ... | Signora Franca | |
| Valeria Colangelo | ... | Telefonista Alessia | |
| Veronica Corsi | ... | Telefonista Antonella | |
| Serena Silvani | ... | Telefonista Sabrina | |
| Alessia Cardella | ... | Telefonista Vanessa | |
| Francesca La Monica | ... | Telefonista Elisabetta | |
| Francesca De Francesco | ... | Milly | |
| Alessandro Roja | ... | Tecnico Assistenza | |
| Niccolò Senni | ... | Sebastiano | |
| Bob Messini | ... | Cliente di Sonia | |
| Giorgio Algranti | ... | Cliente di Sonia | |
| Teresa Saponangelo | ... | Attrice Comica - Telefonista | |
| Francesca Cutolo | ... | Attrice Comica - Casalinga | |
| Edoardo De Nicola | ... | Figlio di Claudio | |
| Maria Grazia Nazzari | ... | Moglie di Claudio | |
| Stefano Pinto | ... | Venditore Christian | |
| Francesco Brandi | ... | Coinquilino Gaetano | |
| Claudio Fragasso | ... | Capo Servizio Cultura | |
| Daniela Terreri | ... | Impiegata Postale | |
| Pierpaolo Benigni | ... | Matteo | |
| Martinha Do Amor Divino | ... | Inserviente | |
| Astrid Meloni | ... | Giornalista | |
| Piero Chieti | ... | Preside Facoltà | |
| Caterina Sylos Labini | ... | Voci dei Clienti Multiple (voice) (as Caterina Silos Labini) | |
| Cinzia Mascoli | ... | Voci dei Clienti Multiple (voice) | |
| Chiara Claudi | ... | Voci dei Clienti Multiple (voice) | |
| Laura Giannatiempo | ... | Voci dei Clienti Multiple (voice) | |
| Isabella Carle | ... | Voci dei Clienti Multiple (voice) | |
| Cristina Puccinelli | ... | Voci dei Clienti Multiple (voice) | |
| Adamo Dionisi | ... | Voci dei Clienti Multiple (voice) | |
| Marco Alfieri | ... | Voci dei Clienti Multiple (voice) | |
| rest of cast listed alphabetically: | |||
| Francesca Archibugi | ... | Donna del pubblico allo spettacolo (uncredited) | |
| Serena Dandini | ... | Donna del pubblico allo spettacolo (uncredited) | |
| Antonietta de Lillo | ... | Donna del pubblico allo spettacolo (uncredited) | |
| Renato De Maria | ... | Uomo del pubblico allo spettacolo (uncredited) | |
| Francesco Lagi | ... | Uomo del pubblico allo spettacolo (uncredited) | |
| Teresa Marchesi | ... | Giornalista (uncredited) | |
| Andrea Purgatori | ... | Uomo del pubblico allo spettacolo (uncredited) | |
| Stefano Rulli | ... | Uomo del pubblico allo spettacolo (uncredited) | |
| Paolo Virzì | ... | Uomo del pubblico allo spettacolo (uncredited) | |
Directed by | |||
| Paolo Virzì | |||
Writing credits | ||
| Francesco Bruni | screenplay & | |
| Paolo Virzì | screenplay & | |
| Michela Murgia | novel | |
Produced by | |||
| Guido Simonetti | .... | line producer | |
| Paolo Virzì | .... | producer | |
Original Music by | |||
| Franco Piersanti | |||
Cinematography by | |||
| Nicola Pecorini | |||
Film Editing by | |||
| Esmeralda Calabria | |||
Casting by | |||
| Gianluca Greco | |||
Production Design by | |||
| Davide Bassan | |||
Costume Design by | |||
| Francesca Sartori | |||
Makeup Department | |||
| Giuliano Mariano | .... | assistant hair stylist | |
| Alessandra Venzi | .... | makeup artist | |
Production Management | |||
| Renato Faust | .... | production manager | |
| Alessandro Guida | .... | assistant production manager | |
Art Department | |||
| Davide De Stefano | .... | assistant production designer | |
Sound Department | |||
| Jacopo Anzellotti | .... | sound effects editor | |
| Luca Anzellotti | .... | sound editor | |
| Massimo Anzellotti | .... | foley artist | |
| Alberto Doni | .... | sound mixer | |
| Filippo Ercolani | .... | boom assistant | |
| Mario Iaquone | .... | sound | |
| Luigi Melchionda | .... | boom operator | |
| Antonio Pulli | .... | sound editor | |
| Marco Streccioni | .... | sound engineer | |
Special Effects by | |||
| Tiberio Angeloni | .... | special effects coordinator | |
| Massimiliano Bianchi | .... | flying cam | |
| Pasquale Catalano | .... | flying cam | |
| Franco Galiano | .... | special effects supervisor | |
| Paolo Galiano | .... | special effects technician | |
| Fabio Traversari | .... | flying cam | |
Visual Effects by | |||
| Marsio Bellizzi | .... | online artist | |
| Paradisi Miconi Carlo | .... | visual effects coordinator | |
| Pasquale Di Viccaro | .... | digital compositor | |
| Fathima Feminò | .... | compositor | |
| Christian Gazzi | .... | digital color grading | |
| Marco Geracitano | .... | digital artist: Proxima | |
| Fabio Luongo | .... | digital compositor supervisor | |
| Maura Manfredi | .... | digital compositor | |
| Lorenzo Moneta | .... | main titles designer: Proxima | |
| Adriano Mulè | .... | digital compositor | |
| Claudio Napoli | .... | visual effects producer | |
| Pietro Orlandi | .... | compositor | |
| Pablo Mariano Picabea | .... | data management | |
| Pablo Mariano Picabea | .... | film recording | |
| Proxima | .... | visual effects | |
| Marco Ruggieri | .... | digital conform | |
| Paesani Sara | .... | digital compositor | |
| Giuseppe Squillaci | .... | digital intermediate supervisor: Proxima | |
| Paolo Zeccara | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Daniele Cafolla | .... | gaffer | |
| Francesco Dato | .... | video assist | |
| Marcostavros Maggi | .... | assistant camera | |
| Francisco Pintore | .... | first assistant "a" camera | |
| Marco Sacerdoti | .... | camera operator | |
Casting Department | |||
| Massimiliano Battistella | .... | casting assistant: Europe | |
Costume and Wardrobe Department | |||
| Maria Cristina La Parola | .... | wardrobe assistant | |
| Claudette Lilly | .... | costume supervisor | |
| M. Erminia Melato | .... | assistant costume designer (as Erminia Melato) | |
Editorial Department | |||
| Emanuele Bosco | .... | assistant editor | |
| Marja de Sanctis | .... | assistant editor | |
Music Department | |||
| Gabriele Conti | .... | music recordist | |
| Angelo Giovagnoli | .... | music coordinator | |
| Marco Streccioni | .... | music recording engineer | |
| Marco Streccioni | .... | music scoring mixer | |
Other crew | |||
| Giulia Contino | .... | script supervisor | |
| Federica De Vita | .... | payroll accountant | |
| Francesco Gentile | .... | production secretary | |
| Ester Ligori | .... | production coordinator | |
| Mauro Monachini | .... | production accountant | |
| Alessandra Roveda | .... | making-of | |
Thanks | |||
| Pierfilippo Siena | .... | very special thanks: Model Photography | |
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Here's the pragmatic approach that parents tell their children here - study the sciences because that will provide you a job. For Marta (Isabella Ragonese), even a top degree with honours in Philosophy fails to land her a permanent job, drawing some sharp contrast against peers who have dropped out of college, but steadily climbing the career ladder. The film has intent to examine the plight of permanent-temporary workers, you know, those who are under temporary contracts, but have to perform tasks and take on responsibilities just as how a regular staff would, but minus the staff perks.
I suppose companies take this approach with an eye wary on their bottom line, and sees this staffing strategy as something that's cost effective, virtually eliminating benefits from the payroll. The film might have been effective, with the introduction of unionist Giorgio (Valeno Mastandrea) who tries to understand the plight and conditions in the fictitious company Multiple (manufacturing who knows what product), but somehow lost its mission objectives midway because of a complication in matters of the heart, thereby relegating its own subplot.
This film is about the surreal journey of Marta as she tries her best to seek out a job, believing that her academic qualifications would open door. Contrary to her beliefs of course, Fate comes into play to introduce her to a single mom Sonia (Micaela Romazzotti) who works as a tele-marketer for Multiple, and recruits her into this really strange company with a very wide male-female division of the sexes, and feel-good ra-ra practices such as singing motivational songs at the start of each shift, and the receiving of cosmetic, encouraging SMSes in the morning everyday.
In other words, they operate much like a cult group, where performers get rewarded with dubious prizes, and laggards in the company get shipped out unceremoniously, with little dignity. Such is the sweat shop that Marta finds herself in, if not for her intellectual ability in internalizing the process in double quick time, and innovating in her job so as to perform with moderate inputs. For those who have worked in companies, or amongst peers who require you to jump, sing, shout, dance out loud in celebration of your employment or to serve as a mental prep booster before you commence each day, this film would definitely ring a bell.
And while the narrative might seem all over the place, it is precisely how director Paolo Virzi coaxes a coherent and at times zany story out of the multiple events, and myriad of characters. There's Daniela (Sabrina Ferilli) the floor supervisor who's a control freak, and harbours the hots for CEO Claudio (Massimo Ghini) who on the surface is the typical all- caring boss with a finger on the company's pulse. Then there's the romantic knot that Marta inadvertently gets herself into, and fellow sales partner Lucio 2 (Elio Germano) who preps himself almost all the time to think that he's the best of the best.
Throw in plenty of song and dance, self-reflection moments, gratuitous sex and nudity, changing relationships, and you have a film that tries too hard to cover a wide spectrum of ideas, but end up missing the bullseye more often than not. The film has its moments, but nothing too memorable besides those song and dance numbers that make the Beach Boys and some folk songs hip again.